| A sporadic series of first person writings on art education, community art and using curatorial methods, August 2015</font color="#FF0000">
 Volume 1 Up the hill backwards</font color="#FF0000">, Glasgow School of Art First Year, 1985-86
 Volume 2 Learning to be silent</font color="#FF0000">, Glasgow School of Art Environmental Art, 1986-89
 Volume 3 Growing up in Public Art: Chicago and Bellgrove</font color="#FF0000">, Glasgow School of Art MFA, 1989-91
 Volume 4 In the field part 1 (Squirrels, Horses and Loch Ness Monster)</font color="#FF0000">, Community Art, Kilmarnock, Hamilton, Derby, 1992-4
 Volume 5 In the field part 2 (Pizzas, RAY + JULIE and Euro 96)</font color="#FF0000">, Community Art, Liverpool, 1995-6
 Volume 6 In the field part 3 (The Raffles Years: Mannequins, John Peel and The Big Issue)</font color="#FF0000"></font color="#FF0000">, Community Art, Carlisle, Liverpool, 1996-9
 Volume 7 In the field part 4 (Fireworks and The Great North Run)</font color="#FF0000">, Community Art, Newcastle, 2000-1
 Volume 8i Death and Rio and the room starts to spin: tenantspin</font color="#FF0000">, Liverpool, 2001-2
 Volume 8ii Surviving FACT, Odessa and the last cigarette: tenantspin</font color="#FF0000">, Liverpool, 2003-4
 Volume 8iii Old School - A Winter's Tale, Sunday Matinee & EAST: tenantspin</font color="#FF0000">, Liverpool, 2005
 Volume 8iv The spinning stops: Pretty Vacant, Liverpool A-Z and Obscurer: tenantspin</font color="#FF0000">, Liverpool, 2006
 Volume 8v The spinning stops: Bold Street and DADOPTION: tenantspin</font color="#FF0000">, Liverpool, 2007
 Volume 9 When Leeds Poly Met Beckett</font color="#FF0000">, 2007-date
 Volume 10 The sounds of ideas forming: the relationship between sound art and the everyday</font color="#FF0000">, PhD, 2008-14
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