50-Minute Fun Break (original) (raw)
50-Minute Fun Break, released in 1992, is the fourth studio album by the collegiate comedy a cappella group the Stanford Fleet Street Singers. It was a landmark album in the a cappella genre for its pioneering recording techniques and use of studio effects. The album won critical acclaim for its studio work, including a special award in engineering from the Contemporary A Cappella Recording Awards, although some critics criticized the studio engineering as "intrusive." 50-Minute Fun Break marked a breakout album for its audio engineer, Bill Hare, who went on to become the most-awarded engineer in a cappella.
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dbo:abstract | 50-Minute Fun Break, released in 1992, is the fourth studio album by the collegiate comedy a cappella group the Stanford Fleet Street Singers. It was a landmark album in the a cappella genre for its pioneering recording techniques and use of studio effects. The album won critical acclaim for its studio work, including a special award in engineering from the Contemporary A Cappella Recording Awards, although some critics criticized the studio engineering as "intrusive." 50-Minute Fun Break marked a breakout album for its audio engineer, Bill Hare, who went on to become the most-awarded engineer in a cappella. (en) |
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dbp:artist | dbr:Stanford_Fleet_Street_Singers |
dbp:cover | 50.0 |
dbp:extra | R. Campbell (en) Tom Smith (en) Ben Evans (en) Chad Dyer (en) D. Norfleet (en) Jason Mayland (en) Jason Venner (en) Kyle Kashima (en) Martin Puryear (en) P. Rardin with Tom Smith (en) Sean Gibson, Jason Windawi, Greg Chun, Bill Moore (en) Martin Puryear, Eric Ranelletti, Kevin Quinn, and Sean Mitchell (en) |
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dbp:genre | * A cappella * comedy music * jazz standards (en) |
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dbp:nextTitle | What You Want (en) |
dbp:nextYear | 1994 (xsd:integer) |
dbp:prevTitle | curious... (en) |
dbp:prevYear | 1990 (xsd:integer) |
dbp:producer | * Ben Evans * Bill Hare * Chad Dyer (en) |
dbp:recorded | 1991 (xsd:integer) |
dbp:released | 1992 (xsd:integer) |
dbp:studio | Astral Sound in San Jose, California (en) |
dbp:title | dbr:My_Funny_Valentine dbr:Think_(Aretha_Franklin_song) dbr:Since_I_Fell_for_You dbr:Hello!_Ma_Baby dbr:Dat_Dere dbr:When_I_Fall_in_Love dbr:Jingle_Bells dbr:You_Always_Hurt_the_One_You_Love dbr:Their_Hearts_Were_Full_of_Spring dbr:Ruby_Baby Wonder Woman (en) It's a Blue World (en) Natural Woman (en) Prayer to the God of Partial Credit (en) Stanford Girl (en) The Pharaoh Bop (en) |
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dbp:type | studio (en) |
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dbp:writer | dbr:Bobby_Timmons dbr:Bobby_Troup dbr:Buddy_Johnson dbr:James_Lord_Pierpont Jerry Leiber and Mike Stoller (en) Allan Roberts and Doris Fisher (en) Aretha Franklin and Teddy White (en) Charles Fox and Norman Gimbel (en) Chet Forrest and Bob Wright (en) Gerry Goffin, Carole King, and Jerry Wexler (en) Howard and Emerson (en) Jason Mayland (en) Kyle Kashima and Bambi Haggins (en) Richard Rodgers and Lorenz Hart (en) Victor Young and Edward Heyman (en) Martin Puryear, Eric Ranelletti, Kevin Quinn, and Sean Mitchell (en) |
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rdfs:comment | 50-Minute Fun Break, released in 1992, is the fourth studio album by the collegiate comedy a cappella group the Stanford Fleet Street Singers. It was a landmark album in the a cappella genre for its pioneering recording techniques and use of studio effects. The album won critical acclaim for its studio work, including a special award in engineering from the Contemporary A Cappella Recording Awards, although some critics criticized the studio engineering as "intrusive." 50-Minute Fun Break marked a breakout album for its audio engineer, Bill Hare, who went on to become the most-awarded engineer in a cappella. (en) |
rdfs:label | 50-Minute Fun Break (en) |
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