Amen or The Pederasty (original) (raw)
Amen, more commonly known as The Pederasty (“La pederastia” in Spanish), is a conceptual, critical and process artwork by Abel Azcona. Over a period of several months, Azcona attended Eucharists in churches and parishes that were linked to his own childhood. (Azcona had received a Catholic education from the age of seven following his adoption.) In the churches, the artist keeps the wafer or consecrated host given to the attendees of the communion. He gathered two hundred and forty-two wafers, which was the number of cases of pederasty reported in the north of Spain during the previous decade. With the wafers, he made a work in which the word Pederasty could be read. The work was first exhibited at a central Madrid art gallery in the summer of 2015.
| Property | Value |
|---|---|
| dbo:abstract | Amen, more commonly known as The Pederasty (“La pederastia” in Spanish), is a conceptual, critical and process artwork by Abel Azcona. Over a period of several months, Azcona attended Eucharists in churches and parishes that were linked to his own childhood. (Azcona had received a Catholic education from the age of seven following his adoption.) In the churches, the artist keeps the wafer or consecrated host given to the attendees of the communion. He gathered two hundred and forty-two wafers, which was the number of cases of pederasty reported in the north of Spain during the previous decade. With the wafers, he made a work in which the word Pederasty could be read. The work was first exhibited at a central Madrid art gallery in the summer of 2015. (en) Amen, plus communément connu sous le nom de La Pédophilie (La pederastia en espagnol), est une œuvre d'art conceptuel, critique et de processus d'Abel Azcona. Pendant plusieurs mois, Azcona a assisté à des eucharisties dans des églises et des paroisses liées à sa propre enfance. Azcona avait reçu une éducation catholique dès l'âge de sept ans après son adoption. Dans les églises, l'artiste garde la plaquette ou l'hôte consacré remis aux participants de la communion. Il a rassemblé deux cent quarante-deux plaquettes, soit le nombre de cas de pédérastie signalés dans le nord de l'Espagne au cours de la décennie précédente. Avec les gaufrettes, il a réalisé un ouvrage dans lequel le mot Pédérastie pouvait être lu. L'œuvre a été exposée pour la première fois dans une galerie d'art du centre de Madrid à l'été 2015. (fr) |
| dbo:author | dbr:Abel_Azcona |
| dbo:wikiPageExternalLink | https://repositori.upf.edu/bitstream/handle/10230/27559/Moya_2016.pdf%3Fsequence=1&isAllowed=y/ https://eprints.ucm.es/36988/1/T37045.pdf https://www.academia.edu/37783293 |
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| dbp:artist | dbr:Abel_Azcona |
| dbp:city | dbr:Madrid dbr:Pamplona |
| dbp:title | Amen or The Pederasty (en) |
| dbp:type | dbr:Performance_art |
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| rdfs:comment | Amen, more commonly known as The Pederasty (“La pederastia” in Spanish), is a conceptual, critical and process artwork by Abel Azcona. Over a period of several months, Azcona attended Eucharists in churches and parishes that were linked to his own childhood. (Azcona had received a Catholic education from the age of seven following his adoption.) In the churches, the artist keeps the wafer or consecrated host given to the attendees of the communion. He gathered two hundred and forty-two wafers, which was the number of cases of pederasty reported in the north of Spain during the previous decade. With the wafers, he made a work in which the word Pederasty could be read. The work was first exhibited at a central Madrid art gallery in the summer of 2015. (en) Amen, plus communément connu sous le nom de La Pédophilie (La pederastia en espagnol), est une œuvre d'art conceptuel, critique et de processus d'Abel Azcona. Pendant plusieurs mois, Azcona a assisté à des eucharisties dans des églises et des paroisses liées à sa propre enfance. Azcona avait reçu une éducation catholique dès l'âge de sept ans après son adoption. Dans les églises, l'artiste garde la plaquette ou l'hôte consacré remis aux participants de la communion. Il a rassemblé deux cent quarante-deux plaquettes, soit le nombre de cas de pédérastie signalés dans le nord de l'Espagne au cours de la décennie précédente. Avec les gaufrettes, il a réalisé un ouvrage dans lequel le mot Pédérastie pouvait être lu. L'œuvre a été exposée pour la première fois dans une galerie d'art du centre de (fr) |
| rdfs:label | Amen or The Pederasty (en) Amén o La Pederastia (es) Amén ou la Pédophilie (fr) |
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| foaf:name | Amen or The Pederasty (en) |
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