Assemblage (composition) (original) (raw)
Assemblage refers to a text "built primarily and explicitly from existing texts to solve a writing or communication problem in a new context". The concept was first proposed by Johndan Johnson-Eilola (author of ) and Stuart Selber in the journal Computers & Composition in 2007. The notion of assemblages builds on remix and remix practices, which blur distinctions between invented and borrowed work. This idea predates modernism, with the quote by Edgar Allan Poe, "There is no greater mistake than the supposition that a true originality is a mere matter of impulse or inspiration. To originate, is carefully, patiently, and understandingly to combine."
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| dbo:abstract | Assemblage refers to a text "built primarily and explicitly from existing texts to solve a writing or communication problem in a new context". The concept was first proposed by Johndan Johnson-Eilola (author of ) and Stuart Selber in the journal Computers & Composition in 2007. The notion of assemblages builds on remix and remix practices, which blur distinctions between invented and borrowed work. This idea predates modernism, with the quote by Edgar Allan Poe, "There is no greater mistake than the supposition that a true originality is a mere matter of impulse or inspiration. To originate, is carefully, patiently, and understandingly to combine." (en) Die Technik der literarischen Montage ([mɔnˈtaːʒə]) ist eine Bezeichnung für das Zusammenfügen unterschiedlicher Texte oder Textteile, die unterschiedliche Inhalte beziehungsweise oft unterschiedliche Sprachebenen und -stile transportieren. Dies dient der Erzeugung von Überraschungsmomenten und der Annäherung an die moderne, immer komplizierter werdende Wirklichkeit. Nach Walter Benjamin unterbricht das Montierte den Zusammenhang, in den es gestellt ist. Analog zur bildenden Kunst spricht man auch von Collage. (de) 집합 (集合)은 새로운 맥락에서 기입 또는 의사소통 문제를 해결하기 위해 기존의 문헌에서 주로 명시적으로 내장 된 문장을 의미한다. 이 개념은 먼저 2007년 학술지 컴퓨터 & 구성의 존단 존슨에일로라 (의 저자)와 스튜어트 셀버에 의해 제안되었다. 집합의 개념은 창작과 빌린 작품 사이의 구분을 흐리게 하여, 리믹스와 리믹스 관행에 기여한다. (ko) |
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| rdfs:comment | Assemblage refers to a text "built primarily and explicitly from existing texts to solve a writing or communication problem in a new context". The concept was first proposed by Johndan Johnson-Eilola (author of ) and Stuart Selber in the journal Computers & Composition in 2007. The notion of assemblages builds on remix and remix practices, which blur distinctions between invented and borrowed work. This idea predates modernism, with the quote by Edgar Allan Poe, "There is no greater mistake than the supposition that a true originality is a mere matter of impulse or inspiration. To originate, is carefully, patiently, and understandingly to combine." (en) Die Technik der literarischen Montage ([mɔnˈtaːʒə]) ist eine Bezeichnung für das Zusammenfügen unterschiedlicher Texte oder Textteile, die unterschiedliche Inhalte beziehungsweise oft unterschiedliche Sprachebenen und -stile transportieren. Dies dient der Erzeugung von Überraschungsmomenten und der Annäherung an die moderne, immer komplizierter werdende Wirklichkeit. Nach Walter Benjamin unterbricht das Montierte den Zusammenhang, in den es gestellt ist. Analog zur bildenden Kunst spricht man auch von Collage. (de) 집합 (集合)은 새로운 맥락에서 기입 또는 의사소통 문제를 해결하기 위해 기존의 문헌에서 주로 명시적으로 내장 된 문장을 의미한다. 이 개념은 먼저 2007년 학술지 컴퓨터 & 구성의 존단 존슨에일로라 (의 저자)와 스튜어트 셀버에 의해 제안되었다. 집합의 개념은 창작과 빌린 작품 사이의 구분을 흐리게 하여, 리믹스와 리믹스 관행에 기여한다. (ko) |
| rdfs:label | Montage (Literatur) (de) Assemblage (composition) (en) 집합 (구성) (ko) |
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