Bar-line shift (original) (raw)
In jazz, a bar-line shift is a technique in which, during improvisation, one plays the chord from the measure before or after the given chord either intentionally or as an "accident." Bar-line shifts may be caused by a novice having lost their place in the chord progression, but is most often attributable to: "(1)...harmonic generalization, as in the case of playing a IIø to V7 (+5, +9) progression [II-V-I turnaround] as only a V7 (+5, +9); or (2) the player wanted to play the previous chord (though it has already transpired), but was either pausing momentarily (as in taking a breath), and decides to adopt the 'better later than never' attitude." An example of a "very intentional" bar-line shift may be found on Cannonball Adderley's solo on "So What," "in which he deliberately enters and e
| Property | Value |
|---|---|
| dbo:abstract | In jazz, a bar-line shift is a technique in which, during improvisation, one plays the chord from the measure before or after the given chord either intentionally or as an "accident." Bar-line shifts may be caused by a novice having lost their place in the chord progression, but is most often attributable to: "(1)...harmonic generalization, as in the case of playing a IIø to V7 (+5, +9) progression [II-V-I turnaround] as only a V7 (+5, +9); or (2) the player wanted to play the previous chord (though it has already transpired), but was either pausing momentarily (as in taking a breath), and decides to adopt the 'better later than never' attitude." An example of a "very intentional" bar-line shift may be found on Cannonball Adderley's solo on "So What," "in which he deliberately enters and exits the bridge early, causing considerable tension, since the chord of the A section (D-) is one-half step lower than the chord of the bridge (E♭-)." Outside of jazz a barline shift may be less than a bar, causing a change in the metric accent of the melody and its cadence. (en) |
| dbo:thumbnail | wiki-commons:Special:FilePath/Bar-line_shift_on_rhythm_changes_B_section.png?width=300 |
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| dbp:wikiPageUsesTemplate | dbt:Audio dbt:Music dbt:Jazz_theory |
| dcterms:subject | dbc:Improvisation dbc:Jazz_terminology |
| gold:hypernym | dbr:Technique |
| rdf:type | dbo:TopicalConcept |
| rdfs:comment | In jazz, a bar-line shift is a technique in which, during improvisation, one plays the chord from the measure before or after the given chord either intentionally or as an "accident." Bar-line shifts may be caused by a novice having lost their place in the chord progression, but is most often attributable to: "(1)...harmonic generalization, as in the case of playing a IIø to V7 (+5, +9) progression [II-V-I turnaround] as only a V7 (+5, +9); or (2) the player wanted to play the previous chord (though it has already transpired), but was either pausing momentarily (as in taking a breath), and decides to adopt the 'better later than never' attitude." An example of a "very intentional" bar-line shift may be found on Cannonball Adderley's solo on "So What," "in which he deliberately enters and e (en) |
| rdfs:label | Bar-line shift (en) |
| owl:sameAs | freebase:Bar-line shift wikidata:Bar-line shift https://global.dbpedia.org/id/4WFtP |
| prov:wasDerivedFrom | wikipedia-en:Bar-line_shift?oldid=920979761&ns=0 |
| foaf:depiction | wiki-commons:Special:FilePath/Bar-line_shift_on_rhythm_changes_B_section.png wiki-commons:Special:FilePath/Bar-line_shift_on_metric_accent.png |
| foaf:isPrimaryTopicOf | wikipedia-en:Bar-line_shift |
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| is foaf:primaryTopic of | wikipedia-en:Bar-line_shift |
