Diego Valentín Díaz (original) (raw)
Diego Valentín Díaz (died 1660) was a Spanish historical painter and a familiar of the Holy Office. He was a native of Valladolid. Díaz painted many important pictures for churches and monasteries, especially for the church of San Benito, now a barrack, and the convents of St. Jerome and of St. Francis, of which the Jubilee of the Porciuncula in the latter house was one of the most esteemed. His Holy Family, painted for San Benito, is now in the ; but his best work was the altar-piece representing the Annunciation of the Virgin painted for the Hospital for Orphan Girls which he founded at Valladolid. The architecture and perspective are in the finest style, and the statues introduced are admirably executed. Díaz died at Valladolid in 1660. He accumulated considerable wealth, the greater pa
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| dbo:abstract | Diego Valentín Díaz (died 1660) was a Spanish historical painter and a familiar of the Holy Office. He was a native of Valladolid. Díaz painted many important pictures for churches and monasteries, especially for the church of San Benito, now a barrack, and the convents of St. Jerome and of St. Francis, of which the Jubilee of the Porciuncula in the latter house was one of the most esteemed. His Holy Family, painted for San Benito, is now in the ; but his best work was the altar-piece representing the Annunciation of the Virgin painted for the Hospital for Orphan Girls which he founded at Valladolid. The architecture and perspective are in the finest style, and the statues introduced are admirably executed. Díaz died at Valladolid in 1660. He accumulated considerable wealth, the greater part of which he left for the support of this hospital, at which site he was buried, and where are preserved the portraits of the munificent artist and of his wife – "he a grey-haired sharp old man, she a dark-eyed dame." (en) Diego Valentín Díaz (1586 - 1660) fue un pintor barroco español de formación manierista y una producción abundante pero escasamente evolucionada a pesar de su larga vida. Hombre culto y bien relacionado con los medios eclesiásticos, llegó a ser el pintor más prestigiado de Valladolid, donde nació, alcanzando su fama a Francisco Pacheco, con quien mantuvo correspondencia, y al propio Velázquez, que lo visitó en su casa de Valladolid poco antes de su muerte. Isidoro Bosarte, no obstante, observó en 1804 que su memoria se había borrado ya en tiempos de Antonio Palomino, que no le dedicó biografía y a quien debieron de informar que la fundación del Colegio de Niñas Huérfanas era obra de Alonso Sánchez Coello, según recogía en la biografía de este. En cuanto a su valoración artística, Bosarte reconocía su mérito como «perspectivo lineal», de lo que el mejor ejemplo sería el retablo fingido que pintó para la iglesia del citado colegio. También elogiaba las pinturas del retablo de la capilla del Cristo de la Luz en la iglesia de San Benito, donde valoraba, con cierta frialdad, su modo de componer, «juicioso, devoto y muy atenido al decoro». Pero mejores que la Sagrada Familia firmada en 1621, que ocupaba el centro del retablo (actualmente en el Museo Nacional de Escultura), copiada de una estampa de Rubens, le parecieron los dos pequeños cuadros apaisados de la predela, con San Pedro penitente y la Magdalena, de mejor color. (es) |
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| dbp:title | Diaz, Diego Valentin (en) |
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| rdfs:comment | Diego Valentín Díaz (died 1660) was a Spanish historical painter and a familiar of the Holy Office. He was a native of Valladolid. Díaz painted many important pictures for churches and monasteries, especially for the church of San Benito, now a barrack, and the convents of St. Jerome and of St. Francis, of which the Jubilee of the Porciuncula in the latter house was one of the most esteemed. His Holy Family, painted for San Benito, is now in the ; but his best work was the altar-piece representing the Annunciation of the Virgin painted for the Hospital for Orphan Girls which he founded at Valladolid. The architecture and perspective are in the finest style, and the statues introduced are admirably executed. Díaz died at Valladolid in 1660. He accumulated considerable wealth, the greater pa (en) Diego Valentín Díaz (1586 - 1660) fue un pintor barroco español de formación manierista y una producción abundante pero escasamente evolucionada a pesar de su larga vida. Hombre culto y bien relacionado con los medios eclesiásticos, llegó a ser el pintor más prestigiado de Valladolid, donde nació, alcanzando su fama a Francisco Pacheco, con quien mantuvo correspondencia, y al propio Velázquez, que lo visitó en su casa de Valladolid poco antes de su muerte. (es) |
| rdfs:label | Diego Valentín Díaz (es) Diego Valentín Díaz (en) |
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