Talking of baritones, it was in 1908 in Rome that I first heard, in Aida, the biggest baritone voice of all time: Viglione Borghese. [...] When he came out as the father Amonasro in Aida in 1909 in Rome he looked a picture. I can still see him with the mind's eye. An aquiline nose, big eyes, muscular body, with a brass band round his black wig and two short horns sticking out on either side of the head, and just a leopard skin, a real one, covering his chest and loins. When it came to the King asking him : "Dunque tu sei?" he answered with "Suo padre" . Well that AH in padre, sung on D natural, fourth line, was something. Never, repeat *never* have I heard a bigger and better sound, of real beauty too, than that which came out of Borghese's throat. It literally flooded the opera house. The whole audience rose as one man to applaud and applaud. Even the 120 members of the orchestra and conductor joined in the enthusiasm. It stopped the show for a while. Borghese simply bowed his acknowledgment and motioned for the orchestra to continue. That really stupendous D natural was not the product of belly-thrust . When it came to the Nile duet with Aida, in the phrase "Non sei mia figlia" those G flats were colossal and something to think about. The power and spontaneity of it all. You should have heard the applause! At the time, I was correspondent for the Musical Times and three American papers too and I remember writing about Viglione Borghese that he would "make three of Titto Ruffo" ! That was no exaggeration. It seems incredible that such power, *liquid* power, could come from a human throat, capped with beautiful, apparently effortless, tone. (en)