Eton Choirbook (original) (raw)
El Eton Choirbook (Windsor, Eton College Library, MS. 178), también conocido como Manuscrito de Eton es un manuscrito musical inglés de finales del siglo XV que contiene obras en latín de tema religioso.
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| dbo:abstract | The Eton Choirbook (Eton College MS. 178) is a richly illuminated manuscript collection of English sacred music composed during the late 15th century. It was one of very few collections of Latin liturgical music to survive the Reformation, and hence is an important source. It originally contained music by 24 different composers; however, many of the pieces are damaged or incomplete. It is one of three large choirbooks surviving from early-Tudor England (the others are the Lambeth Choirbook and the Caius Choirbook). The Choirbook was compiled between approximately 1500 and 1505 for use at Eton College; its present binding dates from the mid 16th century. 126 folios remain of the original 224, including the index. In the original, there were a total of 93 separate compositions; however only 64 remain either complete or in part. Some of the 24 composers are known only because of their inclusion in the Eton Choirbook. John Browne has the most compositions (10), followed by Richard Davy (9) and Walter Lambe (8). Stylistically, the music contained in the Eton Choirbook shows three phases in the development of early Renaissance polyphony in England. The first phase is represented by the music of Richard Hygons, William Horwood and Gilbert Banester. Most of the music of this early phase is polyphonic but non-imitative, with contrast achieved by alternation of full five-voice texture with sections sung by fewer voices. The second phase, which includes music by John Browne, Richard Davy and Walter Lambe, uses imitation, cantus firmus techniques, and frequent cross-relations (a feature which was to become a distinctive sound in early Tudor polyphony). The final phase represented in the choirbook includes music by William Cornysh and Robert Fayrfax, composed around 1500. Points of imitation are frequent, cantus firmus techniques disappear, and in general the sound of the music is more Continental. (en) El Eton Choirbook (Windsor, Eton College Library, MS. 178), también conocido como Manuscrito de Eton es un manuscrito musical inglés de finales del siglo XV que contiene obras en latín de tema religioso. (es) Le livre de chœur d'Eton (Eton College MS. 178) est une collection de manuscrits richement enluminés de musique sacrée anglaise composée au cours de la fin du XVe siècle. C'est l'une des rares collections de musique liturgique latine à avoir survécu à la Réforme anglaise et en tant que telle une importante source d'information. Il contenait à l'origine de la musique de 24 compositeurs différents ; Cependant, la plupart des pièces sont endommagées ou incomplètes. C'est l'un des trois grands livres de chœur survivants du début de l'Angleterre des Tudor (les autres sont le livre de chœur de Lambeth et le livre de chœur de Caius). Le livre de chœur est compilé entre approximativement 1500 et 1505 à l'usage du Collège d'Eton. Sa présentation actuelle date du milieu du XVIe siècle. 126 des 224 folios originaux nous sont parvenus, dont l'index. La version originale comprenait un total de 93 compositions distinctes, toutefois seules 64 sont demeurées soit complètes soit partielles. Certains des 24 compositeurs ne sont connus qu'en raison de leur inclusion dans le livre de chœur d'Eton. John Browne est celui dont le plus de compositions sont reprises (10), suivi de Richard Davy (9) et Walter Lambe (8). Du point de vue stylistique, la musique contenue dans le livre de chœur montre trois phases dans le développement du début de la polyphonie de la musique de la Renaissance en Angleterre. La première phase est représentée par la musique de Richard Hygons, William Horwood et Gilbert Banester. La plus grande partie de cette musique de la première phase est polyphonique mais non imitative, avec un contraste obtenu par l'alternance de plein grain à cinq voix avec des parties chantées par moins de voix. La deuxième phase, qui inclut de la musique de John Browne, Richard Davy et Walter Lambe, emploie l'imitation, les techniques du cantus firmus et de fréquentes fausses relations(caractéristique qui allait devenir un son distinctif de la polyphonie du début de l'époque Tudor). La phase finale représentée dans le livre de chœur comprend de la musique de William Cornysh et Robert Fayrfax, composée aux alentours de 1500. Les points d'imitation sont fréquents, les techniques du cantus firmus disparaissent et de façon générale le son de la musique est plus continental. (fr) Il libro corale di Eton (Eton College MS. 178) è un codice musicale manoscritto, riccamente illustrato, di musica sacra inglese composta verso la fine del XV secolo. Esso è stato fra i pochi libri di musica liturgica inglese in lingua latina a sopravvivere alla distruzione susseguente alla dissoluzione dei monasteri in Inghilterra e, originariamente, comprendeva musiche di 24 diversi compositori; comunque, molti dei pezzi sono danneggiati o incompleti. Esso è uno dei tre più grandi libri corali sopravvissuti relativi al primo periodo Tudor (gli altri due sono il Libro corale Lambeth e il Libro corale Caius). (it) Het Koorboek van Eton (Eton Choirbook, Eton College MS. 178) is een rijkversierde verzameling manuscripten van Engelse geestelijke muziek, die in de 15e eeuw is gecomponeerd en is opgeschreven. Het is een van de weinige overgebleven koorboeken met Latijnse liturgische muziek die de Reformatie heeft doorstaan. Het koorboek bevatte oorspronkelijk muziek van 24 verschillende componisten. Veel stukken zijn echter beschadigd of incompleet. Het 'Koorboek van Eton' is een van de drie grote koorboeken uit het vroege Tudor-tijdperk. De andere twee zijn het en het . (nl) O Livro Coral de Eton, nome comumente conhecido em sua versão inglesa original The Eton Choirbook (Eton College MS. 178), é um manuscrito musical ricamente iluminado, com uma coleção de peças sacras inglesas do fim do século XV. É uma das poucas coleções de música litúrgica latina que sobreviveu à Reforma na Inglaterra, e um dos três maiores livros de coro que nos chegaram do período Tudor. O Eton Choirbook foi compilado entre 1500 e 1505 aproximadamente, para uso do Eton College. Originalmente trazia obras de 24 compositores, em 224 folhas e um total de 93 composições, mas atualmente só apresenta 126 folhas e 64 peças, algumas bastante incompletas. O índice foi preservado. Todas as peças possuem textos em latim, sendo nove Magnificats, 54 motetos e uma Paixão. Os compositores representados com peças em maior número são John Browne, , , , , e , além de diversos outros mestres menores com peças avulsas. Este manuscrito é a única fonte de nosso conhecimento do trabalho de Browne, e uma fonte principal para outros como Davy e Lambe. O conteúdo oferece um painel bastante nítido da arte coral do início do Renascimento inglês, com seu estilo melismático opulento e florido que se tornou típico da Inglaterra e progressivamente se isolou dos avanços que ocorriam no restante da Europa. Os exemplos mostram a evolução desde a polifonia não-imitativa, passando pelo introdução da técnica da imitação, do cantus firmus e do cruzamento de vozes, até chegar ao período mais tardio, onde a imitação se torna usual, a técnica do cantus firmus desaparece e a sonoridade volta a se aproximar dos desenvolvimentos da música no continente. (pt) |
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| rdfs:comment | El Eton Choirbook (Windsor, Eton College Library, MS. 178), también conocido como Manuscrito de Eton es un manuscrito musical inglés de finales del siglo XV que contiene obras en latín de tema religioso. (es) Il libro corale di Eton (Eton College MS. 178) è un codice musicale manoscritto, riccamente illustrato, di musica sacra inglese composta verso la fine del XV secolo. Esso è stato fra i pochi libri di musica liturgica inglese in lingua latina a sopravvivere alla distruzione susseguente alla dissoluzione dei monasteri in Inghilterra e, originariamente, comprendeva musiche di 24 diversi compositori; comunque, molti dei pezzi sono danneggiati o incompleti. Esso è uno dei tre più grandi libri corali sopravvissuti relativi al primo periodo Tudor (gli altri due sono il Libro corale Lambeth e il Libro corale Caius). (it) Het Koorboek van Eton (Eton Choirbook, Eton College MS. 178) is een rijkversierde verzameling manuscripten van Engelse geestelijke muziek, die in de 15e eeuw is gecomponeerd en is opgeschreven. Het is een van de weinige overgebleven koorboeken met Latijnse liturgische muziek die de Reformatie heeft doorstaan. Het koorboek bevatte oorspronkelijk muziek van 24 verschillende componisten. Veel stukken zijn echter beschadigd of incompleet. Het 'Koorboek van Eton' is een van de drie grote koorboeken uit het vroege Tudor-tijdperk. De andere twee zijn het en het . (nl) The Eton Choirbook (Eton College MS. 178) is a richly illuminated manuscript collection of English sacred music composed during the late 15th century. It was one of very few collections of Latin liturgical music to survive the Reformation, and hence is an important source. It originally contained music by 24 different composers; however, many of the pieces are damaged or incomplete. It is one of three large choirbooks surviving from early-Tudor England (the others are the Lambeth Choirbook and the Caius Choirbook). (en) Le livre de chœur d'Eton (Eton College MS. 178) est une collection de manuscrits richement enluminés de musique sacrée anglaise composée au cours de la fin du XVe siècle. C'est l'une des rares collections de musique liturgique latine à avoir survécu à la Réforme anglaise et en tant que telle une importante source d'information. Il contenait à l'origine de la musique de 24 compositeurs différents ; Cependant, la plupart des pièces sont endommagées ou incomplètes. C'est l'un des trois grands livres de chœur survivants du début de l'Angleterre des Tudor (les autres sont le livre de chœur de Lambeth et le livre de chœur de Caius). (fr) O Livro Coral de Eton, nome comumente conhecido em sua versão inglesa original The Eton Choirbook (Eton College MS. 178), é um manuscrito musical ricamente iluminado, com uma coleção de peças sacras inglesas do fim do século XV. É uma das poucas coleções de música litúrgica latina que sobreviveu à Reforma na Inglaterra, e um dos três maiores livros de coro que nos chegaram do período Tudor. (pt) |
| rdfs:label | Eton Choirbook (en) Eton Choirbook (es) Livre de chœur d'Eton (fr) Libro corale di Eton (it) Koorboek van Eton (nl) Eton Choirbook (pt) |
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