Frequency Jams (original) (raw)
Frequency Jams is the second studio album by English experimental electronic producer Req, released in 1998 on Skint Records. As with his debut album, One, Frequency Jams was recorded on a lo-fi 4-track recorder and featuries abstract arrangements that incorporate esoteric, fractured beats, while also introducing new, eclectic influences such as jazz-funk and avant-rock into Req's music. Some felt the album pushed Req closer to the avant-garde, with stronger usage of noise. The album has received critical acclaim for its bleak, dark tone and atypical production. It was named the year's 47th best album by The Wire.
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dbo:abstract | Frequency Jams is the second studio album by English experimental electronic producer Req, released in 1998 on Skint Records. As with his debut album, One, Frequency Jams was recorded on a lo-fi 4-track recorder and featuries abstract arrangements that incorporate esoteric, fractured beats, while also introducing new, eclectic influences such as jazz-funk and avant-rock into Req's music. Some felt the album pushed Req closer to the avant-garde, with stronger usage of noise. The album has received critical acclaim for its bleak, dark tone and atypical production. It was named the year's 47th best album by The Wire. (en) |
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dbp:genre | (en) drone (en) experimental (en) lo-fi (en) Electronic (en) trip hop (en) noise (en) avant-garde (en) |
dbp:label | dbr:Skint_Records |
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dbp:producer | Req (en) |
dbp:released | 1998-02-23 (xsd:date) |
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dbp:studio | Home studio (en) |
dbp:title | World (en) I (en) Crack (en) What (en) Bizames (en) Mbira Classic (en) Navigator 1 & 2 (en) Vocoder Break Rock (en) |
dbp:type | studio (en) |
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rdfs:comment | Frequency Jams is the second studio album by English experimental electronic producer Req, released in 1998 on Skint Records. As with his debut album, One, Frequency Jams was recorded on a lo-fi 4-track recorder and featuries abstract arrangements that incorporate esoteric, fractured beats, while also introducing new, eclectic influences such as jazz-funk and avant-rock into Req's music. Some felt the album pushed Req closer to the avant-garde, with stronger usage of noise. The album has received critical acclaim for its bleak, dark tone and atypical production. It was named the year's 47th best album by The Wire. (en) |
rdfs:label | Frequency Jams (en) |
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