Gothic double (original) (raw)

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في الأدب يُشير مصطلح ازدواجية الشخصية (بالإنجليزية: gothic double)‏ إلى نوعٍ من الروايات التي تتناول شخصية ذات طبيعتين. غالبًا ما تكونُ هذه الشخصيّة بطلة الرواية أو على الأقل شخصية مهمة وتلعبُ دورًا مهمًا في القصّة. يُركّز هذا المفهوم على التناقض الكامل بين الخير والشر وقد برزَ في عددٍ من الروايات بما في ذلك قضية الدكتور جيكل والسيد هايد الغريبة لروبرت لويس ستيفنسون أو هيثكيلف في رواية مرتفعات ويذرنغ.

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dbo:abstract في الأدب يُشير مصطلح ازدواجية الشخصية (بالإنجليزية: gothic double)‏ إلى نوعٍ من الروايات التي تتناول شخصية ذات طبيعتين. غالبًا ما تكونُ هذه الشخصيّة بطلة الرواية أو على الأقل شخصية مهمة وتلعبُ دورًا مهمًا في القصّة. يُركّز هذا المفهوم على التناقض الكامل بين الخير والشر وقد برزَ في عددٍ من الروايات بما في ذلك قضية الدكتور جيكل والسيد هايد الغريبة لروبرت لويس ستيفنسون أو هيثكيلف في رواية مرتفعات ويذرنغ. (ar) The Gothic double is a literary motif which refers to the divided personality of a character. Closely linked to the Doppelgänger, a term which first appeared in the 1796 novel Siebenkas by Johann Paul Richter, the double figure emerged in Gothic literature in the late 18th century due to a resurgence of interest in mythology and folklore which explored notions of duality, such as the fetch in Irish folklore which refers to a double figure of a family member, often signifying an impending death. A major shift in Gothic literature occurred in the late 18th and early 19th centuries, where evil was no longer situated within a physical location such as a haunted castle, but expanded to inhabit the mind of characters, often referred to as "the haunted individual." Examples of the Gothic double motif in 19th-century texts include Charlotte Brontë's novel Jane Eyre (1847) and Charlotte Perkins Gilman's short story The Yellow Wallpaper (1892), which use the motif to reflect on gender inequalites in the Victorian era, and famously, Robert Louis Stevenson's novella Strange Case of Dr Jekyll and Mr Hyde (1886). In the early 20th century, the Gothic double motif was featured in new mediums such as film to explore the emerging fear of technology replacing humanity. A notable example of this is the evil mechanical double depicted in the German expressionist film Metropolis by Fritz Lang (1927). Texts in this period also appropriate the Gothic double motif present in earlier literature, such as Daphne du Maurier's Gothic romance novel Rebecca (1938), which appropriates the doubling in Jane Eyre. In the 21st century, the Gothic double motif has further been featured in horror and psychological thriller films such as Darren Aronofsky's Black Swan (2010) and Jordan Peele's Us (2019). In addition, the Gothic double motif has been used in 21st century Anthropocene literature, such as Jeff VanderMeer’s Annihilation (2014). (en)
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dbo:wikiPageExternalLink http://www.gothlit.com/ https://www.gothicromanceforum.com/index.php https://www.bl.uk/romantics-and-victorians/articles/gothic-motifs https://epublications.marquette.edu/gothic_doppelganger/ https://epublications.marquette.edu/gothic_doubling/
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dbp:authors Johann Paul Richter, Mary Shelley, Charlotte Bronte, Emily Bronte, Charlotte Perkins Gilman, Edgar Allan Poe, Robert Louis Stevenson, Daphne du Maurier (en)
dbp:caption The Strange Case of Dr Jekyll and Mr Hyde is one of the most famous examples of the Gothic double motif in literature. (en)
dbp:culturalOrigins Originated in Celtic folklore through lookalike figures such as the fetch, and in late 18th-century German literature (en)
dbp:features Double figures, Doppelgängers, alter egos, divided personalities, lookalikes (en)
dbp:formats Present in a wide variety of formats including novels, films, short stories, and plays (en)
dbp:name Gothic double motif (en)
dbp:popularity Consistently popular in literature from 18th century to 21st century, present in famous texts such as The Strange Case of Dr Jekyll and Mr Hyde (en)
dbp:stylisticOrigins dbr:Romanticism dbr:Gothic_fiction dbr:Horror_fiction
dbp:subgenrelist dbr:Romanticism dbr:Horror_fiction dbr:Doppelgänger
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rdfs:comment في الأدب يُشير مصطلح ازدواجية الشخصية (بالإنجليزية: gothic double)‏ إلى نوعٍ من الروايات التي تتناول شخصية ذات طبيعتين. غالبًا ما تكونُ هذه الشخصيّة بطلة الرواية أو على الأقل شخصية مهمة وتلعبُ دورًا مهمًا في القصّة. يُركّز هذا المفهوم على التناقض الكامل بين الخير والشر وقد برزَ في عددٍ من الروايات بما في ذلك قضية الدكتور جيكل والسيد هايد الغريبة لروبرت لويس ستيفنسون أو هيثكيلف في رواية مرتفعات ويذرنغ. (ar) The Gothic double is a literary motif which refers to the divided personality of a character. Closely linked to the Doppelgänger, a term which first appeared in the 1796 novel Siebenkas by Johann Paul Richter, the double figure emerged in Gothic literature in the late 18th century due to a resurgence of interest in mythology and folklore which explored notions of duality, such as the fetch in Irish folklore which refers to a double figure of a family member, often signifying an impending death. (en)
rdfs:label ازدواجية الشخصية (ar) Gothic double (en)
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