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Grace Thorp Gemberling (July 31, 1903 – December 26, 1997) was an American artist known for the broad range of her subjects in paintings having a pronounced psychological as well as aesthetic impact. One critic said they conveyed a mood that was "ethereal, bold and engaged." Another said her work showed "a disciplined hand and a romantic eye" together with "a magical color sense." Known for her control of detail and successful handling of line and blocks of color, she was said to paint in a modernist style that stayed clear of abstraction and was remembered by a teacher and fellow artist as "the finest woman painter in Philadelphia during the 20s and 30s." (en) |
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Grace Thorp Gemberling (en) |
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Grace Gemberling (en) |
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From the Pennsylvania Academy of Fine Arts: Cresson Traveling Scholarship, 1923, 1924; Lambert Purchase Prize, 1930; Mary Smith Prize for best painting by a Philadelphia woman artist, 1930; Fellowship Prize, 1931 , 1940. From the National Association of Women Painters and Sculptors: Oliver Beck Figure Composition Prize, 1933. (en) |
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Grace Thorp Gemberling (en) |
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Philadelphia, Pennsylvania, US (en) |
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Grace Gemberling (en) |
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Bala Cynwyd, Pennsylvania, US (en) |
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Grace Gemberling (en) |
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U. S. citizen (en) |
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I paint to express some personal reaction and I aim toward something deeper than the superficial. I try to appeal not only to the emotional through color, but to the intellectual through design and subject. (en) |
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—Interview appearing in the Main Line Daily Times , quoted in Artist Profile; Grace Gemberling Keast (en) |
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Grace Thorp Gemberling (July 31, 1903 – December 26, 1997) was an American artist known for the broad range of her subjects in paintings having a pronounced psychological as well as aesthetic impact. One critic said they conveyed a mood that was "ethereal, bold and engaged." Another said her work showed "a disciplined hand and a romantic eye" together with "a magical color sense." Known for her control of detail and successful handling of line and blocks of color, she was said to paint in a modernist style that stayed clear of abstraction and was remembered by a teacher and fellow artist as "the finest woman painter in Philadelphia during the 20s and 30s." (en) |
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Grace Gemberling (en) |
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