| dbo:abstract |
Graham Budgett is a British-American conceptual artist and educator whose socio-politically engaged work includes photography, sculpture, installation, spatial practices and new media art. Budgett explores systems of image production and display, the discourse of media and capitalism, human subjectivity, and the interaction between theory and practice. His work has been exhibited at Tate Gallery, Victoria and Albert Museum, Beaconsfield, Centre for Contemporary Arts (Glasgow), Alvar Aalto Museum (Finland), Ars Electronica, and Santa Barbara Museum of Art. It has been reviewed in The Times (London), The Guardian, The Observer, The Face, and Time Out. Critics such as Adrian Searle describe Budgett's earlier photographic images as "tragic dystopias" recalling the social criticism of Walter Benjamin, George Grosz, Jorge Luis Borges, and Wim Wenders; his later work explores the construction of identity, public space and artwork through transitory installations, public projects and digital and code-born new-media that largely function outside the art market. Budgett has been based in Berlin, London and the United States and has taught at University of Westminster and the University of California, Santa Barbara. He is married to artist Jane Mulfinger and lives and works in Santa Barbara. (en) |
| rdfs:comment |
Graham Budgett is a British-American conceptual artist and educator whose socio-politically engaged work includes photography, sculpture, installation, spatial practices and new media art. Budgett explores systems of image production and display, the discourse of media and capitalism, human subjectivity, and the interaction between theory and practice. His work has been exhibited at Tate Gallery, Victoria and Albert Museum, Beaconsfield, Centre for Contemporary Arts (Glasgow), Alvar Aalto Museum (Finland), Ars Electronica, and Santa Barbara Museum of Art. It has been reviewed in The Times (London), The Guardian, The Observer, The Face, and Time Out. (en) |
