dbo:abstract |
La expresión «batería de jazz» se refiere al movimiento artístico y conjunto de músicos que han destacado en el instrumento llamado batería a lo largo de la historia del jazz. La batería, un instrumento de percusión relativamente moderno, se ha utilizado en el jazz prácticamente desde los orígenes de esa música. Desde el punto de vista de la música clásica europea, la batería puede parecer un simple aparato productor de ruido, pues tal es en buena parte la función en ese campo de los instrumentos de percusión sin altura definida, y aun de algunos de altura definida: las intervenciones de los timbales en las obras de Chaikovskiy, de Beethoven o de Wagner son ruido en el sentido de que producen un efecto de fortissimo. En el jazz, el baterista no usa su instrumento como un efecto, sino que crea con él el espacio en que se desarrolla la música. (es) Jazz drumming is the art of playing percussion (predominantly the drum kit, which includes a variety of drums and cymbals) in jazz styles ranging from 1910s-style Dixieland jazz to 1970s-era jazz fusion and 1980s-era Latin jazz. The techniques and instrumentation of this type of performance have evolved over several periods, influenced by jazz at large and the individual drummers within it. Stylistically, this aspect of performance was shaped by its starting place, New Orleans, as well as numerous other regions of the world, including other parts of the United States, the Caribbean, and Africa. Jazz required a method of playing percussion different from traditional European styles, one that was easily adaptable to the different rhythms of the new genre, fostering the creation of jazz drumming's hybrid technique. As each period in the evolution of jazz—swing and bebop, for example—tended to have its own rhythmic style, jazz drumming continued to evolve along with the music through the 20th century. One tendency that emerged over time was the gradual "freeing" of the beat. But older styles persisted in later periods. The borders between these periods are unclear, partly because no one style completely replaced others, and partly because there were numerous cross influences between styles. (en) ジャズドラム(英: Jazz drumming)とは、1910年代のデキシーランド・ジャズから1970年代のジャズロック・フュージョンや1980年代のラテンジャズまでにわたるさまざまなジャズスタイルで打楽器、主に各種のドラムとシンバルを含むドラムセットを演奏する技術である。 この種類の演奏を行う技法や楽器の用法は複数の時代を経て進化し、ジャズ一般や、その中での個々のドラマーたちから影響を受けてきた。この演奏様式は、発祥の地であるニューオリンズばかりでなく、アメリカ合衆国の他の地域、西インド諸島、アフリカなどを含む世界の諸地域で形成されたものである。 伝統的なヨーロッパ式の打楽器奏法とは異なる、新しいジャンルのさまざまなリズムに容易に対応できる奏法をジャズは必要とし、このためにジャズドラムの複合的なテクニックが生み出された。例えばスウィング・ジャズやビバップのように、ジャズの進化の各時代はそれぞれ独自のリズム様式を持つ傾向があり、ジャズドラムは20世紀を通して音楽と共に進化を続けた。時間と共に浮かび上がってきた傾向として、ビートの段階的な「解放」があった。しかし、より古いスタイルもまた後の時期まで続いた。どれか1つのスタイルが他のものに完全に取って代わることもなく、またスタイルの間には数々の相互影響があったため、これらの時期の境界ははっきりとはしていない。 (ja) |
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http://hum.lss.wisc.edu/jazz/jazz.drums.html http://hum.lss.wisc.edu/jazz/the.article.html https://www.allaboutjazz.com/a-symposium-cymbalism-the-drums-in-jazz-by-daniel-kassell.php%3Fpage=1 |
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A musician playing a 2-3 clave. (en) The pattern that Warren "Baby" Dodds played (en) The ride pattern used most commonly today (en) The clave used most commonly in Africa, based on a feeling of three. (en) The shuffle pattern, derived from the pattin' juba rhythm. (en) |
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2 (xsd:integer) African clave (en) Inverted ride pattern (en) Jazz ride pattern (en) Shuffle pattern (en) |
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ジャズドラム(英: Jazz drumming)とは、1910年代のデキシーランド・ジャズから1970年代のジャズロック・フュージョンや1980年代のラテンジャズまでにわたるさまざまなジャズスタイルで打楽器、主に各種のドラムとシンバルを含むドラムセットを演奏する技術である。 この種類の演奏を行う技法や楽器の用法は複数の時代を経て進化し、ジャズ一般や、その中での個々のドラマーたちから影響を受けてきた。この演奏様式は、発祥の地であるニューオリンズばかりでなく、アメリカ合衆国の他の地域、西インド諸島、アフリカなどを含む世界の諸地域で形成されたものである。 伝統的なヨーロッパ式の打楽器奏法とは異なる、新しいジャンルのさまざまなリズムに容易に対応できる奏法をジャズは必要とし、このためにジャズドラムの複合的なテクニックが生み出された。例えばスウィング・ジャズやビバップのように、ジャズの進化の各時代はそれぞれ独自のリズム様式を持つ傾向があり、ジャズドラムは20世紀を通して音楽と共に進化を続けた。時間と共に浮かび上がってきた傾向として、ビートの段階的な「解放」があった。しかし、より古いスタイルもまた後の時期まで続いた。どれか1つのスタイルが他のものに完全に取って代わることもなく、またスタイルの間には数々の相互影響があったため、これらの時期の境界ははっきりとはしていない。 (ja) Jazz drumming is the art of playing percussion (predominantly the drum kit, which includes a variety of drums and cymbals) in jazz styles ranging from 1910s-style Dixieland jazz to 1970s-era jazz fusion and 1980s-era Latin jazz. The techniques and instrumentation of this type of performance have evolved over several periods, influenced by jazz at large and the individual drummers within it. Stylistically, this aspect of performance was shaped by its starting place, New Orleans, as well as numerous other regions of the world, including other parts of the United States, the Caribbean, and Africa. (en) La expresión «batería de jazz» se refiere al movimiento artístico y conjunto de músicos que han destacado en el instrumento llamado batería a lo largo de la historia del jazz. La batería, un instrumento de percusión relativamente moderno, se ha utilizado en el jazz prácticamente desde los orígenes de esa música. (es) |
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Batería de jazz (es) Jazz drumming (en) ジャズドラム (ja) |
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