Karp Zolotaryov (original) (raw)
Karp Ivanovich Zolotaryov (Russian: Карп Иванович Золотарёв, fl. last quarter of the 17th century) was a Muscovite painter, interior designer and wood carver, employed by Posolsky prikaz and the Kremlin Armoury. Zolotaryov was the author of iconostasis of the Transfiguration church in Novodevichy Convent and the Church of the Intercession at Fili and the icons of Donskoy Monastery. Surviving paintings by Zolotaryov, created in the period directly preceding the reforms of Peter I, form a bridge between traditional Orthodox icon painting and the modern realistic painting introduced in Russia in the 18th century.
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dbo:abstract | Karp Ivanovich Zolotaryov (Russian: Карп Иванович Золотарёв, fl. last quarter of the 17th century) was a Muscovite painter, interior designer and wood carver, employed by Posolsky prikaz and the Kremlin Armoury. Zolotaryov was the author of iconostasis of the Transfiguration church in Novodevichy Convent and the Church of the Intercession at Fili and the icons of Donskoy Monastery. Surviving paintings by Zolotaryov, created in the period directly preceding the reforms of Peter I, form a bridge between traditional Orthodox icon painting and the modern realistic painting introduced in Russia in the 18th century. (en) Karp Ivánovich Zolotariov (en ruso, Карп Иванович Золотарёв, fl. último cuarto del siglo XVII) fue un pintor, diseñador de interiores y escultor en madera moscovita, empleado por el Posolsky prikaz y la Armería del Kremlin. Zolotariov fue el autor del Iconostasio de la Iglesia de la Transfiguración en el Monasterio Novodévichi y de la Iglesia de la Intercesión en Fili y de los icons del . Las pinturas que se conservan de Zolotariov, realizadas en el periodo que precedió a las , representaron el puente entre la tradicional pintura de iconos de la Iglesia ortodoxa y la modernidad de la pintura realista introducida en Rusia en el siglo XVIII. Probablemente, el artista falleció o se retiró en 1698: en ese año su nombre desaparece de todos los registros oficiales; su plaza en el taller pasó a . (es) Карп Иванович Золотарёв (ок. 1656 — ок. 1700) — русский иконописец и резчик по дереву. Работал в Оружейной палате и в золотописной мастерской Посольского приказа, которую возглавлял в течение нескольких лет. (ru) |
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dbo:wikiPageExternalLink | http://www.kremlin.museum.ru/img/uploaded/files/MaterialsInvestigations/part04/v04s09_Pavlenko.pdf https://web.archive.org/web/20110718101631/http:/www.kremlin.museum.ru/img/uploaded/files/MaterialsInvestigations/part04/v04s09_Pavlenko.pdf http://www.icon-art.info/book_contents.php%3Fbook_id=58 |
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dbp:caption | Holy martyrs Faith, Hope and Charity and their mother Sophia. Novodevichy Convent, 1685 (en) |
dbp:field | Icons, carved iconostasis, interior design (en) |
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dbp:name | Karp Zolotaryov (en) |
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rdfs:comment | Karp Ivanovich Zolotaryov (Russian: Карп Иванович Золотарёв, fl. last quarter of the 17th century) was a Muscovite painter, interior designer and wood carver, employed by Posolsky prikaz and the Kremlin Armoury. Zolotaryov was the author of iconostasis of the Transfiguration church in Novodevichy Convent and the Church of the Intercession at Fili and the icons of Donskoy Monastery. Surviving paintings by Zolotaryov, created in the period directly preceding the reforms of Peter I, form a bridge between traditional Orthodox icon painting and the modern realistic painting introduced in Russia in the 18th century. (en) Карп Иванович Золотарёв (ок. 1656 — ок. 1700) — русский иконописец и резчик по дереву. Работал в Оружейной палате и в золотописной мастерской Посольского приказа, которую возглавлял в течение нескольких лет. (ru) Karp Ivánovich Zolotariov (en ruso, Карп Иванович Золотарёв, fl. último cuarto del siglo XVII) fue un pintor, diseñador de interiores y escultor en madera moscovita, empleado por el Posolsky prikaz y la Armería del Kremlin. Zolotariov fue el autor del Iconostasio de la Iglesia de la Transfiguración en el Monasterio Novodévichi y de la Iglesia de la Intercesión en Fili y de los icons del . Las pinturas que se conservan de Zolotariov, realizadas en el periodo que precedió a las , representaron el puente entre la tradicional pintura de iconos de la Iglesia ortodoxa y la modernidad de la pintura realista introducida en Rusia en el siglo XVIII. (es) |
rdfs:label | Karp Zolotariov (es) Karp Zolotaryov (en) Золотарёв, Карп (ru) |
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foaf:name | Karp Zolotaryov (en) |
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