Keith Jenkins (original) (raw)
키스 젱킨스 (Keith Jenkins, 1943년 ~ )는 영국의 역사가이다. 젱킨스는 노팅엄 대학교에서 정치 이론뿐만 아니라 중세와 현대사를 공부했다. 헤이든 화이트 및 "포스트모던" 역사가와 마찬가지로 젱킨스는 역사가의 결과물이 하나의 이야기로 간주되어야 한다고 믿다. 역사 작품은 과거의 사건만큼이나 역사가 자신의 세계관과 사상적 입장에 관한 것이다. 이것은 다른 역사가들이 필연적으로 동일한 역사적 사건에 다른 의미를 부여한다는 것을 의미한다. 그럼에도 불구하고 모든 역사가는 역사적 증거(또는 "인공물")의 공통체에 의해 제약을 받는다. 젱킨스는 "전통적인" 역사와 "죽어가는" 역사를 넘어 독자를 축소하고 이동시키기 위해 지속적으로 노력합니다. 그는 역사가 "난잡한" 것이므로 각 역사가의 해석에 적합하다고 믿다.
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| dbo:abstract | Keith Jenkins (* 7. Mai 1943) ist ein britischer Historiker. Er vertritt eine postmoderne Sichtweise auf die Geschichte, ähnlich wie der amerikanische Historiker Hayden White. Bis 2008 war Jenkins Professor für Geschichtstheorie an der , die erst 2005 zur Universität aufgestiegen war. Jenkins stammt aus einer Arbeitergegend in Derbyshire mit sehr einfachen Lebensbedingungen und versuchte eine Zeit eine Karriere als Radfahrer. Dann studierte er mittelalterliche und moderne Geschichte sowie Politikwissenschaft an der lokalen University of Nottingham. In seinem Werk sieht er jede historische Leistung als narrative Geschichte an, die stark von den Weltsichten und ideologischen Positionen des Historikers selbst geprägt wird. Eine Grenze bildet nur die von allen anerkannte historische Evidenz ihrer Arbeiten. Die Mehrdeutigkeit der Geschichte ist unabweisbar. Diese erkenntnisskeptische Position folgte dem niederländischen Postmodernisten Frank Ankersmit, sie wurden u. a. von Richard J. Evans kritisiert im Buch In Defense of History (1997). Auch Perez Zagorin widersprach den postmodernen Kritikern. (de) Keith Jenkins (1943) is a British historiographer. Jenkins studied medieval and modern history as well as political theory at The University of Nottingham. Like Hayden White and "postmodern" historiographers, Jenkins believes that any historian's output should be seen as a story. A work of history is as much about the historian's own world view and ideological positions as it is about past events. This means that different historians will inevitably ascribe different meanings to the same historical events. Nevertheless, all historians are constrained by the common body of historical evidence (or "artifacts"). Jenkins consistently works to undercut and move readers beyond "traditional" and "moribund" histories. He believes that history is "promiscuous" and therefore lends itself to each historian's interpretation. Therefore, history ought to end, and Jenkins desires "the era or the raising of consciousness of the aporia... of the undeniability of the decision and incredulity towards metanarrative". However, despite arguing for the end of history, Jenkins also accepts the possibility of experimental histories written "beyond the limits of the academic genre". He further acknowledges that history will neither be quick nor easy to let go. He is the author of Re-thinking History (1991) and On "What is History" : From Carr and Elton to Rorty and White (1995), edited The Postmodern History Reader (1997), and is the author of Why History? Ethics and Postmodernity (1999). With Alun Munslow he co-authored The Nature of History Reader (2004), in which key pieces of writing by leading historians are reproduced and evaluated, with an explanation and critique of their character and assumptions. "Re-thinking History" is simultaneously his first and best-known book. A theme issue of the journal Rethinking History was dedicated to his work and a critical account has been published by Dr. Alexander Macfie in June 2012 in Reviews in History, a publication of the Institute of Historical Research. Jenkins retired from the position of professor of historical theory at the University of Chichester in 2008. (en) 키스 젱킨스 (Keith Jenkins, 1943년 ~ )는 영국의 역사가이다. 젱킨스는 노팅엄 대학교에서 정치 이론뿐만 아니라 중세와 현대사를 공부했다. 헤이든 화이트 및 "포스트모던" 역사가와 마찬가지로 젱킨스는 역사가의 결과물이 하나의 이야기로 간주되어야 한다고 믿다. 역사 작품은 과거의 사건만큼이나 역사가 자신의 세계관과 사상적 입장에 관한 것이다. 이것은 다른 역사가들이 필연적으로 동일한 역사적 사건에 다른 의미를 부여한다는 것을 의미한다. 그럼에도 불구하고 모든 역사가는 역사적 증거(또는 "인공물")의 공통체에 의해 제약을 받는다. 젱킨스는 "전통적인" 역사와 "죽어가는" 역사를 넘어 독자를 축소하고 이동시키기 위해 지속적으로 노력합니다. 그는 역사가 "난잡한" 것이므로 각 역사가의 해석에 적합하다고 믿다. (ko) Keith Jenkins (1943) is een Brits historicus en geschiedfilosoof. Zoals Hayden White en andere postmoderne historici, gelooft Jenkins dat een historicus alleen maar een verhaal schrijft. Een verhaal geschreven vanuit het oogpunt en de ideologieën van de historicus die het geschreven heeft. Jenkins is emeritus hoogleraar historische theorie aan de sinds 2008. Hij is de schrijver van Re-thinking history (1991) waarin hij oppert om een onderscheid te maken tussen het verleden enerzijds en geschiedschrijving anderzijds. (nl) |
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| rdfs:comment | 키스 젱킨스 (Keith Jenkins, 1943년 ~ )는 영국의 역사가이다. 젱킨스는 노팅엄 대학교에서 정치 이론뿐만 아니라 중세와 현대사를 공부했다. 헤이든 화이트 및 "포스트모던" 역사가와 마찬가지로 젱킨스는 역사가의 결과물이 하나의 이야기로 간주되어야 한다고 믿다. 역사 작품은 과거의 사건만큼이나 역사가 자신의 세계관과 사상적 입장에 관한 것이다. 이것은 다른 역사가들이 필연적으로 동일한 역사적 사건에 다른 의미를 부여한다는 것을 의미한다. 그럼에도 불구하고 모든 역사가는 역사적 증거(또는 "인공물")의 공통체에 의해 제약을 받는다. 젱킨스는 "전통적인" 역사와 "죽어가는" 역사를 넘어 독자를 축소하고 이동시키기 위해 지속적으로 노력합니다. 그는 역사가 "난잡한" 것이므로 각 역사가의 해석에 적합하다고 믿다. (ko) Keith Jenkins (1943) is een Brits historicus en geschiedfilosoof. Zoals Hayden White en andere postmoderne historici, gelooft Jenkins dat een historicus alleen maar een verhaal schrijft. Een verhaal geschreven vanuit het oogpunt en de ideologieën van de historicus die het geschreven heeft. Jenkins is emeritus hoogleraar historische theorie aan de sinds 2008. Hij is de schrijver van Re-thinking history (1991) waarin hij oppert om een onderscheid te maken tussen het verleden enerzijds en geschiedschrijving anderzijds. (nl) Keith Jenkins (* 7. Mai 1943) ist ein britischer Historiker. Er vertritt eine postmoderne Sichtweise auf die Geschichte, ähnlich wie der amerikanische Historiker Hayden White. Bis 2008 war Jenkins Professor für Geschichtstheorie an der , die erst 2005 zur Universität aufgestiegen war. (de) Keith Jenkins (1943) is a British historiographer. Jenkins studied medieval and modern history as well as political theory at The University of Nottingham. Like Hayden White and "postmodern" historiographers, Jenkins believes that any historian's output should be seen as a story. A work of history is as much about the historian's own world view and ideological positions as it is about past events. This means that different historians will inevitably ascribe different meanings to the same historical events. Nevertheless, all historians are constrained by the common body of historical evidence (or "artifacts"). (en) |
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