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M. Louise Stanley is an American painter known for irreverent figurative work that combines myth and allegory, satire, autobiography, and social commentary. Writers such as curator Renny Pritikin situate her early-1970s work at the forefront of the "small, but potent" Bad Painting movement, so named for its "disregard for the niceties of conventional figurative painting." Stanley's paintings frequently focus on romantic fantasies and conflicts, social manners and taboos, gender politics, and lampoons of classical myths, portrayed through stylized figures, expressive color, frenetic compositions and slapstick humor. Art historians such as Whitney Chadwick place Stanley within a Bay Area narrative tradition that blended eclectic sources and personal styles in revolt against mid-century modernism; her work includes a feminist critique of contemporary life and art springing from personal experience and her early membership in the Women's Movement. Stanley has been awarded a Guggenheim Fellowship and grants from the Pollock-Krasner Foundation, Adolph and Esther Gottlieb Foundation, and National Endowment for the Arts. Her work has been shown at institutions including PS1, San Francisco Museum of Modern Art (SFMOMA), The New Museum and Long Beach Museum of Art, and belongs to public collections including SFMOMA, San Jose Museum of Art, Oakland Museum, and de Saisset Museum. Stanley lives and works in Emeryville, California. (en) |
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M. Louise Stanley is an American painter known for irreverent figurative work that combines myth and allegory, satire, autobiography, and social commentary. Writers such as curator Renny Pritikin situate her early-1970s work at the forefront of the "small, but potent" Bad Painting movement, so named for its "disregard for the niceties of conventional figurative painting." Stanley's paintings frequently focus on romantic fantasies and conflicts, social manners and taboos, gender politics, and lampoons of classical myths, portrayed through stylized figures, expressive color, frenetic compositions and slapstick humor. Art historians such as Whitney Chadwick place Stanley within a Bay Area narrative tradition that blended eclectic sources and personal styles in revolt against mid-century moder (en) |
