Mao Ishikawa (original) (raw)
Mao Ishikawa (石川 真生, Ishikawa Mao) est une essayiste et photographe japonaise, née en 1953 dans le village d’Ōgimi dans l'île d'Okinawa, alors occupée par les États-Unis. Son œuvre, très politique et engagée, met en avant des aspects parfois méconnus de la culture et de l’histoire japonaises et interroge les relations de son pays avec les États-Unis, et d’Okinawa avec le reste du Japon. Les photographies d’Ishikawa sont aussi remarquables pour leur humanisme, leur humour et la tendresse qu’elles expriment pour les personnes photographiées.
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| dbo:abstract | Mao Ishikawa (石川真生, Ishikawa Mao; born in Ōgimi, 1953) is an Okinawan photographer and activist. Her photographs largely feature bar girls, performers, soldiers, and other fringe members within Okinawan and Japanese society. Ishikawa's earlier works are characterized by her approach to photography which involved the photographer's immersion in the environment of her images, whether by living with her subject or working in close proximity to them. In her photographs of active soldiers and military bases both in and outside of Japan beginning from the 1990s, Ishikawa has more directly addressed political undercurrents, namely contempt for the U.S. military presence in Okinawa and distrust of the Japanese government. Her most recent series Great Ryukyu Photo Scroll (大琉球写真絵巻) (2014-) approaches the same themes through a narrative tone, using satire and pop culture references to reconstruct important moments in Okinawan history. Ishikawa's work has been exhibited at the Yokohama Museum of Art, Queensland Art Gallery, Tokyo Photographic Art Museum, Okinawa Prefectural Museum, MoMA PS1 and various art galleries in New York, London, and throughout Japan. In 2019, she received the Lifetime Achievement Award by the Photographic Society of Japan. (en) Mao Ishikawa (石川 真生, Ishikawa Mao) est une essayiste et photographe japonaise, née en 1953 dans le village d’Ōgimi dans l'île d'Okinawa, alors occupée par les États-Unis. Son œuvre, très politique et engagée, met en avant des aspects parfois méconnus de la culture et de l’histoire japonaises et interroge les relations de son pays avec les États-Unis, et d’Okinawa avec le reste du Japon. Les photographies d’Ishikawa sont aussi remarquables pour leur humanisme, leur humour et la tendresse qu’elles expriment pour les personnes photographiées. (fr) |
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| dbp:birthPlace | Okinawa, Japan (en) |
| dbp:education | Workshop School of Photography (en) |
| dbp:name | Mao Ishikawa (en) |
| dbp:notableWorks | Hot Days in Camp Hansen , A Port Town Elegy, Philippines (en) |
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| rdfs:comment | Mao Ishikawa (石川 真生, Ishikawa Mao) est une essayiste et photographe japonaise, née en 1953 dans le village d’Ōgimi dans l'île d'Okinawa, alors occupée par les États-Unis. Son œuvre, très politique et engagée, met en avant des aspects parfois méconnus de la culture et de l’histoire japonaises et interroge les relations de son pays avec les États-Unis, et d’Okinawa avec le reste du Japon. Les photographies d’Ishikawa sont aussi remarquables pour leur humanisme, leur humour et la tendresse qu’elles expriment pour les personnes photographiées. (fr) Mao Ishikawa (石川真生, Ishikawa Mao; born in Ōgimi, 1953) is an Okinawan photographer and activist. Her photographs largely feature bar girls, performers, soldiers, and other fringe members within Okinawan and Japanese society. Ishikawa's earlier works are characterized by her approach to photography which involved the photographer's immersion in the environment of her images, whether by living with her subject or working in close proximity to them. In her photographs of active soldiers and military bases both in and outside of Japan beginning from the 1990s, Ishikawa has more directly addressed political undercurrents, namely contempt for the U.S. military presence in Okinawa and distrust of the Japanese government. Her most recent series Great Ryukyu Photo Scroll (大琉球写真絵巻) (2014-) approache (en) |
| rdfs:label | Mao Ishikawa (fr) Mao Ishikawa (en) |
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| foaf:name | Mao Ishikawa (en) |
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