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Marie François Maurice Emmanuel (Bar-sur-Aube, Aube, 2 de maig de 1862 - París, 14 de desembre de 1938) va ser un compositor francès de música clàssica i destacat musicòleg especialitzat en la música de l'antiga Grècia.

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dbo:abstract Marie François Maurice Emmanuel (Bar-sur-Aube, Aube, 2 de maig de 1862 - París, 14 de desembre de 1938) va ser un compositor francès de música clàssica i destacat musicòleg especialitzat en la música de l'antiga Grècia. (ca) Marie François Maurice Emmanuel (* 2. Mai 1862 in Bar-sur-Aube; † 14. Dezember 1938 in Paris) war ein französischer Musikwissenschaftler, Musiklehrer und Komponist. (de) Ο Μαρί Φρανσουά Μορίς Εμανουέλ (γαλλικά: Marie François Maurice Emmanuel‎, 2 Μαΐου 1862 – 14 Δεκεμβρίου 1938) ήταν Γάλλος συνθέτης κλασικής μουσικής και μουσικολόγος. (el) موريس ايمانويل (بالفرنسية: Maurice Emmanuel)‏ هو معلم موسيقى وملحن فرنسي، ولد في 2 مايو 1862 في Bar-sur-Aube ‏ في فرنسا، وتوفي في 14 ديسمبر 1938 في باريس في فرنسا. (ar) Maurice Emmanuel (Bar-sur-Aube, Frantzia, 1862ko maiatzaren 2a - Paris, Frantzia, 1938ko abenduaren 14a) musikagile eta musika-jotzaile frantsesa izan zen. Parisko Musika Eskola Nazionaleko irakasle eta Santa Klotilde elizako kaperako maisua izan zen. Utzi dituen obra ugarien artean, aipagarriak dira Salamine opera (1929) eta Histoire de la langue musicale obra teorikoa (bi liburuki, 1911-1918). (eu) Marie François Maurice Emmanuel (2 May 1862 – 14 December 1938) was a French composer of classical music and musicologist born in Bar-sur-Aube, a small town in the Champagne-Ardenne region of northeastern France. It was there where he first heard his grandfather's printing press which according to his granddaughter, Anne Eichner-Emmanuel, first gave him the feeling of rhythm. Brought up in Dijon, Maurice Emmanuel became a chorister at Beaune cathedral after his family moved to the city in 1869. According to his granddaughter, Anne Eichner-Emmanuel, he was influenced by the brass bands on the streets of Beaune and by the "songs of the grape pickers which imprinted melodies in his memory so different from all the classical music he was taught in the academy of music." Subsequently, he went to Paris, and in 1880 he entered the Paris Conservatoire, where his composition teacher was Léo Delibes. His other teachers included Théodore Dubois (harmony) and Louis-Albert Bourgault-Ducoudray (history). Emmanuel also studied classics, poetics, philology and art history at the Sorbonne and École du Louvre. Delibes' strong disapproval of his early modal compositions (Cello Sonata, Op. 2, Sonatinas No. 1, Op. 4 and No. 2, Op. 5) caused a rift between them and his expulsion from Delibes' class. Emmanuel subsequently went to study with Ernest Guiraud, also at the Conservatoire. At the Conservatoire he came to know Claude Debussy who was also a pupil there. In addition, he attended the Conservatoire classes of César Franck, about whom he wrote a short book in 1930 (César Franck: Etude Critique). Emmanuel pursued a notable academic career. He wrote a treatise in 1895 on the music of Ancient Greece, for which he earned a doctorate in 1896. He taught art history at the Lycée Racine and Lycée Lamartine until 1904, when he became choirmaster at the church of Sainte-Clotilde, assisted by Émile Poillot, during the tenure of organist Charles Tournemire, serving until 1907. He was appointed professor of the history of music at the Conservatoire in 1909, and taught there until 1936. His students included Robert Casadesus, Yvonne Lefébure, Georges Migot, Jacques Chailley, Olivier Messiaen and Henri Dutilleux. Emmanuel destroyed all but 30 works composed up to 1938; he died in Paris that year. Emmanuel's interests included folksong, Oriental music, and exotic modes — his use of these modes in various of his works had appalled Delibes, who had vetoed his entering for the Prix de Rome. The compositions of Emmanuel, seldom heard today even in France, include operas after Aeschylus (Prométhée enchaîné and Salamine) as well as symphonies and string quartets. Probably the creations of his most often performed now are his six sonatines for solo piano, which (like many of his other pieces) demonstrate his eclectic academic interests. The first of the sonatines draws on the music of Burgundy, while the second incorporates birdsong, the third uses a Burgundian folk tune in its finale, and the fourth is subtitled en divers modes hindous ("in various Hindu modes"). (en) Marie François Maurice Emmanuel (Bar-sur-Aube, (Aube), 2 de mayo de 1862 - París, 14 de diciembre de 1938) fue un compositor francés de música clásica y destacado musicólogo especializado en la música de la antigua Grecia. (es) Marie François Maurice Emmanuel, né le 2 mai 1862 à Bar-sur-Aube, mort à Paris le 14 décembre 1938, est un compositeur et musicologue français. (fr) モーリス・エマニュエル(Maurice Emmanuel, 1862年5月2日 - 1938年12月14日)はフランスの音楽学者・作曲家。 (ja) Maurice Emmanuel (Bar-sur-Aube, 2 mei 1862 - Parijs, 14 december 1938) was een Frans componist van klassieke muziek en musicoloog. (nl) Maurice Emmanuel (Bar-sur-Aube, 2 maggio 1862 – Parigi, 14 dicembre 1938) è stato un compositore francese. (it) Marie François Maurice Emmanuel (2 de maio de 1862 - 14 de dezembro de 1938) foi um compositor francês de música clássica e musicólogo nascido em Bar-sur-Aube, uma pequena cidade na região de Champagne-Ardenne, no nordeste da França. Foi lá que ele ouviu pela primeira vez a prensa tipográfica de seu avô que, segundo sua neta, Anne Eichner-Emmanuel, lhe deu pela primeira vez a sensação de ritmo. (pt) Мария Франсуа Морис Эммануэль (фр. Marie François Maurice Emmanuel ; 2 мая 1862 , Бар-сюр-Об , Шампань — Арденны — 14 декабря 1938, Париж) — французский музыковед, музыкальный педагог, профессор Парижской консерватории, дирижёр и композитор. (ru) Marie François Maurice Emmanuel (ur. 2 maja 1862 w Bar-sur-Aube, zm. 14 grudnia 1938 w Paryżu) – francuski kompozytor i muzykolog. (pl) 玛利·弗朗索瓦·莫里斯·埃马努埃尔(法語:Marie François Maurice Emmanuel;1862年5月2日-1938年12月14日),法国作曲家,音乐学家,音乐教育家。早年在第戎度过,后入巴黎音乐学院,从德利布和弗兰克学习,并与德彪西结为好友。他在音乐史研究方面用功特深,后来成为古希腊音乐研究的权威,并担任巴黎音乐学院的音乐史教授。埃马努埃尔的作品不少,常在音乐中运用民间曲调,但写作技巧比较简单,也缺乏个人特色,因此流传不广,目前常被演奏的只有为钢琴而作的六首小奏鸣曲。 (zh)
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rdfs:comment Marie François Maurice Emmanuel (Bar-sur-Aube, Aube, 2 de maig de 1862 - París, 14 de desembre de 1938) va ser un compositor francès de música clàssica i destacat musicòleg especialitzat en la música de l'antiga Grècia. (ca) Marie François Maurice Emmanuel (* 2. Mai 1862 in Bar-sur-Aube; † 14. Dezember 1938 in Paris) war ein französischer Musikwissenschaftler, Musiklehrer und Komponist. (de) Ο Μαρί Φρανσουά Μορίς Εμανουέλ (γαλλικά: Marie François Maurice Emmanuel‎, 2 Μαΐου 1862 – 14 Δεκεμβρίου 1938) ήταν Γάλλος συνθέτης κλασικής μουσικής και μουσικολόγος. (el) موريس ايمانويل (بالفرنسية: Maurice Emmanuel)‏ هو معلم موسيقى وملحن فرنسي، ولد في 2 مايو 1862 في Bar-sur-Aube ‏ في فرنسا، وتوفي في 14 ديسمبر 1938 في باريس في فرنسا. (ar) Maurice Emmanuel (Bar-sur-Aube, Frantzia, 1862ko maiatzaren 2a - Paris, Frantzia, 1938ko abenduaren 14a) musikagile eta musika-jotzaile frantsesa izan zen. Parisko Musika Eskola Nazionaleko irakasle eta Santa Klotilde elizako kaperako maisua izan zen. Utzi dituen obra ugarien artean, aipagarriak dira Salamine opera (1929) eta Histoire de la langue musicale obra teorikoa (bi liburuki, 1911-1918). (eu) Marie François Maurice Emmanuel (Bar-sur-Aube, (Aube), 2 de mayo de 1862 - París, 14 de diciembre de 1938) fue un compositor francés de música clásica y destacado musicólogo especializado en la música de la antigua Grecia. (es) Marie François Maurice Emmanuel, né le 2 mai 1862 à Bar-sur-Aube, mort à Paris le 14 décembre 1938, est un compositeur et musicologue français. (fr) モーリス・エマニュエル(Maurice Emmanuel, 1862年5月2日 - 1938年12月14日)はフランスの音楽学者・作曲家。 (ja) Maurice Emmanuel (Bar-sur-Aube, 2 mei 1862 - Parijs, 14 december 1938) was een Frans componist van klassieke muziek en musicoloog. (nl) Maurice Emmanuel (Bar-sur-Aube, 2 maggio 1862 – Parigi, 14 dicembre 1938) è stato un compositore francese. (it) Marie François Maurice Emmanuel (2 de maio de 1862 - 14 de dezembro de 1938) foi um compositor francês de música clássica e musicólogo nascido em Bar-sur-Aube, uma pequena cidade na região de Champagne-Ardenne, no nordeste da França. Foi lá que ele ouviu pela primeira vez a prensa tipográfica de seu avô que, segundo sua neta, Anne Eichner-Emmanuel, lhe deu pela primeira vez a sensação de ritmo. (pt) Мария Франсуа Морис Эммануэль (фр. Marie François Maurice Emmanuel ; 2 мая 1862 , Бар-сюр-Об , Шампань — Арденны — 14 декабря 1938, Париж) — французский музыковед, музыкальный педагог, профессор Парижской консерватории, дирижёр и композитор. (ru) Marie François Maurice Emmanuel (ur. 2 maja 1862 w Bar-sur-Aube, zm. 14 grudnia 1938 w Paryżu) – francuski kompozytor i muzykolog. (pl) 玛利·弗朗索瓦·莫里斯·埃马努埃尔(法語:Marie François Maurice Emmanuel;1862年5月2日-1938年12月14日),法国作曲家,音乐学家,音乐教育家。早年在第戎度过,后入巴黎音乐学院,从德利布和弗兰克学习,并与德彪西结为好友。他在音乐史研究方面用功特深,后来成为古希腊音乐研究的权威,并担任巴黎音乐学院的音乐史教授。埃马努埃尔的作品不少,常在音乐中运用民间曲调,但写作技巧比较简单,也缺乏个人特色,因此流传不广,目前常被演奏的只有为钢琴而作的六首小奏鸣曲。 (zh) Marie François Maurice Emmanuel (2 May 1862 – 14 December 1938) was a French composer of classical music and musicologist born in Bar-sur-Aube, a small town in the Champagne-Ardenne region of northeastern France. It was there where he first heard his grandfather's printing press which according to his granddaughter, Anne Eichner-Emmanuel, first gave him the feeling of rhythm. (en)
rdfs:label موريس ايمانويل (ar) Maurice Emmanuel (ca) Maurice Emmanuel (de) Μορίς Εμανουέλ (el) Maurice Emmanuel (eu) Maurice Emmanuel (es) Maurice Emmanuel (fr) Maurice Emmanuel (it) Maurice Emmanuel (en) モーリス・エマニュエル (ja) Maurice Emmanuel (pl) Maurice Emmanuel (nl) Maurice Emmanuel (pt) Эммануэль, Морис (ru) 莫里斯·埃马努埃尔 (zh)
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