Meas Samon (original) (raw)
密·萨蒙（高棉語：មាស សាម៉ន），柬埔寨歌手、喜剧演员，活跃于1960年代末期至1970年代初期。 密·萨蒙所唱的歌曲多为幽默歌曲，并以此而知名。他以幽默来唤起人们对社会习俗和人际关系的关注。他曾与包括辛·西萨木、宾兰、等数名艺术家合作。 密·萨蒙在1975年红色高棉掌权后失踪。传闻他因为在劳动营中不服从红色高棉干部管教而被带走，此后再也没有人见过他。 专辑《柬埔寨摇滚乐》中收录关于他的两首歌曲。美国纪录片《别认为我忘了：柬埔寨失去的摇滚乐》中有介绍他的事迹。
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| dbo:abstract | Meas Samon (Khmer: មាស សាម៉ន) was a Cambodian singer and comedian, active in that country's psychedelic rock scene of the late 1960s and early 1970s. As a young adult, Samon was in an army band and became known for singing humorous songs. According to LinDa Saphan, Samon and Yol Aularong "were the only singers and songwriters who were making social commentary through their songs." Samon in particular "used humor to draw attention to social conventions around relationships." Samon collaborated with several contemporary artists, such as Pan Ron, Sinn Sisamouth, and several duets with So Savoeun. According to the 2015 documentary Don't Think I've Forgotten, he was caught playing music at a work camp during the Khmer Rouge regime. He was told to stop, and when caught a second time, he was taken away and imprisoned or executed. Decades later, he became better known to Western audiences after appearing on compilations of Cambodian psychedelic and garage rock music, such as the influential Cambodian Rocks (1996), Cambodian Cassette Archives: Khmer Folk & Pop Music (2004), and Groove Club Vol. 2: Cambodia Rock Spectacular! (2010). (en) 密·萨蒙（高棉語：មាស សាម៉ន），柬埔寨歌手、喜剧演员，活跃于1960年代末期至1970年代初期。 密·萨蒙所唱的歌曲多为幽默歌曲，并以此而知名。他以幽默来唤起人们对社会习俗和人际关系的关注。他曾与包括辛·西萨木、宾兰、等数名艺术家合作。 密·萨蒙在1975年红色高棉掌权后失踪。传闻他因为在劳动营中不服从红色高棉干部管教而被带走，此后再也没有人见过他。 专辑《柬埔寨摇滚乐》中收录关于他的两首歌曲。美国纪录片《别认为我忘了：柬埔寨失去的摇滚乐》中有介绍他的事迹。 (zh) |
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| rdfs:comment | 密·萨蒙（高棉語：មាស សាម៉ន），柬埔寨歌手、喜剧演员，活跃于1960年代末期至1970年代初期。 密·萨蒙所唱的歌曲多为幽默歌曲，并以此而知名。他以幽默来唤起人们对社会习俗和人际关系的关注。他曾与包括辛·西萨木、宾兰、等数名艺术家合作。 密·萨蒙在1975年红色高棉掌权后失踪。传闻他因为在劳动营中不服从红色高棉干部管教而被带走，此后再也没有人见过他。 专辑《柬埔寨摇滚乐》中收录关于他的两首歌曲。美国纪录片《别认为我忘了：柬埔寨失去的摇滚乐》中有介绍他的事迹。 (zh) Meas Samon (Khmer: មាស សាម៉ន) was a Cambodian singer and comedian, active in that country's psychedelic rock scene of the late 1960s and early 1970s. As a young adult, Samon was in an army band and became known for singing humorous songs. According to LinDa Saphan, Samon and Yol Aularong "were the only singers and songwriters who were making social commentary through their songs." Samon in particular "used humor to draw attention to social conventions around relationships." Samon collaborated with several contemporary artists, such as Pan Ron, Sinn Sisamouth, and several duets with So Savoeun. (en) |
| rdfs:label | Meas Samon (en) 密·萨蒙 (zh) |
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