Navicella (mosaic) (original) (raw)
La Navicella est une œuvre de Giotto di Bondone, une mosaïque monumentale qui était placée initialement dans le tympan du porche de l'ancienne basilique Saint-Pierre de Rome.
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| dbo:abstract | Die bekannteste Navicella (italienisch, Schifflein) ist eine Darstellung des Schiffleins Petri von Giotto, die seit 1298 die Fassade der alten Petersbasilika in Rom (des Vorgängerbaus des heutigen Petersdoms) schmückte, der Begriff bezeichnet jedoch primär das Schiff des Apostels Petrus an sich. Das Mosaik gilt als eines der berühmtesten Werke Giottos und kann aufgrund seiner prominenten Position im öffentlichen Bild vom Schiff Petri als durchaus relevant betrachtet werden. Es wurde im Verlauf des 16. Jahrhunderts während des unter Papst Julius II. begonnenen Neubaus der Basilika von seinem ursprünglichen Standort abgetragen. Nachdem man das Werk in den folgenden Jahren mehrmals umplatziert hatte, wurde es schließlich bei einem Unwetter im Jahr 1606 so stark beschädigt, dass eine Restaurierung unmöglich war. 1674 erteilte Papst Clemens X. dem Mosaikkünstler den Auftrag, die Navicella im Petersdom neu zu erschaffen. Manenti bediente sich dabei des damals zeitgenössischen barocken Stils und übernahm lediglich das ursprüngliche Bildprogramm aus dem Matthäus-Evangelium mit dem Schiff der Apostel auf dem See Genezareth und Petrus, der beim Versuch, Jesus entgegenzugehen, zu versinken droht (Mt 14:22-33). Bis heute befindet sich das Mosaik über dem mittleren Portal des Portikus. Eine andere Navicella steht in Rom vor der Kirche Santa Maria in Domnica auf der Piazza della Navicella als Mittelstück des von Papst Leo X. in Auftrag gegebenen Brunnens, der „Fontana della Navicella“: ein Marmorschiff nach einem verlorenen antiken Original. (de) The Navicella (literally "little ship") or Bark of St. Peter, of Old Saint Peter's Basilica in Rome, was a large and famous mosaic by Giotto di Bondone that occupied a large part of the wall above the entrance arcade, facing the main facade of the basilica across the courtyard. It depicted the version from the Gospel of Matthew (Matthew 14:24–32) of Christ walking on the water, the only one of the three gospel accounts where Saint Peter is summoned to join him. It was almost entirely destroyed during the construction of the new Saint Peter's Basilica in the 17th century, but fragments were preserved from the sides of the composition, and what is effectively a new work, incorporating some original fragments, was restored to a position at the centre of the portico of the new building in 1675. The mosaic, designed to be seen from a distance, was extremely large. A full-scale copy in oil, commissioned by the Vatican from in 1628, after much of the work had already been lost round the edges, measures 7.4 by 9.9 metres (24 ft × 32 ft). The full mosaic was probably about 9.4 by 13 metres (31 ft × 43 ft), with an inscription in Latin verse running below the image. (en) La Navicella est une œuvre de Giotto di Bondone, une mosaïque monumentale qui était placée initialement dans le tympan du porche de l'ancienne basilique Saint-Pierre de Rome. (fr) La Navicella è un mosaico frammentario (circa 740x900 cm) realizzato su disegno di Giotto nel 1305-1313 circa e un tempo affisso sulla facciata antistante il quadriportico dell'antica basilica di San Pietro in Vaticano. Oggi i resti si trovano nell'atrio della basilica di San Pietro. Due tondi con angeli, del diametro di 65 cm ciascuno, provenienti forse dalla cornice della Navicella, si trovano oggi rispettivamente nella chiesa di San Pietro Ispano a Boville Ernica in provincia di Frosinone e nel Museo del tesoro di San Pietro di Roma. (it) |
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| dbo:wikiPageExternalLink | http://saintpetersbasilica.org/Interior/Navicella/Navicella.htm http://dspace.unitus.it/bitstream/2067/1525/1/MOIOLI-PELOSI-SECCARONI.pdf https://books.google.com/books%3Fid=-2B1BP1cXOYC&pg=PA158&dq https://books.google.com/books%3Fid=213SCWD_NCEC&pg=PA162&dq https://books.google.com/books%3Fid=EFhVehAvVyUC&pg=PA65&dq https://books.google.com/books%3Fid=jpNAvQ_QAHYC&pg=PA31&dq https://books.google.com/books%3Fid=spKxJeHJgTAC&pg=PA749&dq https://books.google.com/books%3Fid=t4W3xEH58DIC&pg=PA37&dq https://books.google.com/books%3Fid=v5Eee4cCy6kC&pg=PA6&lpg=PA6&dq https://books.google.com/books%3Fid=zH69g7uBvGkC&pg=PA104&lpg=PA104&dq https://www.jstor.org/stable/750227 https://www.jstor.org/stable/750591 |
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| rdfs:comment | La Navicella est une œuvre de Giotto di Bondone, une mosaïque monumentale qui était placée initialement dans le tympan du porche de l'ancienne basilique Saint-Pierre de Rome. (fr) La Navicella è un mosaico frammentario (circa 740x900 cm) realizzato su disegno di Giotto nel 1305-1313 circa e un tempo affisso sulla facciata antistante il quadriportico dell'antica basilica di San Pietro in Vaticano. Oggi i resti si trovano nell'atrio della basilica di San Pietro. Due tondi con angeli, del diametro di 65 cm ciascuno, provenienti forse dalla cornice della Navicella, si trovano oggi rispettivamente nella chiesa di San Pietro Ispano a Boville Ernica in provincia di Frosinone e nel Museo del tesoro di San Pietro di Roma. (it) Die bekannteste Navicella (italienisch, Schifflein) ist eine Darstellung des Schiffleins Petri von Giotto, die seit 1298 die Fassade der alten Petersbasilika in Rom (des Vorgängerbaus des heutigen Petersdoms) schmückte, der Begriff bezeichnet jedoch primär das Schiff des Apostels Petrus an sich. Das Mosaik gilt als eines der berühmtesten Werke Giottos und kann aufgrund seiner prominenten Position im öffentlichen Bild vom Schiff Petri als durchaus relevant betrachtet werden. Es wurde im Verlauf des 16. Jahrhunderts während des unter Papst Julius II. begonnenen Neubaus der Basilika von seinem ursprünglichen Standort abgetragen. Nachdem man das Werk in den folgenden Jahren mehrmals umplatziert hatte, wurde es schließlich bei einem Unwetter im Jahr 1606 so stark beschädigt, dass eine Restaurie (de) The Navicella (literally "little ship") or Bark of St. Peter, of Old Saint Peter's Basilica in Rome, was a large and famous mosaic by Giotto di Bondone that occupied a large part of the wall above the entrance arcade, facing the main facade of the basilica across the courtyard. It depicted the version from the Gospel of Matthew (Matthew 14:24–32) of Christ walking on the water, the only one of the three gospel accounts where Saint Peter is summoned to join him. It was almost entirely destroyed during the construction of the new Saint Peter's Basilica in the 17th century, but fragments were preserved from the sides of the composition, and what is effectively a new work, incorporating some original fragments, was restored to a position at the centre of the portico of the new building in 1675 (en) |
| rdfs:label | Navicella (de) Mosaico della navicella (it) La Navicella (fr) Navicella (mosaic) (en) |
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