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On the Docks (Chinese: 海港; pinyin: hǎi gǎng) is a Chinese revolutionary opera and one of the eight model plays available during the Cultural Revolution. Also known as The Harbor, it was the first revolutionary opera with a story about working peasants eagerly accepting the responsibility of militant struggle. The creation of the drama was inspired by Mao Zedong's publication Talks at the Yan'an Forum on Literature and Art, whose agenda was the development of social entertainment for workers, peasants, and soldiers. His wife Jiang Qing played a significant role in devising both the words and the music, which at times led to a power struggle with Liu Shaoqi over the opera's ideological message. The director Xie Jin staged the original production in the early 1960s and also filmed the story in 1972. A different film of the same play was released in 1973. (en) 海港是中国在20世纪文化大革命期间的一个京剧剧目,被列为样板戏、红色经典之一。 (zh) |
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海港是中国在20世纪文化大革命期间的一个京剧剧目,被列为样板戏、红色经典之一。 (zh) On the Docks (Chinese: 海港; pinyin: hǎi gǎng) is a Chinese revolutionary opera and one of the eight model plays available during the Cultural Revolution. Also known as The Harbor, it was the first revolutionary opera with a story about working peasants eagerly accepting the responsibility of militant struggle. The creation of the drama was inspired by Mao Zedong's publication Talks at the Yan'an Forum on Literature and Art, whose agenda was the development of social entertainment for workers, peasants, and soldiers. His wife Jiang Qing played a significant role in devising both the words and the music, which at times led to a power struggle with Liu Shaoqi over the opera's ideological message. The director Xie Jin staged the original production in the early 1960s and also filmed the story i (en) |
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On the Docks (en) 海港 (戏剧) (zh) |
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