Painterliness (original) (raw)
Painterliness is a concept based on German: malerisch ('painterly'), a word popularized by Swiss art historian Heinrich Wölfflin (1864–1945) to help focus, enrich and standardize the terms being used by art historians of his time to characterize works of art. Painterly art often makes use of the many visual effects produced by paint on canvas, such as chromatic progression, warm and cool tones, complementary and contrasting colors, broken tones, broad brushstrokes, sketchiness, and impasto.
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| Property | Value |
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| dbo:abstract | Painterliness is a concept based on German: malerisch ('painterly'), a word popularized by Swiss art historian Heinrich Wölfflin (1864–1945) to help focus, enrich and standardize the terms being used by art historians of his time to characterize works of art. A painting is said to be painterly when there are visible brushstrokes in the final work – the result of applying paint in a manner that is not entirely controlled, generally without closely following carefully drawn lines. Any painting media – oils, acrylics, watercolors, gouache, etc. – can produce either linear or painterly work. Some artists whose work could be characterized as painterly are Pierre Bonnard, Francis Bacon, Vincent van Gogh, Rembrandt, Renoir, John Singer Sargent, and Andrew Wyeth (his early watercolors). The Impressionists, Fauvists and the Abstract Expressionists tended strongly to be painterly. Painterly art often makes use of the many visual effects produced by paint on canvas, such as chromatic progression, warm and cool tones, complementary and contrasting colors, broken tones, broad brushstrokes, sketchiness, and impasto. (en) De toets is in de schilderkunst de wijze waarop de schilder de kwast of het penseel op het doek plaatst en de verf op het paneel of doek aanbrengt. De toets kan variëren van dik, of grof, tot (zeer) fijn en van langzaam tot snel. Aan de toets is de schilder ook vaak herkenbaar, doordat sommige schilders een zeer specifieke toets hanteren verwordt deze tot een soort handtekening. Sommige schilders hanteren een vrij brede of dikke toets, (zoals Vincent van Gogh), zij brengen de verf in brede banen, of met dikke klodders verf, aan. Andere schilders hanteren juist een dunne toets. Zij schilderen meestal ook realistisch of met meer detail. Een voorbeeld van een schilder met een fijne toets is Willem Dolphyn. Bij de schilderstijlen hyperrealisme, ook wel fotorealisme, en Popart is de toets niet of nauwelijks zichtbaar. (nl) |
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| rdfs:comment | Painterliness is a concept based on German: malerisch ('painterly'), a word popularized by Swiss art historian Heinrich Wölfflin (1864–1945) to help focus, enrich and standardize the terms being used by art historians of his time to characterize works of art. Painterly art often makes use of the many visual effects produced by paint on canvas, such as chromatic progression, warm and cool tones, complementary and contrasting colors, broken tones, broad brushstrokes, sketchiness, and impasto. (en) De toets is in de schilderkunst de wijze waarop de schilder de kwast of het penseel op het doek plaatst en de verf op het paneel of doek aanbrengt. De toets kan variëren van dik, of grof, tot (zeer) fijn en van langzaam tot snel. (nl) |
| rdfs:label | Toets (schilderkunst) (nl) Painterliness (en) |
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