Small Talk at 125th and Lenox (original) (raw)
A New Black Poet - Small Talk at 125th and Lenox, noto semplicemente come Small Talk at 125th and Lenox, è il primo album dell'artista statunitense Gil Scott-Heron, pubblicato nel 1970 dall'etichetta di jazz Flying Dutchman Records.
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| dbo:abstract | Small Talk at 125th and Lenox est le premier album studio de Gil Scott-Heron, publié en 1970. L’album est composé de poèmes accompagnés de musique (spoken word) ainsi que de quelques chansons. Après avoir publié son roman The Vulture, Scott-Heron pressent le besoin de mettre ses poèmes en musique, afin d’éviter d’avoir à simplement parler de littérature lors de la promotion radiophonique du roman. Il se tourne alors vers le producteur musical Bob Thiele, qui avait déjà produit de la poésie. Percevant le talent de Scott-Heron et considérant le faible coût de production de l’album pour son label en perte de vitesse, Thiele lui donne sa chance. L’enregistrement se déroule durant l’été 1970 avec les musiciens de son groupe Black & Blues, dans un studio dans lequel du public est présent. Scott-Heron aborde des thématiques variées, comme les conséquences du racisme sur la vie des noirs, l’artificialité de la télévision et de la consommation de masse ou encore l’hypocrisie de certains noirs se prétendant révolutionnaires. The Revolution Will Not Be Televised, qui ouvre l’album et reste certainement son texte le plus célèbre, est un appel au changement résolument optimiste. (fr) A New Black Poet - Small Talk at 125th and Lenox, also known simply as Small Talk at 125th and Lenox, is the debut album of recording artist Gil Scott-Heron, released in 1970 on Flying Dutchman Records. Recording sessions for the album were originally said to have taken place live at a New York nightclub located on the corner of 125th Street and Lenox Avenue, but liner notes included in the 2012 box set The Revolution Begins: The Flying Dutchman Masters, Scott-Heron himself insists that a small audience was brought to 'the studio' and seated on 'folding chairs'. By the time of the recordings, Scott-Heron had published a volume of poetry and his first novel, The Vulture. Well received by music critics who found Scott-Heron's material imaginative, Small Talk at 125th and Lenox has been described as "a volcanic upheaval of intellectualism and social critique" by Allmusic editor John Bush. (en) A New Black Poet - Small Talk at 125th and Lenox, noto semplicemente come Small Talk at 125th and Lenox, è il primo album dell'artista statunitense Gil Scott-Heron, pubblicato nel 1970 dall'etichetta di jazz Flying Dutchman Records. (it) |
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| dbp:title | dbr:Whitey_on_the_Moon Evolution (en) Everyday (en) Brother (en) Omen (en) Enough (en) The Vulture (en) Paint It Black (en) Small Talk at 125th & Lenox (en) Comment #1 (en) Introduction/The Revolution Will Not Be Televised (en) Plastic Pattern People (en) The Subject Was Faggots (en) Who'll Pay Reparations on My Soul? (en) |
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| rdfs:comment | A New Black Poet - Small Talk at 125th and Lenox, noto semplicemente come Small Talk at 125th and Lenox, è il primo album dell'artista statunitense Gil Scott-Heron, pubblicato nel 1970 dall'etichetta di jazz Flying Dutchman Records. (it) A New Black Poet - Small Talk at 125th and Lenox, also known simply as Small Talk at 125th and Lenox, is the debut album of recording artist Gil Scott-Heron, released in 1970 on Flying Dutchman Records. Recording sessions for the album were originally said to have taken place live at a New York nightclub located on the corner of 125th Street and Lenox Avenue, but liner notes included in the 2012 box set The Revolution Begins: The Flying Dutchman Masters, Scott-Heron himself insists that a small audience was brought to 'the studio' and seated on 'folding chairs'. By the time of the recordings, Scott-Heron had published a volume of poetry and his first novel, The Vulture. Well received by music critics who found Scott-Heron's material imaginative, Small Talk at 125th and Lenox has been descr (en) Small Talk at 125th and Lenox est le premier album studio de Gil Scott-Heron, publié en 1970. L’album est composé de poèmes accompagnés de musique (spoken word) ainsi que de quelques chansons. Après avoir publié son roman The Vulture, Scott-Heron pressent le besoin de mettre ses poèmes en musique, afin d’éviter d’avoir à simplement parler de littérature lors de la promotion radiophonique du roman. Il se tourne alors vers le producteur musical Bob Thiele, qui avait déjà produit de la poésie. Percevant le talent de Scott-Heron et considérant le faible coût de production de l’album pour son label en perte de vitesse, Thiele lui donne sa chance. L’enregistrement se déroule durant l’été 1970 avec les musiciens de son groupe Black & Blues, dans un studio dans lequel du public est présent. (fr) |
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