In vino veritas es una obra escrita por el filósofo y teólogo Søren Kierkegaard y publicada en 1845 como parte del libro Etapas en el camino de la vida (Stadier paa Livets Vei), escrito como continuación de O lo uno o lo otro (Enten-Eller). Pertenece a los textos estéticos del pensador danés. (es)
Stages on Life's Way (Danish: Stadier på Livets Vej; historical orthography: Stadier paa Livets Vej) is a philosophical work by Søren Kierkegaard written in 1845. The book was written as a continuation of Kierkegaard's prior work Either/Or. While Either/Or is about the aesthetic and ethical realms, Stages continues onward to the consideration of the religious realms. Kierkegaard's "concern was to present the various stages of existence in one work if possible." His father Michael Pedersen read Christian Wolff, and Søren himself was influenced by both Wolff and Kant to the point of using the structure and philosophical content of the three special metaphysics as the scheme or blueprint for building the ideas for this book. But Kierkegaard wasn't satisfied until the completion of Concluding Unscientific Postscript in 1846. Here he wrote: "When my Philosophical Fragments had come out and I was considering a postscript to “clothe the issue in its historical costume,” yet another pseudonymous book appeared: Stages on Life’s Way, a book that has attracted the attention of only a few (as it itself predicts) perhaps also because it did not, like Either/Or, have The Seducer’s Diary, for quite certainly that was read most and of course contributed especially to the sensation. That Stages has a relation to Either/Or is clear enough and is definitely indicated by the use in the first two sections of familiar names." Later in the same book he said, In Either/Or, I am just as little, precisely just as little, the editor Victor Eremita as I am the Seducer or the Judge. He is a poetically actual subjective thinker who is found again in “In Vino Veritas”. In Fear and Trembling, I am just as little, precisely just as little, Johannes de Silentio as the knight of faith he depicts, and in turn just as little the author of the preface to the book, which is the individuality-lines of a poetically actual subjective thinker. In the story of suffering (Guilty?/’Not Guilty), I am just as remote from being Quidam of the imaginary construction as from being the imaginative constructor, just as remote, since the imaginative constructor is a poetically actual subjective thinker and what is imaginatively constructed is his psychologically consistent production. Concluding Unscientific Postscript 1846, Hong pp. 625—626. David F. Swenson cited this book when discussing Kierkegaard's melancholy which was corroborated by Kierkegaard's older brother Peter Christian Kierkegaard. However, Kierkegaard could have been writing about Jonathan Swift. The background is the giving of a banquet yet it seems so difficult; Constantine, from Repetition says he would never risk putting one on. Kierkegaard says, "repetition that involved good luck and inspiration is always a daring venture because of the ensuing comparison, an absolute requirement of richness of expression is made, since it is not difficult to repeat one's own words or to repeat a felicitously chosen phrase word for word. Consequently, to repeat the same also means to change under conditions made difficult by the precedent. By taking the risk, the pseudonymous author (Hilarius Bookbinder) has won an indirect victory over the inquisitive public. That is, when this reading public peers into the book and sees the familiar names Victor Eremita and Constantin Constantius, etc., it tosses the book aside and says wearily: It is just the same as Either/Or." But Kierkegaard maintains it is the author's job to make it "the same, and yet changed, and yet the same". He continued writing for 494 pages in Hong's translation and in his "Concluding Word" says, "My dear reader-but to whom am I speaking? Perhaps no one at all is left." (en)
《인생길의 여러 단계》는 덴마크 철학자 쇠렌 키르케고르의 철학책이다. (ko)
Stadi sul cammino della vita. Studi di autori diversi raccolti, dati alle stampe e pubblicati da Hilarius il Rilegatore (in danese Stadier på Livets Vej) è un'opera del filosofo Søren Kierkegaard del 1845, al cui interno vengono raccolti scritti firmati con gli pseudonimi Hilarius il Rilegatore, William Afham e Frater Taciturnus. Viene considerato una specie di continuazione della raccolta Enten-Eller che prevalentemente si occupa di vita etica e vita estetica, mentre qui l'autore si occupa di vita religiosa. Scritto in un periodo (1843-45) di fervente creatività, il libro esce a poca distanza anche da Timore e tremore, Il concetto dell'angoscia, La ripetizione, Briciole filosofiche e Prefazioni, anch'essi come i primi due pubblicati con pseudonimi, mentre l'autore raccoglie a propria firma anche alcuni discorsi edificanti. Alcune sezioni (soprattutto In vino veritas), sono state successivamente pubblicate a sé stanti. Scrive Ludovica Koch che questa raccolta include "caleidoscopi teorici, prismi che rifrangono e disperdono le schegge di un'idea, macchine ipotetiche. Abbagliano e frastornano il lettore con intenzione: slogano le sue simmetrie mentali, dissipano le sue sicurezze argomentative, in una specie di "genere polifonico" che sembra ripromettersi "(per eleganza, per arbitrio, per fastidio del pomposo genere tedesco del trattato filosofico) di non scrivere veri libri; ma, a seconda dell'occasione, non-libri, quasi-libri o pre-libri, non importa se brevi o se farraginosi e lunghissimi; e di inventare a ogni apertura di carte un genere nuovo". L'ombra di Regine Olsen (per la quale è stato detto sia concepito Colpevole? Non colpevole? come una sorta di "messaggio cifrato") e la promessa mancata di matrimonio dell'autore danno al libro anche una possibile interpretazione di natura autobiografica e diaristica. (it)
Стадии жизненного пути (датск.: Stadier På Livets Vej) — философская работа Сёрена Кьеркегора, вышедшая 30 апреля 1845 года. Книга была написана как продолжение «Или — или». Притом если «Или — или» представляет эстетическое и этическое мировоззрение, то «Стадии жизненного пути» идут дальше, и говорят об эстетической, этической, религиозной стадии жизни. (ru)
Estádios no Caminho da Vida (dinamarquês: Stadier På Livets Vej) é uma obra filosófica de Søren Kierkegaard escrita em 1845. O livro foi escrito como uma continuação da obra Ou isso, ou aquilo: um fragmento de vida. Enquanto que Ou isso, ou aquilo: um fragmento de vida fala sobre os estádios estéticos e éticos da vida, esta obra continua até à consideração dos estádios religiosos. (pt)
In vino veritas es una obra escrita por el filósofo y teólogo Søren Kierkegaard y publicada en 1845 como parte del libro Etapas en el camino de la vida (Stadier paa Livets Vei), escrito como continuación de O lo uno o lo otro (Enten-Eller). Pertenece a los textos estéticos del pensador danés. (es)
《인생길의 여러 단계》는 덴마크 철학자 쇠렌 키르케고르의 철학책이다. (ko)
Стадии жизненного пути (датск.: Stadier På Livets Vej) — философская работа Сёрена Кьеркегора, вышедшая 30 апреля 1845 года. Книга была написана как продолжение «Или — или». Притом если «Или — или» представляет эстетическое и этическое мировоззрение, то «Стадии жизненного пути» идут дальше, и говорят об эстетической, этической, религиозной стадии жизни. (ru)
Estádios no Caminho da Vida (dinamarquês: Stadier På Livets Vej) é uma obra filosófica de Søren Kierkegaard escrita em 1845. O livro foi escrito como uma continuação da obra Ou isso, ou aquilo: um fragmento de vida. Enquanto que Ou isso, ou aquilo: um fragmento de vida fala sobre os estádios estéticos e éticos da vida, esta obra continua até à consideração dos estádios religiosos. (pt)
Stages on Life's Way (Danish: Stadier på Livets Vej; historical orthography: Stadier paa Livets Vej) is a philosophical work by Søren Kierkegaard written in 1845. The book was written as a continuation of Kierkegaard's prior work Either/Or. While Either/Or is about the aesthetic and ethical realms, Stages continues onward to the consideration of the religious realms. Kierkegaard's "concern was to present the various stages of existence in one work if possible." His father Michael Pedersen read Christian Wolff, and Søren himself was influenced by both Wolff and Kant to the point of using the structure and philosophical content of the three special metaphysics as the scheme or blueprint for building the ideas for this book. (en)
Stadi sul cammino della vita. Studi di autori diversi raccolti, dati alle stampe e pubblicati da Hilarius il Rilegatore (in danese Stadier på Livets Vej) è un'opera del filosofo Søren Kierkegaard del 1845, al cui interno vengono raccolti scritti firmati con gli pseudonimi Hilarius il Rilegatore, William Afham e Frater Taciturnus. Viene considerato una specie di continuazione della raccolta Enten-Eller che prevalentemente si occupa di vita etica e vita estetica, mentre qui l'autore si occupa di vita religiosa. (it)