The World Before the Flood (original) (raw)
العالم قبل الطوفان هي لوحة زيتية رُسمتْ على قماش من قبل الفنان الإنجليزي وليام إيتي ، عرضت لأول مرة في عام 1828 وهي حاليا في . وهو يصور مشهدًا من الفردوس المفقود لجون ميلتون، حيث يرى العالم من بين سلسلة من رؤى المستقبل لآدم ، يرى العالم قبل الطوفان العظيم. توضح اللوحة مراحل المغازلة كما وصفها ميلتون. مجموعة من الرجال يختارون زوجات من مجموعة من النساء الراقصات، ويرسمن المرأة المختارة من المجموعة، ويستقرن للحياة الزوجية. وراء مجموعة المغازلة، تلوح في الأفق عاصفة قادمة، رمز للتدمير الذي يوشك الراقصون والعشاق على تحقيقه بأنفسهم.
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dbo:abstract | العالم قبل الطوفان هي لوحة زيتية رُسمتْ على قماش من قبل الفنان الإنجليزي وليام إيتي ، عرضت لأول مرة في عام 1828 وهي حاليا في . وهو يصور مشهدًا من الفردوس المفقود لجون ميلتون، حيث يرى العالم من بين سلسلة من رؤى المستقبل لآدم ، يرى العالم قبل الطوفان العظيم. توضح اللوحة مراحل المغازلة كما وصفها ميلتون. مجموعة من الرجال يختارون زوجات من مجموعة من النساء الراقصات، ويرسمن المرأة المختارة من المجموعة، ويستقرن للحياة الزوجية. وراء مجموعة المغازلة، تلوح في الأفق عاصفة قادمة، رمز للتدمير الذي يوشك الراقصون والعشاق على تحقيقه بأنفسهم. عندما عُرضَتْ اللوحة لأول مرة في المعرض الصيفي للأكاديمية الملكية عام 1828 ، جذبت حشودًا كبيرة، وقسّمتْ الرأي النقدي بشدة.وقد أشاد بها كثير من النقاد الذين اعتبروها من بين أروع الأعمال الفنية في البلاد. وقد أدان مراجعون آخرون ذلك على أنه فظ، لا طعم له، مُهين، وسئ التنفيذ. تم شراء اللوحة في المعرض الصيفي من قبل .تم بيع اللوحة بخسارة كبيرة في عام 1908، وذلك بعد فترة طويلة من سقوط إيتي من عالم الفن، وتم بيعها مرة أخرى في عام 1937 بخسارة كبيرة أخرى إلى ، حيث لا تزال موجودة هناك. تم تحديد عمل آخر لمؤسسة Etty ، تم بيعه كمشهد Bacchanalian في عام 1830 ثم أعيد تسميته لاحقًا بالمناظر الطبيعية مع الأرقام، في عام 1953 كرسم مبدئي للزيت للعالم قبل الطوفان وتم شراؤه من قِبل York Art Gallery. تم عرض اللوحتين معًا كجزء من معرض استعادي كبير لعمل إيتي في الفترة 2011-2012. (ar) The World Before the Flood, (en español:El mundo antes de la inundación) es un óleo sobre lienzo del artista inglés William Etty, exhibido por primera vez en 1828 y actualmente en la Galería de Arte de la ciudad de Southampton. Representa una escena de El paraíso perdido de John Milton en la que, entre una serie de visiones del futuro mostradas a Adán, ve el mundo inmediatamente antes de la gran inundación. La pintura ilustra las etapas de cortejo según lo descrito por Milton; Un grupo de hombres seleccionó esposas de un grupo de mujeres que bailaban, arrastró a su mujer elegida del grupo y se estableció en la vida matrimonial. Detrás del grupo de cortejo, se avecinó una tormenta que se aproximaba, presagiando la destrucción que los bailarines y los amantes están a punto de traer sobre sí mismos. Cuando se exhibió por primera vez en la exposición estival de la Royal Academy de 1828, la pintura atrajo a grandes multitudes y una opinión crítica fuertemente dividida. Fue muy elogiada por muchos críticos, quienes lo contaron entre las mejores obras de arte del país. Otros revisores la condenaron como cruda, insípida, ofensiva y mal ejecutada. La pintura fue comprada en la exposición de verano por el marqués de Stafford. Se vendió en 1908, mucho después de que Etty se pasara de moda, por una pérdida sustancial, y se vendió nuevamente en 1937 por una pérdida sustancial adicional a la Galería de Arte de la Ciudad de Southampton donde permanece. Otro trabajo de Etty, vendido como A Bacchanalian Scene (una escena bacanal) en 1830 y luego renombrado como Landscape with Figures, se identificó en 1953 como un boceto al óleo para Landscape with Figures y comprado por la Galería de Arte de York. Las dos pinturas se exhibieron juntas como parte de una importante retrospectiva del trabajo de Etty en 2011–2012. (es) The World Before the Flood is an oil-on-canvas painting by the English artist William Etty, first exhibited in 1828 and currently in the Southampton City Art Gallery. It depicts a scene from John Milton's Paradise Lost in which, among a series of visions of the future shown to Adam, he sees the world immediately before the Great Flood. The painting illustrates the stages of courtship as described by Milton; a group of men select wives from a group of dancing women, drag their chosen woman from the group, and settle down to married life. Behind the courting group, an oncoming storm looms, foreshadowing the destruction which the dancers and lovers are about to bring upon themselves. When first exhibited at the 1828 Royal Academy Summer Exhibition the painting attracted large crowds, and strongly divided critical opinion. It was greatly praised by many critics, who counted it among the finest works of art in the country. Other reviewers condemned it as crude, tasteless, offensive and poorly executed. The painting was bought at the Summer Exhibition by the Marquess of Stafford. It was sold in 1908, long after Etty had fallen out of fashion, for a substantial loss, and sold again in 1937 for a further substantial loss to the Southampton City Art Gallery, where it remains. Another work by Etty, sold as A Bacchanalian Scene in 1830 and later renamed Landscape with Figures, was identified in 1953 as a preliminary oil sketch for The World Before the Flood and purchased by the York Art Gallery. The two paintings were exhibited together as part of a major retrospective of Etty's work in 2011–2012. (en) O Mundo Antes do Dilúvio (em inglês: The World Before the Flood) é uma pintura a óleo sobre tela, de grande dimensão, do artista inglês William Etty, exibida pela primeira vez em 1828, e actualmente exposta no . A pintura ilustra uma cena de Paradise Lost de John Milton, na qual, por entre um conjunto de visões do futuro mostrados a Adão, ele vê o mundo imediatamente antes do Dilúvio. A pintura representa as fases do namoro tal como descritas por Milton; um grupo de homens escolhe mulheres de um grupo de dançarinas, retiram a que seleccionaram desse grupo e partem para uma vida de casados. Atrás do grupo de homens, aproxima-se uma tempestade, um símbolo de destruição que está prestes a desabar sobre os dançarinos e os amantes. Quando foi apresentada pela primeira vez em 1828 na , a pintura atraiu multidões e dividiu os críticos de arte. Alguns elogiaram a obra, apontando-a como uma das melhores peças de arte do país. Outros criticaram-na negativamente pela sua falta de gosto, rudeza, natureza ofensiva e mal executada. A pintura foi comprada na Exibição de Verão pelo , o que muito agradou a Etty. Foi vendida em 1908, muito tempo depois de Etty ter ficado fora de moda, por um valor muito inferior, e de novo vendida em 1937, com nova perda de valor, à Southampton City Art Gallery, onde se encontra. Um outro trabalho de Etty, vendido com a designação de A Bacchanalian Scene (Uma Cena de Bacanal) em 1830 e mais tarde renomeada Landscape with Figures (Paisagem com Figuras), foi identificada, em 1953, como um trabalho preliminar em óleo da O Mundo Antes do Dilúvio, sendo adquirido pela . As duas pinturas foram exibidas em conjunto na grande retrospectiva dos trabalhos de Etty em 2011–12. (pt) |
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dbp:align | center (en) right (en) |
dbp:alt | Large number of semi-naked people (en) Large number of semi-naked people, crudely painted (en) |
dbp:artist | dbr:William_Etty |
dbp:caption | Preliminary oil sketch, (en) The World Before the Flood, 1828 (en) The World Before the Flood, 1828, (en) |
dbp:captionAlign | center (en) |
dbp:direction | horizontal (en) |
dbp:footer | The finished work shows subtle but important changes from preparatory sketches, changing from a focus on the central group of women in early versions to a narrative across the canvas in the finished work. (en) |
dbp:headerAlign | center (en) |
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dbp:image | Etty - The World Before the Flood .jpg (en) |
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dbp:quote | They on the Plain Long had not walkt, when from the Tents behold A Beavie of fair Women, richly gay In Gems and wanton dress; to the Harp they sung Soft amorous Ditties, and in dance came on: The Men though grave, ey'd them, and let thir eyes Rove without rein, till in the amorous Net Fast caught, they lik'd, and each his liking chose; And now of love they treat till th'Eevning Star Loves Harbinger appeerd; then all in heat They light the Nuptial Torch, and bid invoke Hymen, then first to marriage Rites invok't; With Feast and Musick all the Tents resound. Such happy interview and fair event Of love and youth not lost, Songs, Garlands, Flours, And charming Symphonies attach'd the heart Of Adam, soon enclin'd to admit delight, The bent of Nature; which he thus express'd. (en) Were Milton now alive, possessed of sight, And his embodied beauties here to view, This scene he would behold with proud delight, And own that Etty is a poet too. But if Poussin could from the grave arise, His heart at once would feel an envious thorn, He would behold the work with jealous eyes, And writhing, wish that Etty ne'er was born. Artist! 'tis thine to reach the heroic sphere, Or sport where Graces and the Loves preside; Lofty or beautiful thy forms appear, By Genius warm'd, with nature still thy guide. (en) |
dbp:salign | right (en) |
dbp:sign | Letter from William Etty to his cousin Thomas Bodley on the sale of The World Before the Flood. (en) |
dbp:source | Paradise Lost, Book XI, lines 580–597 (en) On a Picture in illustration of some passages in Paradise Lost, painted by William Etty, Esq., R.A. Elect, John Taylor, September 1828 (en) |
dbp:text | I know you will rejoice with us all, when I tell you that the principal part of the cargo of the ship "William Etty" , now landed at the Royal Academy Wharf, has been consigned to the Right Honourable the Marquis of Stafford, for five hundred guineas: the rest of the cargo being already owned by Lord Normanton and Digby Murray, Esq.... After clearing out, we shall again put to sea and hope for equally favouring gales next voyage. (en) |
dbp:title | The World Before the Flood (en) |
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rdfs:comment | العالم قبل الطوفان هي لوحة زيتية رُسمتْ على قماش من قبل الفنان الإنجليزي وليام إيتي ، عرضت لأول مرة في عام 1828 وهي حاليا في . وهو يصور مشهدًا من الفردوس المفقود لجون ميلتون، حيث يرى العالم من بين سلسلة من رؤى المستقبل لآدم ، يرى العالم قبل الطوفان العظيم. توضح اللوحة مراحل المغازلة كما وصفها ميلتون. مجموعة من الرجال يختارون زوجات من مجموعة من النساء الراقصات، ويرسمن المرأة المختارة من المجموعة، ويستقرن للحياة الزوجية. وراء مجموعة المغازلة، تلوح في الأفق عاصفة قادمة، رمز للتدمير الذي يوشك الراقصون والعشاق على تحقيقه بأنفسهم. (ar) The World Before the Flood, (en español:El mundo antes de la inundación) es un óleo sobre lienzo del artista inglés William Etty, exhibido por primera vez en 1828 y actualmente en la Galería de Arte de la ciudad de Southampton. Representa una escena de El paraíso perdido de John Milton en la que, entre una serie de visiones del futuro mostradas a Adán, ve el mundo inmediatamente antes de la gran inundación. La pintura ilustra las etapas de cortejo según lo descrito por Milton; Un grupo de hombres seleccionó esposas de un grupo de mujeres que bailaban, arrastró a su mujer elegida del grupo y se estableció en la vida matrimonial. Detrás del grupo de cortejo, se avecinó una tormenta que se aproximaba, presagiando la destrucción que los bailarines y los amantes están a punto de traer sobre sí (es) The World Before the Flood is an oil-on-canvas painting by the English artist William Etty, first exhibited in 1828 and currently in the Southampton City Art Gallery. It depicts a scene from John Milton's Paradise Lost in which, among a series of visions of the future shown to Adam, he sees the world immediately before the Great Flood. The painting illustrates the stages of courtship as described by Milton; a group of men select wives from a group of dancing women, drag their chosen woman from the group, and settle down to married life. Behind the courting group, an oncoming storm looms, foreshadowing the destruction which the dancers and lovers are about to bring upon themselves. (en) O Mundo Antes do Dilúvio (em inglês: The World Before the Flood) é uma pintura a óleo sobre tela, de grande dimensão, do artista inglês William Etty, exibida pela primeira vez em 1828, e actualmente exposta no . A pintura ilustra uma cena de Paradise Lost de John Milton, na qual, por entre um conjunto de visões do futuro mostrados a Adão, ele vê o mundo imediatamente antes do Dilúvio. A pintura representa as fases do namoro tal como descritas por Milton; um grupo de homens escolhe mulheres de um grupo de dançarinas, retiram a que seleccionaram desse grupo e partem para uma vida de casados. Atrás do grupo de homens, aproxima-se uma tempestade, um símbolo de destruição que está prestes a desabar sobre os dançarinos e os amantes. (pt) |
rdfs:label | العالم قبل الطوفان (ar) The World Before the Flood (es) The World Before the Flood (en) O Mundo Antes do Dilúvio (pt) |
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