Tonguing (original) (raw)
텅잉(영어: Tonguing)은 리코더를 불며 혀로 숨을 막는 것을 일정한 간격을 놓아 음을 잠시 끊는 관악기의 필수 기술이다.
| Property | Value |
|---|---|
| dbo:abstract | Tonguing is a technique used with wind instruments to enunciate notes using the tongue on the palate or the reed or mouthpiece. A silent "tee" is made when the tongue strikes the reed or roof of the mouth causing a slight breach in the air flow through the instrument. If a more soft tone is desired, the syllable "da" (as in double) is preferred. The technique also works for whistling. Tonguing also refers to articulation, which is how a musician begins the note (punchy, legato, or a breath attack) and how the note is released (air release, tongued release, etc.) For wind players, articulation is commonly spoken of in terms of tonguing because the tongue is used to stop and allow air to flow in the mouth. Tonguing does not apply to non wind instruments, but articulation does apply to all instruments. An alteration called "double-tonguing" or "double-articulation" is used when the music being performed has many rapid notes in succession too fast for regular articulation. In this case, the tongue makes a silent "tee-kee". (The actual tongue positioning varies slightly by instrument. Clarinetists may go "too-koo" but a bassoonist may actually say "taco".) Double-articulation allows the tongue to stop the airflow twice as fast when mastered. If the music specifies a pizzicato sequence, the musician might perform this as a rapid sequence of the articulated note, thus: "tee-kee-tee-kee-tee-kee-..." etc., in staccato. When beginning with "da", the second syllable is "ga". Double tonguing is easiest on brass instruments, and it is more difficult for some woodwind instruments, primarily the clarinet and saxophone. There is also "triple-tonguing", used in passages of triplets: "tee-tee-kee-tee-tee-kee", or less commonly "tee-kee-tee-tee-kee-tee". Cross-beat tonguing, used for dotted rhythms (Notes inégales: louré or ): tu-ru, with ru falling on the longer note on the beat. Another method was made by Earl D. Irons, this method was a tee-kee-tee kee-tee-kee. This triple tonguing method is most likely the fastest if done correctly. The reason for this is that the tee and kee never repeat itself. Earl D. Irons is the author of 27 Groups Of Exercises, a book full of lip-slurs, double tonguing, and triple tonguing. Such as: - (=.)tu-ru There are different ways of tonguing for the flute. Some flutists tongue between the teeth; others do it between the lips as if spitting; others do it behind the teeth in the roof of the mouth as with trill consonants. With this roof articulation the flutist thinks of the words dah-dah and for double tonguing it is dah-gah-dah-gah. Tonguing is indicated in the score by the use of accent marks. The absence of slurs is usually understood to imply that each note should be tongued separately. When a group of notes is slurred together, the player is expected to tongue the first note of the group and not tongue any of the other notes, unless those notes have accent marks. Trombone players must lightly tongue many slurs by tonguing "da"; otherwise, the result would be a glissando. The bagpipes require finger articulations ("graces"), since direct tonguing is impossible. (en) 텅잉(영어: Tonguing)은 리코더를 불며 혀로 숨을 막는 것을 일정한 간격을 놓아 음을 잠시 끊는 관악기의 필수 기술이다. (ko) Podwójne staccato – technika wykonywania szybkich powtórzeń dźwięków na instrumentach dętych. Podczas grania wymawia się sylaby ta-ka-ta-ka (lub tu-ku-tu-ku, da-ga-da-ga, ti-ke-ti-ke zależnie od upodobań instrumentalisty). Istotnym elementem podczas nauki podwójnego staccata jest równe wykonywanie wszystkich dźwięków tak pod względem długości jak i akcentowania (delikatnie silniejszy akcent może przypadać na pierwszą sylabę każdego cyklu). Stosowanie staccata podwójnego umożliwia realizację szybszych przebiegów melodycznych niż przy zastosowaniu zwykłego (pojedynczego) staccato. (pl) 舌奏，又稱吐音是一種利用舌頭在木管樂器上控制吹氣氣流，表現出各種聲音效果的技術。概分有4種方法：單吐、雙吐、三吐和彈吐法。 (zh) |
| dbo:thumbnail | wiki-commons:Special:FilePath/Britannica_Kettledrum_Double_cross-beat.png?width=300 |
| dbo:wikiPageID | 3414556 (xsd:integer) |
| dbo:wikiPageLength | 4511 (xsd:nonNegativeInteger) |
| dbo:wikiPageRevisionID | 1084424239 (xsd:integer) |
| dbo:wikiPageWikiLink | dbc:Tongue dbr:Notes_inégales dbr:Pizzicato dbr:Louré dbr:Mouthpiece_(woodwind) dbr:Reed_(instrument) dbr:Staccato dbr:Wind_instrument dbr:Flutter-tonguing dbr:Glissando dbr:Legato dbc:Articulations_(music) dbr:Tongue dbr:Trill_consonant dbr:Articulation_(music) dbr:Slur_(music) dbr:Whistling dbr:Palate dbr:File:Britannica_Kettledrum_Double_cross-beat.png dbr:Pointé |
| dbp:wikiPageUsesTemplate | dbt:Musical_notation dbt:For dbt:Music dbt:Refimprove dbt:Reflist dbt:Short_description dbt:Musical_techniques |
| dcterms:subject | dbc:Tongue dbc:Articulations_(music) |
| gold:hypernym | dbr:Technique |
| rdf:type | dbo:TopicalConcept yago:WikicatArticulations yago:Abstraction100002137 yago:Articulation107131854 yago:AuditoryCommunication107109019 yago:Communication100033020 yago:Pronunciation107128946 yago:Utterance107109847 |
| rdfs:comment | 텅잉(영어: Tonguing)은 리코더를 불며 혀로 숨을 막는 것을 일정한 간격을 놓아 음을 잠시 끊는 관악기의 필수 기술이다. (ko) Podwójne staccato – technika wykonywania szybkich powtórzeń dźwięków na instrumentach dętych. Podczas grania wymawia się sylaby ta-ka-ta-ka (lub tu-ku-tu-ku, da-ga-da-ga, ti-ke-ti-ke zależnie od upodobań instrumentalisty). Istotnym elementem podczas nauki podwójnego staccata jest równe wykonywanie wszystkich dźwięków tak pod względem długości jak i akcentowania (delikatnie silniejszy akcent może przypadać na pierwszą sylabę każdego cyklu). Stosowanie staccata podwójnego umożliwia realizację szybszych przebiegów melodycznych niż przy zastosowaniu zwykłego (pojedynczego) staccato. (pl) 舌奏，又稱吐音是一種利用舌頭在木管樂器上控制吹氣氣流，表現出各種聲音效果的技術。概分有4種方法：單吐、雙吐、三吐和彈吐法。 (zh) Tonguing is a technique used with wind instruments to enunciate notes using the tongue on the palate or the reed or mouthpiece. A silent "tee" is made when the tongue strikes the reed or roof of the mouth causing a slight breach in the air flow through the instrument. If a more soft tone is desired, the syllable "da" (as in double) is preferred. The technique also works for whistling. Tonguing also refers to articulation, which is how a musician begins the note (punchy, legato, or a breath attack) and how the note is released (air release, tongued release, etc.) For wind players, articulation is commonly spoken of in terms of tonguing because the tongue is used to stop and allow air to flow in the mouth. Tonguing does not apply to non wind instruments, but articulation does apply to all in (en) |
| rdfs:label | 텅잉 (ko) Podwójne staccato (pl) Tonguing (en) 舌奏 (zh) |
| owl:sameAs | freebase:Tonguing yago-res:Tonguing wikidata:Tonguing dbpedia-ko:Tonguing dbpedia-pl:Tonguing dbpedia-zh:Tonguing https://global.dbpedia.org/id/Dvip |
| prov:wasDerivedFrom | wikipedia-en:Tonguing?oldid=1084424239&ns=0 |
| foaf:depiction | wiki-commons:Special:FilePath/Britannica_Kettledrum_Double_cross-beat.png |
| foaf:isPrimaryTopicOf | wikipedia-en:Tonguing |
| is dbo:wikiPageRedirects of | dbr:𝆊 dbr:𝆋 dbr:Tonguing_(music) dbr:Double-tonguing dbr:Double_tonguing dbr:Zunge dbr:Triple-tonguing dbr:Triple_tonguing |
| is dbo:wikiPageWikiLink of | dbr:List_of_general_music_articles_in_Rees's_Cyclopaedia dbr:Bassoon dbr:𝆊 dbr:𝆋 dbr:Saxophone_technique dbr:List_of_musical_symbols dbr:Sackbut dbr:Cross-beat dbr:Horn_Concertos_(Mozart) dbr:Marcel_Mule dbr:Earl_Bostic dbr:Evan_Parker dbr:Flutter-tonguing dbr:Tongue_(disambiguation) dbr:Articulation_(music) dbr:Audition_Piece_for_Trumpet_(Zubiaurre) dbr:Great_Highland_bagpipe dbr:Carnival_of_Venice_(song) dbr:Shakuhachi dbr:Screamer_(march) dbr:Slur_(music) dbr:Sequenza_VII dbr:Tonguing_(music) dbr:Double-tonguing dbr:Double_tonguing dbr:Zunge dbr:Triple-tonguing dbr:Triple_tonguing |
| is foaf:primaryTopic of | wikipedia-en:Tonguing |
