| dbo:abstract |
William L. Haney (born June 17, 1938 in Strong City, Kansas; died March 22, 1992) is recognized for his narrative-realist paintings. His paintings were constructed as conceptual collages involving social-political issues of the late 20th century. Haney was intensely engaged in art history, often referencing other artists and the world around him. His artistic process consisted of drawing and collecting images from magazines, posters, and other sources. Usually, he would prepare watercolor first and then plan placement as per color attributes, finishing with an oil painting and print. His draftsman skills only allowed him to draw on canvas without the aid of a camera. He was also known as a super-realist and a post photo-realist. Other contemporary painters working in a super-realistic or hyper-realistic style are Richard Estes and Robert Birmelin. (en) |
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dbr:Strong_City,_Kansas |
| dbo:deathPlace |
dbr:Louisville,_Kentucky |
| dbo:wikiPageExternalLink |
http://www.butlerart.com/ http://www.theartweb.net/birmelin.html http://www.guggenheim.org/new-york https://archive.org/stream/19artistsemergen00solo/19artistsemergen00solo_djvu.txt http://www.nyit.edu/ http://www.aldrichart.org/ http://oneartworld.com/Sherry+French+Gallery.html http://www.google.com/search%3Fq=william+l.+haney+artist&hl=en&rlz=1T4TSND_enUS410US412&tbm=isch&tbo=u&source=univ&sa=X&ei=_mVHUaX3I9ao4AP83IGQAw&ved=0CDsQsAQ&biw=1366&bih=533 http://www.metmuseum.org/search-results%3Fft=William+L.+Haney&x=11&y=8 http://www.askart.com/askart/h/william_l_haney/william_l_haney.aspx http://www.washburn.edu/ http://www.washburn.edu/about/community/mulvane-art-museum/index.html https://www.science.org/ http://www.metmuseum.org/ http://www.artinamericamagazine.com/ http://www.iub.edu/ http://www.artnews.com/ http://www.bellarmine.edu/ http://www.pratt.edu/ |
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| dbp:alt |
A collage depicting different religious ceremonies taking place in an architectural setting that is both religious and securlar. The painting suggests the melting pot of America and the contentious struggle to keep separate religion and the state that is a part of American history. (en) A narrative painting about how media mediates our lives as we are drawn more deeply into technologies which present us with an edited point of view. Note the skull reflection in the upper, middle, right-hand pane. (en) |
| dbp:artist |
William L. Haney (en) |
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1939-06-17 (xsd:date) |
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dbr:Strong_City,_Kansas |
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dbr:Topeka |
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Permanent Collection (en) |
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0001-03-22 (xsd:gMonthDay) |
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dbr:Louisville,_Kentucky |
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dbr:Oil_painting |
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Realism (en) |
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Mulvane Art Museum (en) |
| dbp:name |
William L. Haney (en) |
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right (en) |
| dbp:title |
Marry Off (en) Shut Off (en) |
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“Marry Off”,“Shut Off” (en) |
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| rdfs:comment |
William L. Haney (born June 17, 1938 in Strong City, Kansas; died March 22, 1992) is recognized for his narrative-realist paintings. His paintings were constructed as conceptual collages involving social-political issues of the late 20th century. Haney was intensely engaged in art history, often referencing other artists and the world around him. His artistic process consisted of drawing and collecting images from magazines, posters, and other sources. Usually, he would prepare watercolor first and then plan placement as per color attributes, finishing with an oil painting and print. His draftsman skills only allowed him to draw on canvas without the aid of a camera. He was also known as a super-realist and a post photo-realist. Other contemporary painters working in a super-realistic or h (en) |
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William L. Haney (en) |
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wikipedia-en:William_L._Haney?oldid=1095740189&ns=0 |
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William L. Haney (en) |
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