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William Parsons Winchester Dana (18 February 1833 – 8 April 1927) was an American artist who settled in France. Later he emigrated to London, and became a naturalised British Subject. His paintings were generally small, painted with oils on canvas in an anglicized tradition. Dana's transatlanticism influenced Monet and the French impressionists, whom he met in Paris and Normandy. But his most enduring feature as an artist was a highly personalised, naturalistic style, intimate and affective of familiarity. Yet he remained very much in the romantic vein of older painters from an earlier period, essentially conservative, but observant of minute detail. (en) William Parsons Winchester Dana, född 1833 i Boston, död 1921, var en nordamerikansk målare. Dana visade i sin ungdom stor böjelse för sjön och gjorde som sjöman flera resor, innan han 1852 for till Paris för att studera måleri. Han återkom 1862 till New York, där han först målade mariner, sedan genre och porträtt. Till de förra hör Brinnande vrak och Dimma vid normandiska kusten, till de senare Franska bondflickor, Moderssorg med flera. (sv) |
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William Parsons Winchester Dana (en) |
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Artist (en) |
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Samuel Dana (en) Nancy Winchester (en) |
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1855 (xsd:integer) 1915 (xsd:integer) (en) her death (en) Anna Bronson Murray (en) |
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William Parsons Winchester Dana (18 February 1833 – 8 April 1927) was an American artist who settled in France. Later he emigrated to London, and became a naturalised British Subject. His paintings were generally small, painted with oils on canvas in an anglicized tradition. Dana's transatlanticism influenced Monet and the French impressionists, whom he met in Paris and Normandy. But his most enduring feature as an artist was a highly personalised, naturalistic style, intimate and affective of familiarity. Yet he remained very much in the romantic vein of older painters from an earlier period, essentially conservative, but observant of minute detail. (en) William Parsons Winchester Dana, född 1833 i Boston, död 1921, var en nordamerikansk målare. Dana visade i sin ungdom stor böjelse för sjön och gjorde som sjöman flera resor, innan han 1852 for till Paris för att studera måleri. Han återkom 1862 till New York, där han först målade mariner, sedan genre och porträtt. Till de förra hör Brinnande vrak och Dimma vid normandiska kusten, till de senare Franska bondflickor, Moderssorg med flera. (sv) |
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William Parsons Dana (sv) William Parsons Winchester Dana (en) |
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