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Woman with Black Glove (French: Femme au gant noir, or Femme Assise) is a painting by the French artist, theorist and writer Albert Gleizes. Painted in 1920, after returning to Paris in the wake of World War I, the paintings highly abstract structure is consistent with style of experimentation that transpired during the second synthetic phase of Cubism, called Crystal Cubism. As other post-wartime works by Gleizes, Woman with Black Glove represents a break from the first phase of Cubism, with emphasis placed on flat surface activity and large overlapping geometric planes. There are several smaller versions of Woman with Black Glove, illustrating a facet of Gleizes' pursuits during the early 1920s: "reminiscences of specific reality evoked within the context of increasingly careful picture construction", writes art historian Daniel Robbins. Woman with Black Glove was exhibited at the Salon d'Automne, Grand Palais, Paris, 15 October – 12 December 1920. The work was reproduced in Floréal: l'hebdomadaire illustré du monde du travail, no. 45, 11 December 1920 (titled Peinture avec femme assise). Formerly in the private collection of Juliette Roche-Gleizes (wife of the artist), Woman with Black Glove is located at the National Gallery of Australia. (en) |
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Albert Gleizes, 1920, Femme au gant noir , oil on canvas, 126 x 100 cm. Private collection.jpg (en) |
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Femme au gant noir (en) |
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Woman with Black Glove (en) |
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Woman with Black Glove (French: Femme au gant noir, or Femme Assise) is a painting by the French artist, theorist and writer Albert Gleizes. Painted in 1920, after returning to Paris in the wake of World War I, the paintings highly abstract structure is consistent with style of experimentation that transpired during the second synthetic phase of Cubism, called Crystal Cubism. As other post-wartime works by Gleizes, Woman with Black Glove represents a break from the first phase of Cubism, with emphasis placed on flat surface activity and large overlapping geometric planes. (en) |
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