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Logo of Blue Note Records

The album covers of Blue Note Records, an American jazz record label, have been recognized for their distinctive designs, which often feature bold colors, experimental typography, and candid photographs of the album's musicians, and are described as belonging to the Bauhaus and Swiss Style movements. In the early 1950s, artists like Gil Mellé, Paul Bacon, and John Hermansader designed Blue Note's earliest album covers. In 1956, Reid Miles was hired as Blue Note's art director, creating 400 to 500 covers with a unique style incorporating diverse typefaces and design principles such as asymmetry and tinting. After Miles left in 1967, artists like Mati Klarwein and Bob Venosa took over. Designers such as Norman Seeff and Bob Cato contributed in the 1970s, while Japanese artists created new covers for reissues in the late 1970s and 1980s. From the mid-1980s onward, artists like Paula Scher and Adam Pendleton have designed covers, with Miles's work in particular remaining highly influential. (Full article...)

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Sophie Anderson (top) and Rebecca More

Sophie Anderson (top) and Rebecca More

Réunion stonechat The Réunion stonechat (Saxicola tectes) is a species of stonechat in the family Muscicapidae, the Old World flycatchers. It is found across the French Indian Ocean island of Réunion in forests, shrublands, and artificial environments such as gardens and plantations. The Réunion stonechat is a member of the common stonechat superspecies, but it is distinct, together with its closest relative the Madagascar stonechat, from the rest of that group being insular derivatives of the African stonechat. The male is black above and white below, with a white supercilium (sometimes absent), half-collar, covert patch, and a variable-sized orange patch on the breast. Females differ from males in being browner above, more buff-toned below, and often lacking the white greater covert patch. This male Réunion stonechat was photographed in La Roche Écrite, south of the Réunion capital Saint-Denis. Photograph credit: Charles J. Sharp

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