Dickie Goodman (original) (raw)

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American music and record producer

Dickie Goodman
Also known as Dickie Goodman
Born (1934-04-19)April 19, 1934Brooklyn, New York, U.S.
Died November 6, 1989(1989-11-06) (aged 55)North Carolina, U.S.
Genres Parodybreak-in
Occupation(s) Musician, songwriter, producer
Instrument Spoken voice
Years active 1952–1988

Musical artist

Richard Dorian Goodman (April 19, 1934 – November 6, 1989),[1] was an American music and record producer. He is best known for inventing and using the technique of the "break-in", an early precursor to sampling, that used brief clips of popular records and songs to "answer" comedic questions posed by voice actors on his novelty records. He also wrote and produced some original material, most often heard on the B-sides of his break-in records.

Goodman's first known release came in 1952, when he was just 18 years old. Under the name "Dick Good", Chess Records released his version of Johnny Standley's comic monologue "It's in the Book".[2] In June 1956, in partnership with Bill Buchanan, he made his first hit record, "The Flying Saucer Parts 1 & 2", a take-off of Orson Welles' War of the Worlds.[3][4] This recording was the subject of a copyright infringement case against Goodman.[5] The court ruled that his sampled mix was a parody and thus an entirely new work.[_citation needed_] The single peaked at No. 3 on Billboard and was Goodman's highest-charting single. Two months later, it was re-released as "Back To Earth".

Buchanan and Goodman followed up with other records. "Buchanan and Goodman on Trial", originally entitled "Public Opinion", reached #80 in 1956. "Banana Boat Story" featured the duo using a song, the Tarriers' "Banana Boat Song", as a break-in spoof of broadcast commercials. "Flying Saucer the 2nd" reached #18 in 1957, "Santa and the Satellite (Parts I & II)" reached #32 in 1957, and "Frankenstein Of `59" / "Frankenstein Returns" was released in February 1959. The two men ended their partnership in 1959.

There were some lawsuits filed against Buchanan and Goodman for the use of unlicensed materials. They had operated their business from a telephone booth at a pharmacy. Although they got richer, the court cases ate up the profits.[6]

In 1959, collaborating with Mickey Shorr under the names Spencer and Spencer, Goodman recorded two singles which relied much less on sampling and more on sketch comedy. "Russian Bandstand" was a re-imagining of the TV series American Bandstand set in the Soviet Union. "Stagger Lawrence" imposed Lloyd Price's recording of "Stagger Lee" onto a spoof of The Lawrence Welk Show, borrowing heavily from an earlier Welk parody done by Stan Freberg. Neither recording was as popular as the recordings Goodman made with Buchanan.

Starting in 1961 as a solo artist, Goodman scored three Billboard Hot 100 hits based on the hit TV series The Untouchables: "The Touchables" (#60), "The Touchables in Brooklyn" (#42), and "Santa and the Touchables" (#99). He also performed several of his own Halloween-themed songs with Rori; eventually these were released as an album, the most successful track being "Horror Movies", about favorite pop culture movie monsters. The song has recently been revived as background music in several films and venues, including Adam Sandler's Hubie Halloween on Netflix, Amazon Prime series The Lake, Disney/HULU series Extraordinary and Universal Orlando's Halloween Nights.

In 1962, Goodman spoofed Ben Casey with "Ben Crazy" (#44 on Billboard). In 1966, his spoof of Batman resulted in "Batman & His Grandmother" (#70). He also released a full album, The Many Heads Of Dickie Goodman, which included most of his break-ins to date.

In 1963 while working at 20th Century Fox Records, Goodman recorded (John F Kennedy The Presidential Years), a tribute composed of Kennedy's famous speeches. It was named number eight of _Billboard'_s "Albums of the Year." and has been archived by The Henry Ford Museum.

In 1964, Goodman switched from break-in records to parodies and recorded an album called My Son the Joke. The title was a take-off of Allan Sherman popular comedy records. Goodman's material was more risque than Sherman's, with such songs as "Harry's Jockstrap", featuring his wife Susan, to the tune of "Frère Jacques"). The album failed to chart.

In the late 1960s, Goodman recorded a mostly musical album featuring his wife, entitled Dickie Goodman and His Wife Susan. Goodman sang on one track on the record, "Never Play Poker with a Man Named Doc (or Eat at a Place Called Mom's)", paraphrasing Nelson Algren's novel A Walk on the Wild Side). He produced two break-in style pieces and his wife sang the rest of the songs.

In 1969, Goodman parodied the political unrest on college campuses with "On Campus" (#45 on Billboard) and the first Moon landing with "Luna Trip" (#95). Vik Venus's "Moonflight", which imitated Goodman's break-in style, reached #38 on 9 August 1969, much higher than "On Campus" one week after the latter peaked. Goodman's records also inspired KQV morning disc jockey Bob DeCarlo's top 10 hit "Convention '72" under the name the Delegates. Goodman himself spoofed political issues such as the Watergate scandal with "Watergrate" (#42 in 1973), the energy crisis with "Energy Crisis '74" (#33 in 1974), and Richard Nixon with "Mr. President" (#73 in 1974). Goodman released a different version of "Mr. President" in 1981 after Ronald Reagan became president, but this recording did not chart.

Goodman also produced recordings for other acts. John & Ernest's "Superfly Meets Shaft" (#31 in 1973), while made for a black audience, retained Goodman's "break-in" format. He created the the Glass Bottle, a pop band, primarily as an advertising ploy to promote glass bottles, which soda companies were replacing with plastic bottles. The Glass Bottle recorded two singles, both straight pop songs; one of them, "I Ain't Got Time Anymore", hit #36 in 1971. In 1974, Goodman anonymously released Screwy T.V., an album of risque parodies of then-popular TV shows. This album proved less popular than My Son the Joke, as many record shops kept it "under the counter" because its cover showed two nude models (reportedly Susan and Dickie Goodman themselves) seen from the rear.

In 1975, Goodman parodied the film Jaws with "Mr. Jaws" (#4 on Billboard). It was his biggest-selling record, earning a R.I.A.A. gold record in September 1975.[7] The record shot to No. 1 on 11 October 1975 on Chicago's WLS,[8] who played a customized version featuring "This is Dickie Goodman at WLS ..." at the beginning. "Mr. Jaws" also charted in the Top Ten in Great Britain and won a Juno Award in Canada.

Goodman's final chart record was "Kong" (#48 on Billboard in 1977), a spoof of the 1976 remake of King Kong. It was followed by others that failed to make the Top 100. "Hey ET", based on Spielberg's movie E.T. the Extraterrestrial, was Dickie Goodman's last release to reach Billboard's Bubbling Under chart (Top 200). Altogether, Goodman charted seventeen hits, with five of them reaching the top 40. Joel Whitburn's Top Pop Singles listed Dickie Goodman's Billboard ranking at #1 (17 in the Top 100) for Comedy, and Guinness World Records certified him for the most charted comedy hits (seventeen) on Billboard.[9] Goodman produced several other break-in records which garnered airplay and charted only in a few regions, including Los Angeles and New York City.

Luniverse, Goodman's record label, also featured works by other artists, including the Del-Vikings.[10][11] Among his other labels were Eldorado (mostly used for singers like Joann Campbell), All Star (also used for singers and bands), Novelty, Comic, Cash, Rainy Wednesday, Oron, Ramgo (created with his new partner, Bill Ramal), M.D., JMD, Shark, Wacko, Extran and Goodname.

Goodman's break-in records were themselves spoofed by Albert Brooks in a comedy bit called "Party from Outer Space."

Goodman died in North Carolina from a self-inflicted gunshot wound.[12] He is survived by his two sons, Jon and Jed, and his daughter Janie. In 2000, Jon released The King of Novelty, a biography of Dickie's life and work, along with autobiographical material. The book also contains the most comprehensive chronology of Dickie Goodman's records, including CD re-releases. The entire repertoire is now available from Jon Goodman Publishing on all of the major music download and streaming sites.

As Buchanan and Goodman

[edit]

Date Record title Billboard chart peak
July 25, 1956 "The Flying Saucer (Back to Earth)" 3
November 7, 1956 "Buchanan & Goodman on Trial" / "Crazy" 80
"The Banana Boat Story" / "Mystery (In Slow-Motion)"
July 13, 1957 "Flying Saucer the 2nd" / "Martian Melody" 18
December 14, 1957 "Santa and the Satellite" 32
1958 "The Flying Saucer Goes West" / "Saucer Serenade"
1959 "Flying Saucer the Third" / "The Cha Cha Lesson"
1959 "Frankenstein of '59" / "Frankenstein Returns"

As Spencer and Spencer

[edit]

Date Record title Billboard chart peak
March 1959 "Stagger Lawrence" / "Stroganoff Cha Cha"
May 18, 1959 "Russian Bandstand" / "Brass Wail" 91

Produced by Goodman

[edit]

  1. ^ "LOCAL, AREA DEATHS". Fayetteville Observer, The (NC). November 8, 1989.
  2. ^ https://www.discogs.com/release/18927619-Dick-Good-Its-In-The-Book-Part-I-Its-In-The-Book-Part-II
  3. ^ Jim, Willard (April 25, 2007). "Zany recording artists took humor to the skies". Daily Reporter-Herald. p. B2.
  4. ^ Jerry, Osborne (May 12, 1995). "The Flying Saucer' was first novelty break-in hit". St. Petersburg Times. p. 13.
  5. ^ "New Case for Old 'Napster'; Dickie Goodman's Son Reveals Father's Legacy in Book and Fights for It in Lawsuit". PR Newswire. Archived from the original on March 18, 2015. Retrieved November 25, 2014.
  6. ^ Uslan, Michael; Clark, Dick; Solomon, Bruce (1983). Dick Clark's The first 25 years of rock & roll (1983 ed.). New York: Greenwich House : Distributed by Crown Publishers. ISBN 978-0-517-41597-9.
  7. ^ Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins Ltd. p. 358. ISBN 0-214-20512-6.
  8. ^ "Musicradio Survey". WLS. October 11, 1975. Retrieved August 10, 2020.
  9. ^ https://www.guinnessworldrecords.com/world-records/77013-most-billboard-chart-entries-comedy-records.
  10. ^ Warner, Jay (2006). American Singing Groups: A History, From 1940 to Today. Hal Leonard. pp. 149. ISBN 0-634-09978-7.
  11. ^ On the 27 September 1975 edition of "American Top 40", Casey Kasem mentioned that Goodman, after having made 20,000 copies of "The Flying Saucer" on his new label Universe, discovered that there was already a Universe label in existence and had to change his label to "Luniverse" by writing an L in front of "Universe" on all of the copies of his record before he could sell them.
  12. ^ Michael Fleming; Karen Freifeld & Linda Stasi (December 5, 1989). "Inside New York". Newsday. Melville, NY. p. 11.