Gold (Spandau Ballet song) (original) (raw)

From Wikipedia, the free encyclopedia

1983 single by Spandau Ballet

"Gold"
Single by Spandau Ballet
from the album True
B-side	"Gold (Instrumental)"
Released	5 August 1983 (1983-08-05) (UK) 1 November 1983 (US)
Recorded	October–December 1982
Genre	Synth-pop,[1] sophisti-pop[2]
Length	3:51 (single version)4:51 (album version)7:12 (extended version)
Label	Chrysalis
Songwriter(s)	Gary Kemp
Producer(s)	Tony SwainSteve JolleySpandau Ballet
Spandau Ballet singles chronology
"True" (1983) "Gold" (1983) "Pleasure" (1983)
Music video
Spandau Ballet – "Gold" (single version) on YouTube
Audio
Spandau Ballet – "Gold" (album version) on YouTube

"Gold" is a song by English pop band Spandau Ballet, released on 5 August 1983 as the fourth single from their third album, True. The song was written by the band's guitarist/songwriter Gary Kemp as an homage to the film themes of composer John Barry and was especially influenced by his scores for the James Bond series. This was apparent to some music critics, but they were sharply divided in their reviews. Some appreciated the energy and drama behind it, while others found it affected and overwrought. The song peaked at number two on the UK singles chart and made the top 10 in several other countries, but its number 29 showing in the US and the disappointing chart performances of the next two singles released there led to the band's decision to change record labels.

In 1981, Spandau Ballet guitarist/songwriter Gary Kemp wrote "She Loved Like Diamond", which became the third single from the band's sophomore album, Diamond, and attempted to emulate the American Jewish music with an Eastern European feel that he had heard in movie themes and musicals.[3] Its number 49 showing on the UK Singles Chart was the lowest peak position of any of the songs they had released up until that point,[4] so Kemp made another attempt with "Gold".[3] In a Mastertapes interview in 2013, John Wilson asked if he heard the song as dramatically as it turned out while writing it, and Kemp admitted wanting to write a movie theme in the same vein as John Barry because of his work on the James Bond films, and the title being inspired by Shirley Bassey's 1964 Bond theme "Goldfinger".[5] Kemp and his brother, Martin, who was the bassist for the band, were still living with their parents when he was writing the song,[6] and Kemp called him in to listen to what he had written and play along on bass. He was relieved that Martin loved this particular song so much.[3]

"Gold" did not capture the attention of the producers that Spandau Ballet decided to try working with on their next album, which would eventually be titled True. They initially chose Trevor Horn, who was most intrigued by the song "Pleasure" but wanted to replace drummer John Keeble, which Kemp refused to do.[7] When their manager, Steve Dagger, suggested producers Tony Swain and Steve Jolley, the band decided to have them initially produce one of the new songs Kemp had written to see how things went. The duo were most impressed by "Communication" and "Lifeline", the latter of which they worked on as the first single from True.[8]

Swain and Jolley were hired to do the rest of the album[9] and the music for most of its songs was recorded at Compass Point Studios in the Bahamas.[10] Recording lead singer Tony Hadley's vocals and mixing of the tracks took place after their return, in Paddington at Red Bus Studios.[11] When they played the completed album for their record company, the Chrysalis executives liked "Gold", but Dagger wanted to go with something more up-tempo again for the next single, and "Communication" was chosen.[12] The album was released as that song moved up the UK singles chart, and the choice for a third single became obvious when DJs began playing the album version of "True" before "Communication" had finished its upward climb.[13]

Doug D'Arcy, the managing director of Chrysalis UK,[14] was hesitant about putting out a fourth single from the True album, which already had success with its previous three, but the band's manager, Steve Dagger, argued that the momentum for another chart hit was there after having just been at number one in the UK with the title song. Kemp explained to D'Arcy that they would need to do a music video for "Gold" and that he wanted to do something "orchestral" with the 12-inch single instead of the usual dance mix.[15]

The music video was partially filmed in the Arab Hall at Leighton House Museum.

Brian Duffy was hired to direct the music video for "Gold",[16] part of which was filmed in the Arab Hall of the Leighton House Museum,[17] where Spandau Ballet are shown performing the song. The set had been used a year prior for the Stranglers single Golden Brown.[18] Kemp and Hadley were the only band members who went to the other location shoot, in Carmona, Spain.[19] Kemp described it as "our first travel video and an obvious answer to the epics-from-abroad that Duran was now making."[20]

Hadley played a character who wandered the sun-baked streets and outskirts of town searching for pieces that made up a gold puzzle. Although Kemp did not appear in this footage, he was there to provide input but later felt that his controlling nature was too much for Duffy, who walked off the job without speaking to either of them about it beforehand. Kemp took over his duties for the rest of the shoot there.[21] In his autobiography To Cut a Long Story Short, Hadley wrote that they "ended up working crazy hours to complete it."[19] The video featured Sadie Frost as a gold-painted nymph, in one of her earlier roles,[22] and because it was late into the night by the time they shot the last scene, which involved Hadley taking the last piece of the puzzle from Frost, he had fallen asleep and had to be awakened in order to complete the shoot.[19]

"Gold" was listed on the reports that MTV provided to Billboard that indicated what videos were in rotation on the cable network and made its first appearance there in the 3 December 1983 issue, which indicated that it had been added to their playlist as of 21 November.[23]

Release and commercial performance

[edit]

"Gold" was released as a 7-inch single in the UK on 5 August 1983 and peaked at number two there,[4] with only KC and the Sunshine Band's "Give It Up" keeping it off the top spot.[24] Hadley felt certain that it would have been number one if they had been available for a live appearance on the British music chart television programme Top of the Pops, but they had already made commitments involving promotional work in Norway. He emphasized that the band was not being "arrogant or complacent" and that they knew that record sales could increase if they did appear. They thought providing them with the music video for "Gold" to air on the broadcast would make up for their absence, but the show's producers decided not to run it, leaving Hadley convinced that in not doing so they prevented Spandau Ballet from having another number one single.[25]

"Gold" also made the top 10 on the pop charts in Australia,[26] Belgium,[27] Ireland,[28] the Netherlands,[29] New Zealand[30] and Spain.[31] In the US, it debuted on the Billboard Hot 100 in the issue of the magazine dated 19 November 1983 and reached number 29 during its 12 weeks there.[32] It made its first appearance on the magazine's Adult Contemporary chart in that same issue and peaked at number 17 over the course of 11 weeks.[33] The song is their second-highest charting single in both the UK[4] and the US,[32] behind their previous release, "True". It received Gold certification from the British Phonographic Industry on 19 April 2019 for reaching the 400,000 units of shipment threshold and Platinum certification for 600,000 units on 27 August 2021.[34]

While some critics described "Gold" as "tasteful" and "smashing", others called it "kitschy" and "laughable".

A couple of critics picked up on the Bond tribute, but reviews were extremely divided. Billboard magazine explained, "High drama, artful and elegant" was the success behind "True" and that "Gold" was "a little more energetic if equally tasteful. Breathing a world of meaning into a one-word hook is proving to be one of vocalist Tony Hadley's greatest gifts."[35] Cashbox also compared the two songs, noting that the new single had "an energetic thrust" and mentioning, "A pretty sax solo also highlights."[36] Mike Gardner of Record Mirror was especially enthusiastic about the song in his weekly review column: "In a week when most have forgotten about simple things like melodies, beats, style, feeling and simple entertainment, along comes Gary Kemp and the lads to show how it can be done."[37] _Number One_’s Sunie Fletcher thought that Kemp had "written the best Bond film song for donkey's years. It's big, bold and dramatic, with big Tone Basseying away like a good 'un. Smashing."[38]

Although Peter Martin of Smash Hits wrote, "Consolidating Gary Kemp's chances of soundtracking James Bond films, 'Gold' is elaborately classy and eminently tasteful", he also warned, "Make no mistake. This is not a number one. Bereft of the magic of 'True', this works hard to be special, and it shows."[39] Gavin Martin of New Musical Express took issue with the lines "These are my salad days,/Slowly being eaten away", claiming, "the words are just laughable but delivered in a way that makes you think everyone but Tony Hadley has been let in on the joke."[40] In reviewing the band's 2014 Royal Albert Hall concert, Ian Gittins described the song in The Guardian as a "brash blare of self-belief that appears to be constructed from pure titanium. It may be the least subtle song ever written, but, like Spandau Ballet, it mainlines sheer chutzpah."[41] In a retrospective review, Stewart Mason of AllMusic thought it was "weaker" than the other singles from the True album, specifying that while "Lifeline" and the title song "sound utterly natural and convincing, there's something just vaguely off about 'Gold'". He accused Kemp of wanting to write a hit that sounds like "late-period Roxy Music" and dismissed it as "entertaining in its own kitschy way".[42]

"Gold" became associated with the top prize at the Olympic Games. The band performed the song there in the summer of 1988[43] and, as part of the UK radio station Absolute Radio's celebrations for the 2012 Summer Olympics, Christian O'Connell, the network's breakfast show host, pledged to play the song for every gold medal won by Team GB. Hadley was also invited onto the programme for a live performance of the song.[44]

In explaining his earnings being higher since the start of the 21st century than they had been in the 1980s, Hadley said, "'Gold' is the song which even today's kids enjoy singing along to in student bars up and down the country, and is one of main reasons I get so many corporate shows. It's requested all the time at awards shows."[45]

Kemp was disappointed with the number 29 showing of the song on the US pop chart and took it as a sign that Chrysalis America was not working to promote them.[46] The US release of "Communication" that followed in 1984 only got as high as number 59, and "Only When You Leave", the first single from their next album, Parade, became their last Hot 100 entry when it peaked at number 34 later that year.[32] Kemp was unhappy with their performances stateside as well[47] and blamed the low numbers on his perception that a conflict between Chrysalis founders Chris Wright and Terry Ellis was taking up time that could benefit Spandau Ballet.[48] Wright refused to license the band to a bigger label in the U.S., so they sought legal advice to get out of their contract.[49] The disappointing singles chart entries in the U.S. resulted in their move from Chrysalis to CBS Records, which released their Parade follow-up, Through the Barricades, in 1986.[50]

Kemp felt a strong attraction to Frost during her audition for the "Gold" music video.[51] When they parted ways after the shoot, she asked him to call her, but their next contact was in 1986[52] when she was hired to appear in the Spandau Ballet video "Fight for Ourselves".[53] They married in 1988 and were divorced in 1995.[54]

A semi-acoustic version of "Gold" was recorded for Spandau Ballet's 2009 album Once More, and in 2012 Belgian record producer, musician and DJ Basto used Hadley's original vocal recording for a remix titled "Gold 2012" that was credited as Spandau Ballet vs. Basto. In Billboard magazine, it peaked at number eight on the Dance Club Songs,[55] number 20 on the Dance/Electronic Songs,[56] and number 34 on the Global Dance Songs[57] charts in 2013.

Formats and track listings

[edit]

Credits adapted from the liner notes for True, except as noted:[64]

1. ^ Borthwick, Stuart; Moy, Ron (2004). "Synthpop: into the digital age". Popular Music Genres: An Introduction. Routledge. p. 130. ISBN 9780415973694.
2. ^ "Old but gold - 40 anni di sophisti-pop" (in Italian).
3. ^ a b c Kemp 2009, p. 170
4. ^ a b c d "Spandau Ballet: Artist Chart History". Official Charts Company. Retrieved 26 August 2022.
5. ^ Kemp, Gary (24 June 2013). "Spandau Ballet (A-Side)". Mastertapes. Series 2. UK. 16:56 minutes in. BBC. BBC Radio 4. Retrieved 10 August 2022. I wanted to do a James Bond theme song. That's what was in my head. I loved John Barry. I loved the chords, the sort of… eastern European chords. And Gold was obviously from Goldfinger, I guess, you know… It was about trying to make a movie theme.
6. ^ Kemp 2009, pp. 169–170
7. ^ Kemp 2009, pp. 170–172
8. ^ Kemp 2009, p. 174–175
9. ^ Birch, Ian (30 September 1982). "The Brothers". Smash Hits. Vol. 4, no. 20. p. 49. Archived from the original on 8 June 2022. Retrieved 8 June 2022.
10. ^ Simpson, Dave; Kemp, Gary; Norman, Steve (14 May 2012). "How we made: Gary Kemp and Steve Norman on True". The Guardian. London.
11. ^ Kemp 2009, p. 183
12. ^ Kemp 2009, p. 185
13. ^ Kemp 2009, p. 186
14. ^ Dagger, Steve. "40th Anniversary: Spandau Ballet Sign with Chrysalis Records – October 10, 1980". spandauballet.com. Retrieved 9 September 2022. The evening we signed, I went to the recording studios with Doug D'Arcy, the MD of Chrysalis UK.
15. ^ Kemp 2009, p. 197
16. ^ Kemp 2009, p. 198
17. ^ "Filming and Photo Shoots". Royal Borough of Kensington and Chelsea. Archived from the original on 22 July 2022. Retrieved 22 July 2022.
18. ^ "Filming and Photo Shoots". Royal Borough of Kensington and Chelsea. Archived from the original on 22 July 2022. Retrieved 22 July 2022.
19. ^ a b c Hadley 2004, p. 133
20. ^ Kemp 2009, p. 199
21. ^ Kemp 2009, p. 200
22. ^ Girl on Film (21 March 2010). "Images of Heaven: GOLD by Spandau Ballet (1983)". Imagesofheaven.blogspot.com. Archived from the original on 12 November 2011. Retrieved 9 August 2012.
23. ^ "Video Music Programming" (PDF). Billboard. Vol. 95, no. 49. 3 December 1983. p. 29. ISSN 0006-2510. Retrieved 16 September 2022.
24. ^ "Official Singles Chart Top 100: 14 August 1983–20 August 1983". Official Charts Company. Archived from the original on 10 September 2022. Retrieved 10 September 2022.
25. ^ Hadley 2004, pp. 133–134:We were under no illusions about the extent to which an appearance on the show could affect record sales. Consequently, if TOTP summoned us, we were always there. The sole exception was for 'Gold', which climbed to number 2 while we were out of the country doing promotional work. TOTP asked us to appear that week and we turned them down, not because we were arrogant or complacent - we were working in Norway and would have had to shelve other commitments to return to the UK. Still, it wasn't as if we didn't have a fallback… Anyway, the idea was that the video would play when we couldn't. But when we couldn't make TOTP, they decided not to run it. I'm sure that's what cost 'Gold' the number 1 slot.
26. ^ a b Kent, David (1993). Australian Chart Book 1970–1992 (illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 286. ISBN 0-646-11917-6.
27. ^ a b "Spandau Ballet – Gold" (in Dutch). Ultratop 50. Retrieved 24 June 2022.
28. ^ a b "The Irish Charts – Search Results – Spandau Ballet". Irish Singles Chart. Retrieved 24 June 2022.
29. ^ a b "Nederlandse Top 40 – Spandau Ballet" (in Dutch). Dutch Top 40. Retrieved 24 June 2022.
30. ^ a b "Spandau Ballet – Gold". Top 40 Singles. Retrieved 24 June 2022.
31. ^ a b Salaverri, Fernando (September 2005). Sólo éxitos: año a año, 1959–2002 (1st ed.). Spain: Fundación Autor-SGAE. ISBN 84-8048-639-2.
32. ^ a b c d "Spandau Ballet Chart History (Hot 100)". Billboard. Retrieved 24 June 2022.
33. ^ a b "Spandau Ballet Chart History (Adult Contemporary)". Billboard. Retrieved 24 June 2022.
34. ^ a b "British single certifications – Spandau Ballet – Gold". British Phonographic Industry. Retrieved 27 August 2021.
35. ^ "Billboard's Top Single Picks >Pop >Spandau Ballet - Gold" (PDF). Billboard. 12 November 1983. p. 66. Retrieved 14 September 2022.
36. ^ "Reviews >Singles >Feature Picks >Pop >Spandau Ballet - Gold" (PDF). Cashbox. 12 November 1983. p. 8. Retrieved 14 September 2022.
37. ^ Gardner, Mike (6 August 1983). "Spandau Ballet: "Gold"". Record Mirror. p. 8. Retrieved 24 August 2022.
38. ^ Fletcher, Sunie (6 August 1983). "Spandau Ballet: "Gold"". Number One. No. 14. p. 32. Retrieved 13 September 2022.
39. ^ Martin, Peter (4–17 August 1983). "Spandau Ballet: "Gold"". Smash Hits. No. 122. p. 31. Retrieved 14 September 2022.
40. ^ Martin, Gavin (5 March 1983). "Spandau Ballet: True (Chrysalis)". New Musical Express. Retrieved 20 August 2022.
41. ^ Gittins, Ian (1 October 2014). "Spandau Ballet review – return of the shoulder-heaving soul boys". The Guardian. Retrieved 6 June 2019.
42. ^ Mason, Stewart. "Gold – Spandau Ballet". AllMusic. Retrieved 20 August 2022.
43. ^ Hadley 2004, p. 234
44. ^ "Absolute Radio to play Gold over & over". Radio Today. 9 August 2012. Archived from the original on 22 February 2015. Retrieved 9 August 2012.
45. ^ Webber, Richard (24 July 2011). "Spandau Ballet's Tony Hadley: 'I earn more today than in the Eighties'". The Daily Telegraph. London. Retrieved 4 May 2014.
46. ^ Kemp 2009, p. 224:America was not going to plan. "Gold" had been a hit, although not as big as "True" … While we were selling large amounts in Europe and the rest of the world, Chrysalis America were not puiling their weight.
47. ^ Kemp 2009, p. 224:'Communication' and 'Only When You Leave' had fallen away early.
48. ^ Kemp 2009, p. 224:The spat between Wright and Ellis, the two company owners, was worsening and it seemed to us we were being affected like the children of a disintegrating marriage.
49. ^ Hadley 2004, pp. 237–238
50. ^ Hadley 2004, p. 132
51. ^ Kemp 2009, pp. 198–199
52. ^ Kemp 2009, p. 201
53. ^ Kemp 2009, p. 255
54. ^ Mills, Simon (14 May 2009). "Gary Kemp: Personal tragedy revived Spandau Ballet". London Evening Standard. Archived from the original on 16 May 2009.
55. ^ a b "Spandau Ballet Chart History (Dance Club Songs)". Billboard. Retrieved 24 June 2022.
56. ^ a b "Spandau Ballet Chart History (Hot Dance/Electronic Songs)". Billboard. Retrieved 24 June 2022.
57. ^ a b "Spandau Ballet Chart History (Global Dance Songs)". Billboard. Retrieved 24 June 2022.
58. ^ Gold (7-inch single liner notes). Spandau Ballet. Chrysalis Records. 1983. SPAN2.{{[cite AV media notes](/wiki/Template:Cite%5FAV%5Fmedia%5Fnotes "Template:Cite AV media notes")}}: CS1 maint: others in cite AV media (notes) (link)
59. ^ Gold (7-inch single liner notes). Spandau Ballet. Chrysalis Records. 1983. VS4 42743.{{[cite AV media notes](/wiki/Template:Cite%5FAV%5Fmedia%5Fnotes "Template:Cite AV media notes")}}: CS1 maint: others in cite AV media (notes) (link)
60. ^ a b Gold (12-inch single liner notes). Spandau Ballet. Chrysalis Records. 1983. SPANX2.{{[cite AV media notes](/wiki/Template:Cite%5FAV%5Fmedia%5Fnotes "Template:Cite AV media notes")}}: CS1 maint: others in cite AV media (notes) (link)
61. ^ Gold (12-inch single liner notes). Spandau Ballet. Chrysalis Records. 1983. 4V9 42740.{{[cite AV media notes](/wiki/Template:Cite%5FAV%5Fmedia%5Fnotes "Template:Cite AV media notes")}}: CS1 maint: others in cite AV media (notes) (link)
62. ^ Gold 2012 (CD single liner notes). Spandau Ballet. Astralwerks. 2012. AF13.{{[cite AV media notes](/wiki/Template:Cite%5FAV%5Fmedia%5Fnotes "Template:Cite AV media notes")}}: CS1 maint: others in cite AV media (notes) (link)
63. ^ Gold 2012 (CD single liner notes). Spandau Ballet. Nebula. 2012. NEBBD112.{{[cite AV media notes](/wiki/Template:Cite%5FAV%5Fmedia%5Fnotes "Template:Cite AV media notes")}}: CS1 maint: others in cite AV media (notes) (link)
64. ^ True (record sleeve). Spandau Ballet. London: Chrysalis Records. 1983. CDL 1403.{{[cite AV media notes](/wiki/Template:Cite%5FAV%5Fmedia%5Fnotes "Template:Cite AV media notes")}}: CS1 maint: others in cite AV media (notes) (link)
65. ^ "Top RPM Singles: Issue 4430." RPM. Library and Archives Canada. Retrieved 24 June 2022.
66. ^ "Top RPM Adult Contemporary: Issue 4462." RPM. Library and Archives Canada. Retrieved 21 July 2019.
67. ^ "Spandau Ballet – Gold" (in Dutch). Single Top 100. Retrieved 24 June 2022.
68. ^ "Las canciones más populares en América Latina". La Opinión (Los Angeles) (in Spanish). 20 January 1984. Retrieved 30 September 2024.
69. ^ "Cash Box Top 100 Singles – Week ending January 28, 1984". Cash Box. Retrieved 24 June 2022.
70. ^ "Las canciones más populares en América Latina". La Opinión (Los Angeles) (in Spanish). 20 January 1984. Retrieved 30 September 2024.
71. ^ "Offiziellecharts.de – Spandau Ballet – Gold" (in German). GfK Entertainment charts. Retrieved 24 June 2022.
72. ^ "National Top 100 Singles for 1983". Kent Music Report. No. 497. 2 January 1984 – via Imgur.
73. ^ "Jaaroverzichten 1983 – Singles" (in Dutch). Ultratop. Retrieved 24 June 2022.
74. ^ "Top 100-Jaaroverzicht van 1983" (in Dutch). Dutch Top 40. Retrieved 24 June 2022.
75. ^ "Jaaroverzichten – Single 1983" (in Dutch). Dutch Charts. Retrieved 24 June 2022.
76. ^ Scaping, Peter, ed. (1984). "Top 100 singles: 1983". BPI Year Book 1984. British Phonographic Industry. pp. 42–43. ISBN 0-906154-04-9.
77. ^ "Italian single certifications – Spandau Ballet – Gold" (in Italian). Federazione Industria Musicale Italiana. Retrieved 11 December 2024.

• Hadley, Tony (2004). To Cut a Long Story Short. London: Sidgwick & Jackson. ISBN 978-0-283-07386-1.
• Kemp, Gary (2009). I Know This Much: From Soho to Spandau. London: Fourth Estate. ISBN 978-0-00-732330-2.