How Great Thou Art (Elvis Presley album) (original) (raw)

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1967 studio album by Elvis Presley

How Great Thou Art
Studio album by Elvis Presley
Released	February 27, 1967 (1967-02-27)
Recorded	October 31, 1960 (1960-10-31) ("Crying in the Chapel"); May 25–27, 1966 (1966-05-25 – 1966-05-27)
Studio	RCA Studio B (Nashville)
Genre	Gospel
Length	31:33
Label	RCA Victor
Producer	Felton Jarvis
Elvis Presley chronology
Spinout(1966) How Great Thou Art(1967) Easy Come, Easy Go(1967)

How Great Thou Art is the eighth studio album by American singer and musician Elvis Presley, released by RCA Victor in February 1967. How Great Thou Art is a gospel album with slow numbers on one side, and fast-paced numbers on the flipside. The album earned Presley a Grammy Award for Best Sacred Performance, while it became a Billboard top 20 pop hit and it appeared on the Top Country Albums chart on the top 10.

After the initial success of his films and their respective soundtracks, Presley's movie career began to decline by the mid-1960s. Due to the continued success of his previous gospel recording, His Hand in Mine (1960), and the fact that his 1965 single of "Crying in the Chapel" -- a leftover from the 1960 album sessions -- became an unexpected major hit, RCA accepted Presley's proposal of a follow-up release. The tracks were recorded in May 1966, and produced by Felton Jarvis with the accompaniment of the Imperials and the Jordanaires.

Following its February 1967 release, How Great Thou Art was certified gold by the Recording Industry Association of America (RIAA). The recording was promoted with a radio special on Palm Sunday that featured its tracks. Subsequent reviews praised Presley's album while its certification was updated to multiple platinum by 2010.

In March 1960, at the end of his career in the United States Army, Elvis Presley returned to recording music.[1] That year, his release Elvis is Back! reached number 2 on the Billboard Top Albums chart,[2] while it topped the UK Albums Chart.[3] Meanwhile, the release of the soundtrack of his film G.I. Blues (1960) topped both Billboard's Top Albums and the UK Albums Chart.[4]

Presley's manager, Colonel Tom Parker, shifted the focus of the singer's career to acting.[5] Presley preferred dramatic roles, but after the flop of Flaming Star (1960) and Wild in the Country (1961) the use of his music in films increased.[6] Presley's next film, Blue Hawaii (1961), became a box-office success,[7] while its soundtrack topped Billboard's Top Albums Chart for 20 weeks.[8] Parker decided to shift the business model to produce films that would sell soundtracks, while the soundtracks would in turn promote the films. Consequentially, Presley stopped recording non-soundtrack albums.[9] Presley grew increasingly unhappy with the quality of the songs, as well as the plots of the films in which he starred.[10] By 1965, Presley's box-office earnings started to decline.[11]

The title-track of the album was recorded in four takes

Concurrent with his box-office earnings decline, Presley was insisting that RCA work on a new gospel album, but his requests were rejected each time. As Presley's records failed to match his earlier albums' profits, his 1960 gospel album His Hand in Mine sold well.[12] Meanwhile, the April 1965 release of "Crying in the Chapel," recorded during the His Hand in Mine sessions, reached number 3 on the Billboard Hot 100 chart.[13][14] RCA and Parker reconsidered Presley's idea and they arranged the date for the next recording sessions.[12] The recordings would be Presley's first non-soundtrack album in more than two years, and the production was assigned to Felton Jarvis, marking his first collaboration with Presley.[11] Chet Atkins, producer and manager of Nashville's RCA Studio B, assigned Jarvis because of Presley's preference to record at night.[15]

Advertising in Cashbox promoting the release of How Great Thou Art

To prepare his voice, Presley worked with members of his entourage -- Charlie Hodge and Sonny West -- at Graceland.[16] Together they reviewed the material that Presley's publisher Hill & Range sent, but they settled on recording songs that Presley liked that were not owned by the company.[17] Presley requested that the label hire singer Jimmy Jones to appear on the album, but he could not be located by Parker's assistant nor Hill & Range's representative Freddy Bienstock.[18] Presley's management then hired the singer's favorite gospel quartet: The Imperials, led by Jake Hess.[19] Additionally, the Jordanaires and a backing group that consisted of Millie Kirkham and two other female session backup singers completed the vocal section.[18] According to the Jordanaires, member Ray Walker suggested that Presley record the song "How Great Thou Art" based on the success of George Beverly Shea's recording that was used on Billy Graham's events. Meanwhile, Presley's assistant Charlie Hodge claimed Presley decided to record the song after he played a version by Sons of the Pioneers for Presley.[11] The selected songs that were in the public domain were rearranged to meet requirements to register the copyright by Presley's management.[20]

The recording of How Great Thou Art took place in May 1966.[21] On the first day, May 25, 1966, Presley practiced the songs with the backup singers on the piano. After two hours, he started the first take of "Run On." Presley sang the song using the same vocal techniques the Golden Gate Quartet used on their performances of the song.[18] The first number took seven takes, then Presley moved to the title-track.[18] How Great Thou Art was recorded in four takes.[22] Jerry Schilling, a friend of Presley who was present at the session, remarked that after the last take the singer was "drained" and that he "almost fainted." He continued with the traditional song Stand By Me, which Presley had difficulty singing.[23] Jarvis worked with him repeating the takes several times so Presley could use the vibrato needed to reach the falsetto range.[19] After the eleventh take, Presley moved to a number often sung by Hess, Where No One Stands Alone.[24] The next day, they recorded So High, Farther Along and In the Garden.[24] The third night of recording, May 27, was set to be the last one for the album since the Imperials were scheduled to leave for the start of their Canadian tour. Presley recorded If the Lord Wasn't Walking by My Side as a duet with Hess.[25] Additionally, the session produced Somebody Bigger Than You and I, Without Him, and Where Could I Go But to the Lord.[26] The production of the record placed the slower numbers on the A side while the B side was dedicated to faster-paced songs.[27] As Crying in the Chapel had not yet appeared on an album release, the slow-tempo song was included as a bonus track to close the B-side.[28] The album cover featured the church and steeple of the First Church of Christ of Sandwich, Massachusetts.[29]

Release and reception

[edit]

How Great Thou Art was released in February 1967.[22] Billboard qualified the release as "great," while the review remarked that the songs pointed to the where Presley "got his style of singing."[30] Meanwhile, Cashbox felt that Presley sang the tunes in a "feelingful, sincere manner."[31] The St. Petersburg Times called it a "considerable success,"[32] while The News Journal considered it Presley "at his versatile best."[33] The Courier-Post felt that the songs of the A-side were "good," but that Presley "fails" on the flipside. The reviewer concluded that How Great Thou Art was "good listening," and that Crying in the Chapel presented Presley in "near his best."[34] Journal & Courier wrote that the album was "well sung,"[35] while El Paso Times mentioned Presley's transition from "teenage to later pop," and it considered the style of the album "smooth and acceptable."[36] The album reached number 18 on the Billboard 200 and number seven on the Top Country Albums chart.[19] On March 19, 1967, on Palm Sunday, Parker made a deal for the album to be played on 276 stations across the United States, while in cases six stations on the same area joined the program. Parker gave three minutes for the sponsoring of local charities to the announcers of each station and a national spot for the Red Cross during the broadcast.[37] The same year, on December 3, Parker included songs of the album in a similar Christmas broadcast that comprehended 2,000 stations.[38] By February 1968, the album was certified gold by the RIAA.[39]

Professional ratings

Review scores
Source	Rating
AllMusic
MusicHound
The Rolling Stone Album Guide
Rough Guides

In March 1968, at the 10th Annual Grammy Awards, the album won the category for Best Sacred Performance,[40]and was Presley's first win at the Grammy Awards.[19] By the following decade, the title-track became part of his usual repertoire in concerts.[41] One 1974 performance, for the album Elvis Recorded Live on Stage in Memphis, would also win the Grammy for this category, as would his 1972 album, He Touched Me. All three Grammys won by Presley during his lifetime were for his gospel/sacred recordings.

In August 1977, James Blackwood sang (with the Stamps) the How Great Thou Art at Presley's funeral.[11] In 1988, RCA reissued the record on compact disc.[42] The RIAA certification for How Great Thou Art was updated to platinum on March 27, 1992.[39] In 2008, Sony Music released a remastered version of How Great Thou Art that included three bonus tracks.[43] In 2010, the Presley collector label Follow That Dream released a version that also contained all the outtakes from the recording sessions.[44] The same year, the album certification was upgraded to 3× Platinum on October 13.[39]

The Rolling Stone Album Guide rated the release with five stars out of five.[45] The publication remarked the "splendid" vocal support that Presley received, as the guide hailed as "effective on the dramatic."[46] MusicHound rated it with three-and-a-half bones out of five.[47] Allmusic gave the release four stars out of five. Critic John Bush remarked the "different conceptions" that each side of the record offered: The reviewer considered the opening "very high church" and traditional, while he praised the flipside as "a far more exciting proposition" with the use of "rocking" or "swinging pianos" with "breakneck tempos."[48]

Side two

2008 reissue bonus tracks

[edit]

2010 Follow That Dream reissue

[edit]

Disc One

Original album

Bonus songs

First takes

Disc two

May 1966 sessions

June 1966 sessions

September 1966 sessions

• Elvis Presley – vocals; piano on 2008 reissue bonus track "You'll Never Walk Alone"

• The Jordanaires – vocals

• The Imperials – vocals

• Millie Kirkham – vocals

• Dolores Edgin – vocals

• June Page – vocals

• Boots Randolph – saxophone

• Rufus Long – saxophone

• Scotty Moore – guitar

• Chip Young – guitar

• Charlie McCoy – guitar, bass, harmonica

• Pete Drake – pedal steel guitar

• Floyd Cramer – piano

• David Briggs – piano, organ

• Henry Slaughter – piano, organ

• Bob Moore – double bass

• Henry Strzelecki – double bass

• D. J. Fontana – drums, tambourine

• Buddy Harman – drums, timpani

• Carl Boberg, author of the Swedish poem "O Store Gud"

1. ^ Doll, Susan 2016, p. 162.
2. ^ Cotten, Lee 1985, p. 185.
3. ^ Betts, Graham 2005, p. 531.
4. ^ NME staff 2011.
5. ^ Ponce de Leon, Charles 2007, p. 133.
6. ^ Zoglin, Richard 2020, pp. 102–103.
7. ^ Neibaur, James 2014, p. 84.
8. ^ Gaar, Gillian 2011, p. XV.
9. ^ Gaar, Gillian 2011, p. XVI.
10. ^ Gaar, Gillian 2011, p. XVII.
11. ^ a b c d Duffet, Mark 2018, p. 199.
12. ^ a b Gaar, Gillian 2011, p. XXVI.
13. ^ Grein, Paul 1986, p. 6.
14. ^ Whitburn, Joel 2010, p. 749.
15. ^ Guralnick, Peter 1998, p. 228.
16. ^ Gaar, Gillian 2011, p. XXVII.
17. ^ Ponce de Leon, Charles 2007, p. 157.
18. ^ a b c d Guralnick, Peter 1998, p. 227.
19. ^ a b c d Doll, Susan 2009, p. 190.
20. ^ Jorgensen, Ernst 1998, p. 203.
21. ^ Osborne, Jerry 1999, p. 167.
22. ^ a b Duffet, Mark 2018, p. 200.
23. ^ Guralnick, Peter 1998, p. 231.
24. ^ a b Guralnick, Peter 1998, p. 232.
25. ^ Guralnick, Peter 1998, p. 235.
26. ^ Vellenga, Dick & Farren, Mick 1988, p. 209.
27. ^ Eder, Mike 2013, p. 209.
28. ^ Collins, Ace 2005, p. 201.
29. ^ Stevenson, Scott 2016, p. 29.
30. ^ Billboard staff 2022, p. 76.
31. ^ Cashbox staff 1967, p. 34.
32. ^ Ober, Chick 1967, p. 5-B Xtra.
33. ^ Ellis, Jack 1967, p. 31.
34. ^ Wells, Joseph 1967, p. 20.
35. ^ Arganbright, Frank 1967, p. 28.
36. ^ Funkhouser, Barbara 1967, p. 10.
37. ^ Scott, Vernon 1967, p. 6-D.
38. ^ Scott, Vernon 2 1967, p. 14.
39. ^ a b c RIAA staff 2022.
40. ^ a b Johnson, Pete 1968, p. 17.
41. ^ Gaar, Gillian 2014, p. 94.
42. ^ RCA Records staff 1988.
43. ^ Legacy Recordings staff 2008.
44. ^ FTD staff 2010.
45. ^ Hoard, Christian & Brackett, Nathan 2004, p. 647.
46. ^ Hoard, Christian & Brackett, Nathan 2004, p. 650.
47. ^ Graff, Gary & Durchholz, Daniel 1999, p. 892.
48. ^ Bush, John 2022.
49. ^ "Elvis Presley Chart History (Billboard 200)". Billboard. Retrieved April 3, 2021.
50. ^ "Elvis Presley Chart History (Top Country Albums)". Billboard. Retrieved April 3, 2021.
51. ^ "American album certifications – Elvis Presley – How Great Thou Art". Recording Industry Association of America.

Sources

• Arganbright, Frank (March 25, 1967). "Listening on Records". Journal & Courier. Vol. 48, no. 72. Retrieved March 31, 2022 – via Newspapers.com.

• Betts, Graham (2005). Complete UK Hit Albums, 1956-2005. Collins. ISBN 978-0-007-20532-5.

• Billboard staff (March 25, 2022). "Reviews". Billboard. Vol. 79, no. 12. Retrieved March 8, 2022 – via Google Books.

• Bush, John (2022). "How Great Thou Art Review by John Bush". Allmusic. Retrieved March 29, 2022.

• Cashbox staff (March 18, 1967). "Album reviews". Cash Box. 28 (35). Retrieved April 12, 2022 – via Newspapers.com.

• Cotten, Lee (1985). All Shook Up: Elvis Day-by-day, 1954-1977. Pierian Press. ISBN 978-0-876-50172-6.

• Collins, Ace (2005). Untold Gold: The Stories Behind Elvis's #1 Hits. Souvenir Press Limited. ISBN 978-0-285-63738-2.

• Doll, Susan (2009). Elvis for Dummies. Wiley Books. ISBN 978-0-470-56208-6.

• Doll, Susan (2016). Understanding Elvis: Southern Roots vs. Star Image. Routledge. ISBN 978-1-317-73297-6.

• Duffet, Mark (2018). Counting Down Elvis: His 100 Finest Songs. Rowman & Littlefield. ISBN 978-1-442-24805-2.

• Eder, Mike (2013). Elvis Music FAQ All That's Left to Know About the King's Recorded Works. Backbeat Books. ISBN 978-1-617-13580-4.

• Ellis, Jack (March 21, 1967). "Retrousse Sussie". The News Journal. Vol. 35, no. 67. Wilmington, DE. Retrieved March 31, 2022 – via Newspapers.com.

• FTD staff (2010). How Great Thou Art. Follow That Dream Records. 506020-975016.

• Funkhouser, Barbara (March 26, 1967). "Records". El Paso Times. Vol. 87, no. 85. Retrieved March 31, 2022 – via Newspapers.com.

• Gaar, Gillian (2011). Return of the King: Elvis Presley's Great Comeback. Jawbone Press. ISBN 978-1-906002-28-2.

• Gaar, Gillian (2014). 100 Things Elvis Fans Should Know & Do Before They Die. Triumph Books. ISBN 978-1-623-68861-5.

• Graff, Gary; Durchholz, Daniel (1999). MusicHound Rock: The Essential Album Guide. Farmington Hills, MI: Visible Ink Press. ISBN 1-57859-061-2. Retrieved March 25, 2022.

• Grein, Paul (April 12, 1986). "Alabama Leads RIAA's March Parade". Billboard. Vol. 15, no. 98. Retrieved March 1, 2022 – via Google Books.

• Guralnick, Peter (1998). Careless Love The Unmaking of Elvis Presley. Little & Brown. ISBN 978-0-316-20672-3.

• Hoard, Christian; Brackett, Nathan (2004). The New Rolling Stone Album Guide. Simon & Schuster. ISBN 978-0-743-20169-8.

• Johnson, Pete (March 2, 1968). "Grammy Awards Bestowed". Los Angeles Times. Vol. 87, no. 90. Retrieved March 15, 2022 – via Newspapers.com.

• Jorgensen, Ernst (1998). Elvis Presley A Life in Music: The Complete Recording Sessions. St. Martin's Press. ISBN 978-0-312-26315-7.

• Legacy Recordings staff (2008). How Great Thou Art. Legacy Recordings. 88697 22672 2.

• Neibaur, James (2014). The Elvis Movies. Rowman & Littlefield. ISBN 978-1-442-23074-3.

• NME staff (November 15, 2011). "Year by year, the best-selling albums of the past 50 years". NME. Retrieved February 7, 2022.

• Ober, Chick (March 20, 1967). "Eddie Albert Plows New Record Groove". Tampa Bay Times. Vol. 83, no. 239. Retrieved March 31, 2022 – via Newspapers.com.

• Osborne, Jerry (1999). Elvis - Word for Word What He Said, Exactly As He Said It. Osborne Enterprises Publishing. ISBN 978-0-932-11729-8.

• Ponce de Leon, Charles (2007). Fortunate Son: The Life of Elvis Presley. Macmillan. ISBN 978-0-8090-1641-9.

• RCA Records staff (1988). How Great Thou Art. RCA Records. 3758-2-R.

• RIAA staff (2022). "Gold & Platinum". Recording Industry Association of America. Retrieved March 21, 2022.

• Scott, Vernon (March 20, 1967). "Elvis Will Sing Hymns on Unique Radio Show". Detroit Free Press. Vol. 136, no. 319. United Press International. Retrieved March 8, 2022 – via Newspapers.com.

• Scott, Vernon 2 (November 20, 1967). "Man Behind Elvis Has Another Brilliant Idea". The Gazette. Vol. 90, no. 314. Cedar Rapids, IA. United Press International. Retrieved March 8, 2022 – via Newspapers.com.{{[cite news](/wiki/Template:Cite%5Fnews "Template:Cite news")}}: CS1 maint: numeric names: authors list (link)

• Stevenson, Scott (2016). The Ultimate Elvis Quiz and Fact Book Questions and Facts on the King of Rock 'N' Roll. Apex Publishing Limited. ISBN 978-1-911-47606-1.

• Vellenga, Dick; Farren, Mick (1988). Elvis and the Colonel. HarperCollins. ISBN 978-0-385-29521-5.

• Wells, Joseph (March 25, 1967). "On The Record". Courier-Post. Vol. 92, no. 48. Candem, New Jersey. Retrieved March 31, 2022 – via Newspapers.com.

• Whitburn, Joel (2010). The Billboard Book of Top 40 Hits. Billboard Books. ISBN 978-0-823-08554-5.

• Zoglin, Richard (2020). Elvis in Vegas: How the King Reinvented the Las Vegas Show. Simon & Schuster. ISBN 978-1-501-15120-0.

• How Great Thou Art at Discogs (list of releases)

• LSP-3758 How Great Thou Art Guide part of The Elvis Presley Record Research Database

• Elvis Presley Discography