Laúd (original) (raw)

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Plucked string instrument from Spain

Laúd
String instrument
Classification Plucked chordophone
Hornbostel–Sachs classification 321.321 and 321.322(Necked bowl lute for roundback, necked box lute for flatback)
Related instruments
bandurria, bandolón, mandolin, octavina,

A rondalla with laudes included

English musician Steve Howe playing the instrument at a Yes show in 2013

Laúd (Spanish: "lute") is a plectrum-plucked chordophone from Spain, played also in diaspora countries such as Cuba and the Philippines.

The laúd belongs to the cittern family of instruments. The Spanish and Cuban instruments have six double courses in unison (i.e. twelve strings in pairs); the Philippine instrument has 14 strings with some courses singled or tripled. A similar, but smaller instrument, with a shorter neck, is the bandurria, which also exists in 12- and 14-string versions.[1]

Traditionally the laúd is used by folk string musical groups, such as Spanish or Filipino rondalla string ensembles, together with the guitar and the bandurria. Like the bandurria, it is tuned in fourths, but its range is one octave lower.[2]

For the Spanish laud the tuning is:

The Cuban tuning is:

The Filipino version, has (from bass to treble) one single course, two double courses and three triple courses (i.e. fourteen strings), and is tuned a step lower than the Spanish instrument.:[3]

Steve Howe plays a laúd in both Yes (band) and as a solo artist, but he incorrectly refers to it in his guitar book as a Portuguese guitar. His tuning[4] is:

Barbarito Torres with his Cuban Laúd.

There is also a Cuban variety of laud—called the "Cuban laud" -- (such as played by Barbarito Torres of the Buena Vista Social Club). It has the same appearance and use as the Spanish version, six sets of doubled strings, but a shorter scale length and higher tuning.[5] Sometimes the Cuban variety has a different body shape, with two points instead of the lute-style or wavy shapes used for the traditional Spanish variety. The tuning is:

  1. ^ Mellie Leandicho Lopez (2006). A Handbook of Philippine Folklore. UP Press. pp. 241–. ISBN 978-971-542-514-8.
  2. ^ Terry E. Miller; Sean Williams (2008). The Garland Handbook of Southeast Asian Music. Psychology Press. pp. 419–. ISBN 978-0-415-96075-5.
  3. ^ Filipino Arts & Music Ensemble Archived 2010-11-07 at the Wayback Machine, Filipino Heritage, The Making of a Nation, Volume 9, 1978, famenyc.org
  4. ^ Steve Howe, with Tony Bacon (1993). The Steve Howe Guitar Collection. GPI Books. p. 65. ISBN 0-87930-290-9.
  5. ^ Philip Sweeney (2001). The Rough Guide to Cuban Music. Rough Guides. pp. 47–. ISBN 978-1-85828-761-4.