Tenderloin (musical) (original) (raw)

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1960 American musical

Tenderloin
Original Cast Recording
Music Jerry Bock
Lyrics Sheldon Harnick
Book George Abbott and Jerome Weidman
Basis 1959 novel by Samuel Hopkins Adams, Tenderloin
Productions 1960 Broadway 2000 Broadway concert

Tenderloin is a musical with a book by George Abbott and Jerome Weidman, lyrics by Sheldon Harnick, and music by Jerry Bock, their follow-up to the highly successful Pulitzer Prize-winning Fiorello! a year earlier. The musical is based on a 1959 novel by Samuel Hopkins Adams. Set in the Tenderloin, a red-light district in 1890s Manhattan, the show's story focuses on Reverend Brock, a character loosely based on American clergyman and social reformer Charles Henry Parkhurst.

After six previews, the Broadway production, directed by Abbott and choreographed by Joe Layton, opened on October 17, 1960, at the 46th Street Theatre, where it ran for 216 performances. The cast included Maurice Evans (better known as a Shakespearean actor than a musical performer) as Reverend Brock and Ron Husmann as Tommy.

Tony Award nominations went to Evans for Best Actor in a Musical, Husmann for Best Featured Actor in a Musical, and Cecil Beaton for Best Costume Design in a Musical, and Husmann won the Theatre World Award for his performance.

An original cast recording was released by Capitol Records, and Bobby Darin's recording of "Artificial Flowers" reached #20 on the Billboard charts.[1]

The musical was produced in New York City Center's Encores! staged concert series in March 2000, directed by Walter Bobbie and choreographed by Rob Ashford. The cast included David Ogden Stiers (Brock), Debbie Gravitte (Nita), Tom Alan Robbins (Joe), Patrick Wilson (Tommy), Sarah Uriarte Berry (Laura), Kevin Conway (Lt. Schmidt), and Jessica Stone (Margie).[2][3]

A concert cast recording was released by DRG Records.

Reverend Brock, a single-minded 1890s social reformer works to sanitize the Tenderloin, a red-light neighborhood in western Manhattan. He is foiled by everyone associated with the district, including the corrupt politicians and police who are taking their cut from the earnings of the prostitutes who work the streets there. Tommy Howatt, a writer for the local scandal sheet Tatler, infiltrates the minister's church and proceeds to play one side against the other, eventually framing Brock by revealing to the authorities his plan to raid the brothels, but ultimately saving him by siding with him at his trial. As a result, the Tenderloin is shut down and Brock, asked to resign from his church, heads for Detroit with the hope of succeeding there as well.

Act I Bless This Land – Chorus Little Old New York – Nita, Gertie, Girls, All Dr. Brock – Brock Artificial Flowers – Tommy, Jessica, All What's in it for You? – Tommy, Brock Reform – Girls Tommy, Tommy – Laura The Picture of Happiness – Tommy, Margie, Chorus My Miss Mary – Company Dear Friend – Brock, Group The Army of The Just – Martin, Tommy, Brock, Men How the Money Changes Hands – Company Act II Good Clean Fun – Brock, Chorus My Miss Mary – Tommy, Laura, Chorus My Gentle Young Johnny – Nita The Trial – Company The Tenderloin Celebration – Frye, Gertie, Company Reform (Reprise) – Liz, Nellie, Margie, Girls Tommy, Tommy (Reprise) – Laura Little Old New York (Reprise) – Company

William and James Goldman were called in to doctor the show. "We'd been writing those other things and somebody must have read it and liked it and we were probably cheap and they asked us to do it," recalls William Goldman.[4] Goldman also said the writer they replaced would not leave the project. "It was terrifying."[4]

  1. ^ "Listing of Billboard Hits". BobbyDarin.net.
  2. ^ Weber, Bruce (March 25, 2000). "THEATER REVIEW; Ah! The Delicious Defeat Of Moral Righteousness". The New York Times. Retrieved July 3, 2022.
  3. ^ Simonson, Robert; Jones, Kenneth (March 23, 2000). "Encores! Sits Down to a Piece of Tenderloin, March 23-27". Playbill. Retrieved July 3, 2022.
  4. ^ a b Egan, Sean (2014). William Goldman: The Reluctant Storyteller. BearManor Media. p. 28.