Wag the Dog (original) (raw)

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1997 film by Barry Levinson

Wag the Dog
Theatrical release poster
Directed by Barry Levinson
Screenplay by Hilary HenkinDavid Mamet
Based on _American Hero_1993 novelby Larry Beinhart
Produced by Barry LevinsonRobert De NiroJane Rosenthal
Starring Dustin Hoffman Robert De Niro Anne Heche Denis Leary Willie Nelson Andrea Martin Kirsten Dunst William H. Macy
Cinematography Robert Richardson
Edited by Stu Linder
Music by Mark Knopfler
Productioncompanies Baltimore PicturesTriBeCa Productions
Distributed by New Line Cinema
Release dates December 17, 1997 (1997-12-17) (Century City) December 25, 1997 (1997-12-25) (United States)
Running time 97 minutes
Country United States
Language English
Budget $15 million[1]
Box office $64.3 million[2]

Wag the Dog is a 1997 American black comedy political satire film starring Dustin Hoffman and Robert De Niro.[1] Produced and directed by Barry Levinson, the film centers on a spin doctor and a Hollywood producer who fabricate a war in Albania to distract voters from a presidential sex scandal. The screenplay by Hilary Henkin and David Mamet was loosely adapted from Larry Beinhart's 1993 novel, American Hero.

The title of the film comes from the English-language idiom "the tail wagging the dog",[3] used to indicate attention that is purposely being diverted from something of greater importance to something of lesser.

Wag the Dog was released one month before the news broke of the Clinton–Lewinsky scandal and the bombing of the Al-Shifa pharmaceutical factory in Sudan by the Clinton administration in August 1998, which prompted the media to draw comparisons between the film and reality.[4] The comparison was also made in December 1998, when the administration initiated a bombing campaign of Iraq during Clinton's impeachment trial for the Clinton–Lewinsky scandal.[5] It was made again in spring 1999, when the administration intervened in the Kosovo War and initiated a bombing campaign against Yugoslavia, which, coincidentally, bordered Albania and contained ethnic Albanians.[6]

The film grossed 64.3millionona64.3 million on a 64.3millionona15 million budget, and was well received by critics, who praised the direction, performances, themes and humor. Hoffman received a nomination for the Academy Award for Best Actor for his performance, and screenwriters David Mamet and Hilary Henkin were both nominated for Best Adapted Screenplay.

The President of the United States is caught making advances on an underage girl inside the Oval Office less than two weeks before the election. Conrad Brean, a top spin doctor, is brought in by presidential aide Winifred Ames to take the public's attention away from the scandal. He decides to construct a fictional war in Albania, hoping the media will concentrate on this instead. Brean contacts Hollywood producer Stanley Motss to create the war, complete with a theme song and fake film footage of a fleeing orphan to arouse sympathy. The hoax is initially successful, with the president quickly gaining ground in the polls.

When the CIA learns of the plot, it sends Agent Young to confront Brean about the hoax. Brean convinces Young that revealing the deception is against his and the CIA's best interests. But when the CIA — in collusion with the president's rival candidate — reports that the war has ended, the media begins to focus back on the president's sexual misconduct scandal. To counter this, Motss invents a hero who was left behind enemy lines in Albania.

Inspired by the idea that he was "discarded like an old shoe", Brean and Motss ask the Pentagon to provide a special forces soldier with a matching name (a sergeant named "Schumann" is identified), around whom a POW narrative can be constructed. As part of the hoax, folk singer Johnny Dean records a song called "Old Shoe", which is pressed onto a 78 rpm record, prematurely aged so that listeners will think it was recorded years earlier, and sent to the Library of Congress to be "found". Bream and Motss fling pairs of old shoes into a tree outside the White House grounds. Soon, large numbers begin appearing on phone and power lines, and a grassroots movement to bring Schumann home takes hold, completing a successful astroturfing.

When the team goes to retrieve Schumann, they discover he is in fact a criminally insane Army convict. On the way back their plane crashes en route to Andrews Air Force Base. The team survives and is rescued by a farmer, an illegal alien. However, Schumann is killed when he attempts to rape a gas station owner's daughter. Seizing the opportunity, Motss stages an elaborate military funeral for Schumann, claiming he died from wounds sustained during his rescue, and the farmer receives expedited citizenship for a better story.

As the President rallies toward re-election Motss gets frustrated that the media are crediting his upsurge in the polls to the bland campaign slogan of "Don't change horses in mid-stream" rather than to Motss' hard work. Despite Brean's offer of an ambassadorship and the dire warning that he is "playing with his life", Motss demands he receive credit for his production and will reveal his involvement unless he gets it. Realizing he has no choice, Brean orders his security staff to kill him. A newscast reports that Motss has died of a heart attack at home, the president has been successfully re-elected, and an Albanian terrorist organization has claimed responsibility for a recent bombing, suggesting the fake war is becoming real.

The title of the film comes from the English-language idiom "the tail wagging the dog",[7] which is referenced at the beginning of the film by a caption that reads:

Why does the dog wag its tail?
Because a dog is smarter than its tail.
If the tail were smarter, it would wag the dog.

Hoffman's character, Stanley Motss, is said to have been based directly on famed producer Robert Evans. Similarities have been noted between the character and Evans's work habits, mannerisms, quirks, clothing style, hairstyle and large, square-framed eyeglasses. In fact, the real Evans is said to have joked, "I'm magnificent in this film".[8]

While Hoffman has never discussed deriving his portrayal from Evans, the commentary track for the film's DVD release makes the claim.[_citation needed_]

Writing credits for the film became controversial due to objections by Barry Levinson. After Levinson became attached as director, David Mamet was hired to rewrite Hilary Henkin's screenplay, which was loosely adapted from Larry Beinhart's novel, American Hero.

Given the close relationship between Levinson and Mamet, New Line Cinema asked that Mamet be given sole credit for the screenplay. However, the Writers Guild of America intervened on Henkin's behalf to ensure that Henkin received first-position shared screenplay credit, finding that, as the original screenwriter, Henkin had created the screenplay's structure, as well as much of the screen story and dialogue.[9]

Levinson threatened to quit the Guild (but he did not), claiming that Mamet had written all of the dialogue, as well as creating the characters of Motss and Schumann, and had originated most of the scenes set in Hollywood, and all of the scenes set in Nashville. Levinson attributed the numerous similarities between Henkin's original version and the eventual shooting script to Henkin and Mamet working from the same novel, but the Writers Guild of America disagreed in its credit arbitration ruling.[10]

The film features many songs created for the fictitious campaign waged to deflect the President’s sex scandal. These include "Good Old Shoe", "The American Dream" and "The Men of the 303". However, the film’s soundtrack CD features only the title track (by British guitarist and vocalist Mark Knopfler) and seven of Knopfler's instrumentals.

Songs as listed in the film's credits

[edit]

In a contemporary review Roger Ebert awarded the film four stars of four, and wrote in his review for the Chicago Sun-Times, "The movie is a satire that contains just enough realistic ballast to be teasingly plausible; like Dr. Strangelove, it makes you laugh, and then it makes you wonder."[11] He ranked it as his tenth favorite film of 1997.[12]

In 2020, Ann Hornaday of The Washington Post rated it at number 12 on her list of the best political movies ever made.[13]

Wag the Dog has an approval rating of 86% on Rotten Tomatoes, based on 78 reviews, with an average rating of 7.5/10. The site's critical consensus reads: "Smart, well-acted, and uncomfortably prescient political satire from director Barry Levinson and an all-star cast."[14] On Metacritic, which assigns a weighted average rating, the film holds a score of 74 out of 100, based on 22 critics, indicating "generally favorable reviews".[15] Audiences polled by CinemaScore gave the film an average grade of "B-" on an A+ to F scale.[16]

Wag the Dog was released on VHS November 3, 1998, and on DVD November 15, 2005.[29][30] It is not available on Blu-ray.[31]

Television adaptation

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On April 27, 2017, Deadline reported that Barry Levinson, Robert De Niro and Tom Fontana were developing a television series based on the film for HBO. De Niro's TriBeCa Productions was to co-produce, along with Levinson's and Fontana's companies.[32]

  1. ^ a b Turan, Kenneth (December 24, 1997). "'Wag the Dog' Is a Comedy With Some Real Bite to It". Los Angeles Times. Archived from the original on April 3, 2019. Retrieved April 18, 2017. A gloriously cynical black comedy that functions as a wicked smart satire on the interlocking world of politics and show business ...
  2. ^ "Wag the Dog (1997)". Box Office Mojo. Archived from the original on November 19, 2018. Retrieved April 2, 2017.
  3. ^ "Idiom: wag the dog". UsingEnglish.com. Archived from the original on May 16, 2011. Retrieved May 22, 2011.
  4. ^ "Wag the Dog Back In Spotlight". CNN. August 20, 1998. Archived from the original on September 15, 2012. Retrieved May 23, 2013.
  5. ^ "Cohen criticizes 'wag the dog' characterization". CNN. March 23, 2004. Archived from the original on June 8, 2019. Retrieved October 8, 2018.
  6. ^ Reed, Julia (April 11, 1999). "Welcome to Wag the Dog Three". The Independent. Archived from the original on December 8, 2019. Retrieved November 18, 2019.
  7. ^ "Idiom: wag the dog". UsingEnglish.com. Archived from the original on May 16, 2011. Retrieved May 22, 2011.
  8. ^ "Tiger Plays It Cool Under Big-cat Pressure". Orlando Sentinel. April 5, 1998. Archived from the original on July 1, 2015. Retrieved April 5, 2013.
  9. ^ Welkos, Robert W. (May 11, 1998). "Giving Credit Where It's Due". Los Angeles Times. Archived from the original on August 16, 2021. Retrieved November 13, 2010.
  10. ^ Byrne, Bridget (December 23, 1997). "Woof and Warp of "Dog" Screen Credit". E! Online. Archived from the original on November 6, 2018. Retrieved June 1, 2011.
  11. ^ Ebert, Roger (January 2, 1998). "Wag The Dog". RogerEbert.com. Ebert Digital LLC. Archived from the original on April 19, 2017. Retrieved April 18, 2017.
  12. ^ Ebert, Roger (December 31, 1997). "The Best 10 Movies of 1997". RogerEbert.com. Ebert Digital LLC. Archived from the original on April 4, 2020. Retrieved February 22, 2019.
  13. ^ Hornaday, Ann (January 23, 2020). "Perspective | The 34 best political movies ever made". Washington Post. Archived from the original on January 14, 2022. Retrieved January 24, 2020.
  14. ^ "Wag The Dog". Rotten Tomatoes. Archived from the original on May 20, 2021. Retrieved October 22, 2024.
  15. ^ "Wag The Dog". Metacritic. Archived from the original on March 8, 2016. Retrieved October 22, 2024.
  16. ^ "Home". CinemaScore. Retrieved October 22, 2024.
  17. ^ "The 70th Academy Awards (1998) Nominees and Winners". Academy of Motion Picture Arts and Sciences. AMPAS. Archived from the original on November 9, 2014. Retrieved November 19, 2011.
  18. ^ "Nominees/Winners". Casting Society of America. Archived from the original on August 16, 2018. Retrieved January 6, 2019.
  19. ^ "Berlinale: 1998 Prize Winners". berlinale.de. Archived from the original on December 23, 2019. Retrieved August 15, 2022.
  20. ^ "BAFTA Awards: Film in 1999". BAFTA. 1999. Archived from the original on March 7, 2016. Retrieved September 16, 2016.
  21. ^ "The BFCA Critics' Choice Awards :: 1997". Broadcast Film Critics Association. Archived from the original on December 12, 2008. Retrieved January 7, 2014.
  22. ^ "Wag the Dog – Golden Globes". HFPA. Archived from the original on June 21, 2021. Retrieved July 5, 2021.
  23. ^ "1997 Award Winners". National Board of Review. Archived from the original on May 28, 2021. Retrieved July 5, 2021.
  24. ^ "Past Awards". National Society of Film Critics. December 19, 2009. Archived from the original on May 31, 2015. Retrieved July 5, 2021.
  25. ^ "2nd Annual Film Awards (1997)". Online Film & Television Association. Archived from the original on October 16, 2020. Retrieved May 15, 2021.
  26. ^ "1998 Satellite Awards". Satellite Awards. Archived from the original on May 2, 2021. Retrieved August 24, 2021.
  27. ^ "The 4th Annual Screen Actors Guild Awards". Screen Actors Guild Awards. Archived from the original on November 1, 2011. Retrieved May 21, 2016.
  28. ^ "Writers Guild Awards Winners". WGA. 2010. Archived from the original on May 25, 2012. Retrieved March 7, 2019.
  29. ^ Levinson, Barry, Wag the Dog, ISBN 0780623959
  30. ^ Levinson, Barry (November 15, 2005), Wag The Dog, Warner Bros., archived from the original on August 6, 2022, retrieved August 6, 2022
  31. ^ "Wag The Dog Blu-ray", Blu-ray.com, archived from the original on October 11, 2019, retrieved May 4, 2023
  32. ^ Petski, Denise (April 27, 2017). "'Wag The Dog' Comedy Series In Works At HBO". Deadline Hollywood. Penske Business Media, LLC. Archived from the original on April 29, 2017. Retrieved April 27, 2017.