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Future Worlds Prize for Fantasy and Science Fiction Writers of Colour has opened for entries for its 2025 award, marking the fifth time the prize will be awarded.

The prize aims to find new talent based in the UK writing in the SFF space, from magical realism and space operas to dystopia and more. The prize is funded by author Ben Aaronovitch and actor Adjoa Andoh.

The winner of Future Worlds Prize receives £4,500, and the runner-up receives £2,500. The remaining six shortlisted writers each receive £850.

All eight writers also receive mentoring from one of the prize’s publishing partners: Bloomsbury, Daphne Press, Gollancz, Hodderscape, Orbit, Penguin Michael Joseph, Simon & Schuster and Tor.

Future Worlds Prize closes for entries at 23:59 GMT on Sunday January 26, 2025.

Adjoa Ando and 2024 winner Ese Erheriene. Photo by Kid Circus.

The prize’s 2024 winner was Ese Erheriene with The Suit Sellers of Kowloon, a short story set among the men who work as suit sellers and tailors on the streets of Kowloon, in Hong Kong. The Suit Sellers of Kowloon is the first short story to win the prize.

A number of the prize’s winners and shortlisted writers have gone on to secure publishing deals. Inaugural winner Esmie Jikiemi-Pearson’s first novel The Principle of Moments, released in January 2024, was a Sunday Times bestseller. In 2025, three writers who have come through Future Worlds Prize will have books released. These are:

Future Worlds Prize was founded by bestselling author Ben Aaronovitch in 2020, and was previously named the Gollancz and Rivers of London BAME SFF Award. The prize is financially supported by Aaronovitch and Bridgerton actor Andoh, with additional support from its publishing partners. It is administered by Future Worlds Prize CIC, a not-for-profit organization.

For submission details and more on the prize, visit the hFuture Worlds Prize website, Twitter, or Instagram.

More people wanted to know about the 2024 Dragon Awards winners than anything else File 770 reported in September. Second to that, they wanted to learn why we were asking them not to eat the vacuum flowers.

That’s when people could get in to read anything at all, the site having spent a week under attack. And the elevated security that kept the doors to the internet open required people to “prove you are human”, which really cut down on our traffic from places like Vulcan.

Fortunately, things are back to normal now.

Here are File 770’s ten most-read stories from September 2024 according to dread Jetpack.

  1. 2024 Dragon Awards Winners
  2. Pixel Scroll 9/12/24 Please Don’t Eat The Vacuum Flowers
  3. Pixel Scroll 9/2/24 Fifth Scrollboard Outside Pixel, California
  4. Pixel Scroll 9/9/24 A Strange Pixel. The Only Winning Move Is Not To Scroll
  5. Pixel Scroll 9/17/24 The Scroll On The Edge of Pixelever
  6. Pixel Scroll 9/5/24 The Good, The Bad And The Igli
  7. Text of Glasgow 2024 Business Meeting’s Apology for 2023 Hugo Awards
  8. Pixel Scroll 9/15/24 Yes, You May Say Hi To My Therapy Theropod
  9. Pixel Scroll 9/3/24 Nor Shall My Blog Sleep In My Hands, Till I Have Built Mount Tsundoku On My Bedroom’s Clean And Handy Nightstand
  10. Pixel Scroll 9/7/24 You Are Like A Pixel Scroll, There’s Files In Your Skies

SCROLL-FREE TOP 10

  1. 2024 Dragon Awards Winners
  2. Text of Glasgow 2024 Business Meeting’s Apology for 2023 Hugo Awards
  3. Solving the Fan vs. Pro Artist Conundrum — Cut the Knot!
  4. Booker Prize 2024 Shortlist
  5. Internet Archive Loses “Fair Use” Appeal to Second Circuit
  6. Dracula in the 1970s: Prints of Darkness
  7. Celebrating Frank Capra’s “Wonderful Life,” And Ethereal “Lost Horizons”
  8. Third Woman Accuses Neil Gaiman of Sexual Assault
  9. 2024 Hugo Award Winners
  10. Barkley — So Glad You (Didn’t) Ask #91, A Column of Unsolicited Opinions

Entries in the Jim Baen Memorial Short Story Award writing contest are being accepted through February 1, 2025. The submission window opened today, October 1. See rules and specifications at the site.

C. Stuart Hardwick is the new Contest Director for the Jim Baen Memorial Short Story Award, an annual competition honoring speculative fiction that explores the positive aspects of space exploration and human progress.

A three-time winner of the contest, Hardwick, brings a wealth of experience to the post, both as a well-known author of uplifting space adventure, and as editor of several projects involving new writers and for Baen, including the anthology Real Stories of the United States Space Force, released in June.

“I’m thrilled to take the reins and help Baen foster creativity, rigor, and optimism in science fiction,” said Hardwick. “The Jim Baen Memorial Short Story Award has always fostered the best in forward-looking storytelling, and I’m excited to help continue that tradition and encourage new voices and vision in this new age of space.”

The Jim Baen Memorial Short Story Award is presented annually in conjunction with the National Space Society. The contest seeks original short stories that showcase innovative ideas, technological advances, and the spirit of exploration that will one day enable humanity to thrive beyond Earth. Past winners have seen their work published by Baen Books and have gone on to establish themselves in the science fiction community.

Submissions for the upcoming contest year opened October 1, and entries will be accepted until 12:01 a.m. Pacific on February 1, 2025. There is no entry fee.

The winners will be announced and notified no later than March 22, 2025. The winners will be honored at the 2025 International Space Development Conference in Orlando, FL, USA, June 19-22, 2025.

[Based on a press release.]

Goldsboro Books has announced the winner of their seventh Glass Bell Award is Costanza Casati for her evocative Greek retelling, Clytemnestra (Michael Joseph, May 2023).

The Award was presented at Goldsboro Books’ 25th birthday party, held in central London on September 26. The winner receives £2,000 and a beautiful, handmade glass bell.

A thrilling tale of an unforgettable Queen, Clytemnestra beat out other shortlistees The Square of Sevens by Laura Shepherd-Robinson (Mantle), In Memorial by Alice Winn (Viking), The Turnglass by Gareth Rubin(Simon & Schuster), Lady Macbethad by Isabelle Schuler (Bloomsbury Raven) and Strange Sally Diamond by Liz Nugent (Sandycove).

The judging panel said:

“Clytemnestra is one of those books that just lingers in your thoughts long after you’ve turned the last page. At a time when women’s voices are more important than ever, both past and present, this book pays homage to that in the best way possible, by giving us a story about one of the most interesting women in Greek mythology – often simply referred to as ‘Agamemnon’s wife’. This book gives her a voice, and what a voice it is! Totally unforgettable.”

The award, judged by a team at Goldsboro Books in London, is called “the only prize that rewards storytelling in all genres – from romance, thrillers and ghost stories, to historical, speculative and literary fiction.” It is given annually to “a compelling novel with brilliant characterization and a distinct voice that is confidently written and assuredly realized”.

(1) CLARKE AWARD OPENS FOR 2024 TITLES. The Arthur C. Clarke Award today announced that submissions are now officially open for next year’s award.

The prize is now open to novels written in English by an author of any nationality, provided that the novel is published for the first time by a UK publisher between January 1 and December 31, 2024.

The deadline for submissions is December 31. This year’s judges are:

(2) IT IS THE END, MY FRIEND. Variety blabs: “’The Simpsons’ Series Finale Wasn’t Really Its Last Episode”. Beware spoilers.

“The Simpsons” kicked off its Season 36 premiere on Sunday with what the show dubbed its “series finale.” Hosted by an animated version of former “Simpsons” writer Conan O’Brien, the episode opened with “The Simpsons” characters and other notables entering a Dolby Theatre-esque venue (technically, the “Dolby-Mucinex Theatre”) to celebrate the show’s ending.

“It’s such an honor to be with you all for the series finale of ‘The Simpsons,’” O’Brien said in his opening monologue. “I knew I was the right man for the job because I’ve hosted the last episode of three of my own shows and counting… Well, it’s true. Fox has decided to end the Simpsons. This show was such a special part of my early career, so being here means the world to me. Also. I left a sweater in the writer’s room in 1993 this is the only way they’ll let me get it back….

“Now, not many people know this, but Fox has been trying to end it for years,” O’Brien added. “When the very first episode aired in 1989 the viewers agreed on one thing: It wasn’t as funny as it used to be, and their expressions of hatred could serve as a history of modern communication technology. Fox executives, unaccustomed to criticism of any kind, immediately caved to public pressure and decided to end ‘The Simpsons’ in 1990.”

O’Brien then showed what he said were the original cuts of scenes from famous “The Simpsons” episodes, such as 1990’s “Bart the Daredevil” and 2000’s “Little Big Mom,” in which Homer died for real. “Many now classic episodes were originally conceived as series finales,” O’Brien said….

(3) Q&A WITH GERARDO SÁMANO CÓRDOVA. The Horror Writers Association continues: “Latinx Heritage in Horror Month 2024: An Interview with Gerardo Sámano Córdova”.

…Time to daydream: what are some aspects of LatinX history or culture – stories from your childhood, historical events, etc — that you really want our genre to tackle? (Whether or not you’re the one to tackle them!)

I would love to read a horror book set during the Mexican Revolution. Such a complex time socially, politically, and ideologically.

Who are some of your favorite LatinX characters in horror?

Juan from Mariana Enriquez’s Our Share of Night is such a complex, vivid character, the Kentukis from Little Eyes by Samanta Schweblin (although I’m not sure if the Kentukis qualify as LatinX – or proper characters for that matter, regardless, the idea of them as voyeurs and masks is wonderful).

Who are some LatinX horror authors you recommend our audience check out?

Mariana Enríquez, Samanta Schweblin, Fernanda Melchor, Bernardo Esquinca, Monica Ojeda, Carmen María Machado, Gabino Iglesias, Amparo Dávila….

(4) CHRISTOPHER TOLKIEN CENTENARY CONFERENCE. The Tolkien Society will host an online “Christopher Tolkien Centenary Conference” on November 23-24. It’s a free event — register at the link.

Confirmed speakers (in alphabetical order):

(5) HORROR QUARTET. Gabino Iglesias reviews “4 New Horror Books Filled With Eldritch Terrors and Other Frights” in the New York Times: Laird Barron’s collection, Not A Speck of Light: Stories (Bad Hand Books); Hildur Knutsdottir, The Night Guest (Tor Nightfire), translated from the Icelandic by Mary Robinette Kowal; Richard Thomas, Incarnate (Podium Publishing); Sinophagia: A Celebration of Chinese Horror (Solaris), translated and edited by Xueting C. Ni. Behind a paywall.

(6) THANKS FOR NOTHING, GUV. “California Gov. Newsom vetoes AI safety bill that divided Silicon Valley” reports NPR.

Gov. Gavin Newsom of California on Sunday vetoed a bill that would have enacted the nation’s most far-reaching regulations on the booming artificial intelligence industry.

California legislators overwhelmingly passed the bill, called SB 1047, which was seen as a potential blueprint for national AI legislation.

The measure would have made tech companies legally liable for harms caused by AI models. In addition, the bill would have required tech companies to enable a “kill switch” for AI technology in the event the systems were misused or went rogue….

(7) STOP THAT TRAIN! “SpaceX grounds its Falcon rocket fleet after upper stage misfire” – breaking news at Spaceflight Now.

SpaceX’s Falcon rocket fleet was grounded for the third time in three months after a second stage problem occurred Saturday following the successful launch of a Dragon Capsule carrying two crew to the International Space Station. The suspension in flights comes as the company prepares to launch two solar system exploration missions in October with narrow launch windows.

SpaceX said the Falcon 9 second stage that launched NASA’s Crew 9 mission failed to correctly perform a firing of its Merlin Vacuum engine less than 30 minutes after releasing Dragon Freedom into a planned 117×128 mile (189×206 km) orbit.

The engine firing is designed to prevent the rocket body from becoming space debris by driving the stage into the atmosphere for a destructive reentry. Any debris was supposed to fall harmlessly into the ocean in an area previously identified in warnings to mariners and aviators.

“Falcon 9’s second stage was disposed in the ocean as planned, but experienced an off-nominal deorbit burn,” SpaceX said in a social media post, shortly after midnight EDT on Sunday. “As a result, the second stage safely landed in the ocean, but outside of the targeted area.”

The mishap has prompted an investigation from the Federal Aviation Administration (FAA) which oversees the company’s launch licenses. SpaceX is currently in dispute with the FAA over fines related to Falcon 9 activities at Kennedy Space Center and delays gaining authorization for the fifth test flight of its Starship vehicle from Starbase in Texas.

“The FAA is aware an anomaly occurred during the SpaceX NASA Crew-9 mission,” the FAA said in a statement issued on Monday. “No public injuries or public property damage have been reported. The FAA is requiring an investigation.”…

(8) MEMORY LANE.

[Written by Cat Eldridge.]

Anniversary: Elvira, Mistress of the Dark film

Thirty-three years ago on this date, Elvira, Mistress of the Dark premiered. It was directed by James Signorelli from a script by Sam Egan, John Paragon, and of course Cassandra Peterson who is as you know the person behind the campy facade of Elvira, Mistress of the Dark.

Elvira, Mistress of the Dark of course has a history.

In 1981, six years after the death of Larry Vincent who was Sinister Seymour, host of a LA weekend horror show called Fright Night, the producers decided to bring the show back but with a hostess this time thinking she would have greater appeal to a male audience. So the station sent out a casting call, and Peterson auditioned and won the role.

Producers left it up completely to her to create the role’s image. She and her best friend, Robert Redding, they designed, according to ScreenRant, “Elvira’s character after famous horror hostess Vampira, as well as Charles Addams’ popular character Morticia, and incorporating a Valley Girl spunk into their dark beauty after producers rejected her original idea to look like Sharon Tate’s character in The Fearless Vampire Killers.”

About the use of elements of Vampira… ScreenRant notes, “Maila Nurmi, who had portrayed the iconic horror hostess Vampira for The Vampira Show in the ’50s, thought that Cassandra Peterson copied her character in creating Elvira. She promptly sent the production a cease-and-desist letter. Nurmi argued that both characters wore black skin-tight dresses, had black hair, heavily applied makeup, and even closed episodes with similar catch phrases.” The cease-and-desist letter was a failure as the lawyers successfully argued in Court that all the elements of Elvira were standard horror tropes.

It took upwards of three hours to do her makeup and get her into that dress. It, like the dress worn by Anjelica Huston in The Addams Family Values, was hideously uncomfortable. Keep in mind that she also wore six-inch stilettos as well.

She’s really the only cast that matters here as this is Her Vehicle.

Unfortunately for the box office the distributor went dramatically out of business without warning the day before it came out without having produced or distributed most of the prints, so it would only ever appear on five hundred screens instead of the twenty-five hundred that was intended, so it ended up losing a lot of money despite only costing seven-and-a-half million to produce. (Her costume was undoubtedly the most expensive thing in the film.)

Some critics liked it with Anton Bitel of Little White Lies noting that “Elvira is all sarky, smutty sex positivity, making a prominent display of her two best assets: her verbal wit, and her ability to laugh at everything and everyone including, first and foremost, herself.” Other critics didn’t like it such as Steve Crum of the Kansas City Kansan who said, “There’s nothing dark about Elvira’s cleavage.” And then his review dissected its failure.

Audience reviewers at Rotten Tomatoes give it an excellent sixty-five percent rating.

She would shoot a series of Coors Light commercials of which this is one.

(9) COMICS SECTION.

(10) LOOK! UP IN THE SKY! Eh, no, it’s not Superman.

This Thanksgiving, Spider-Man makes his grand return to the streets and skies of New York City. Set to debut during Macy’s Thanksgiving Day Parade® on November 28, Marvel and Macy’s will premiere an all-new Spider-Man balloon, inspired by and in honor of the iconic art style of comic book legend John Romita Sr.

Spider-Man first debuted in Macy’s Thanksgiving Day Parade in 1981, later making his debut as Marvel’s first larger-than-life balloon in 1987. Spidey quickly became a favorite of Parade watchers and fans at other events for over a decade. After the original balloon was retired, Spidey made his return to the Parade in 2009, running as part of the Parade until 2014.

The 98th Macy’s Thanksgiving Day Parade will air Thursday, November 28th in the U.S. on NBC and stream on Peacock.

(11) DOUGH SHORTAGE. “Terry Gilliam Says He Doesn’t Have Enough Money to Make ‘The Carnival at the End of Days’” – World of Reel has the story.

Terry Gilliam has had such a hard time trying to fund his last few projects that he’s hinted about retirement. However, back in April, fansite Gilliam Dreams reported that the director was set to direct a new, maybe final, film, titled “The Carnival at the End of Days.”

This past May, Gilliam claimed he had found funding for ‘Carnival.’ We already know that Johnny Depp will play Satan and that the rest of the cast would be composed of Jeff Bridges, Adam Driver and Jason Momoa. A January 2025 shoot was being eyed. (via Premiere)

No surprise, five months later, Gilliam is now telling Czech media that he doesn’t have the sufficient funds to make ‘Carnival,’ and that he would have to creatively compromise his vision to make it happen (via Novinky)….

(12) THERE IS JUST ONE SCULPTURE ON THE MOON. So says Atlas Obscura. “There Is Just One Sculpture on the Moon”. And it is?

ACROSS THE MANY MISSIONS TO the Moon over the years, countless bits of flotsam and jetsam have been deposited on the lunar surface. From Soviet sensors to a couple of golf balls, there are roughly 800 manmade objects up there. There is, however, one of them that’s different than the others. In 1971, the crew of Apollo 15 left a piece of aluminum, 3.3 inches long, on the lunar surface. It is called Fallen Astronaut, and it is the first (and only) art installation on our closest neighbor. (The Moon Museum, a ceramic wafer etched with drawings by Andy Warhol, Robert Rauschenberg, and others may or not have been snuck aboard Apollo 12.)

(13) GRIFFITH OBSERVATORY’S REFERENTIAL NOOK. The 42 Collective on Facebook shared this IRL homage:

The Cafe at the End of the Universe. For when Milliways has too many options and you just want a coffee or tea.

At Griffith Observatory in Los Angeles, CA, USA. -Timothy Transue

The Hitchhiker’s Guide to the Galaxy by Douglas Adams

(14) AND THE WINNERS ARE… “’Flow’ and ‘La Voix des Sirènes’ Swim Home with Ottawa Intl. Animation Festival’s Top Prizes” – Animation Magazine has the complete list of award winners at the link.

Gintz Zilbalodis animated feature Flow and Gianluigi Toccafondo’s short La Voix des Sirènes (The Sirens’ Voice) were honored with the top prizes at this year’s Ottawa Intl. Animation Festival on Saturday.

An expansion of Zilbalodis’s student film Aqua (2012), Flow has been a festival darling since its debut at the Cannes and Annecy Festivals earlier this year. Janus Films/Sideshow will be released in U.S. theaters on Nov. 22. The beautifully crafted feature centers on a cat that is trying survive a water-drenched, human-free world with a few other animal companions. Latvia’s official entry in the Oscar race, it will be released by Sideshow/Janus Films in U.S. theaters on Nov. 22

A timeless film that uses a captivating mixed media approach, La Voix des Sirènes (The Sirens’ Voice) is the latest film from award-winning director Toccafondo. The short also picked up the top prize at Fest Anca in Slovakia earlier this year.

This year’s DGC Award for Best Canadian Animation winner, In the Shallows (dir. Arash Akhgari), showcased a unique combination of animation techniques, digging into the dangerous allure of mass media intoxication. Akhgari also receives $1000 CAD courtesy of the Directors Guild of Canada as a part of the award….

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day John A Arkansawyer. ]

(1) CHINA’S 2024 GALAXY AWARDS. [Item by Ersatz Culture.] The 35th Galaxy (“Yinhe”) Awards were presented in Chengdu on Saturday September 28. There doesn’t appear to be a video of the ceremony officially available, but a screen capture of the livestream has been posted to Bilibili. A fuller translated list of the winners may follow later, but here is a brief summary of the winners that Anglophone fandom might recognize:

Click for larger images.

Galaxy Award banner

Galaxy Award banner

Galaxy for Best Short Story

Galaxy for Best Novella

Galaxy for Best Novel

Galaxy for translation of Dying Inside

Galaxy for Babel

Adrian Tchaikovsky

(2) TOYPLOSION AND BACK AGAIN. Cora Buhlert has a three-part report about her trip to Toyplosion, a vintage toy convention, and the sights coming and going. Lots of photos, toy commentary, local history, and family stories.

…As I ventured further into the city center, I had to stop at a pedestrian crossing where the pedestrian traffic light symbol was not the regular stick figure, but a little miner with a lantern. Apparently, this is a thing in the Ruhrgebiet. Coal mining may be dead, but the miners are still around, immortalised as “Ampelmännchen”. In many ways, this is very illustrative of how the Ruhrgebiet has turned its industrial history into a tourist attraction….

…The same stall also had several vintage Strawberry Shortcake dolls as well as other girl-aimed toylines of the 1980s on display. I chatted a bit with the owner and reminisced about how my Grandma bought me the entire first wave of Strawberry Shortcake dolls in January 1982, when my parents were on a cruise (my Dad had co-designed the ship, so it was work for him and he apparently spent most of his time running around and fixing problems, while my Mom was terribly seasick) and I was sent to stay with my grandparents. Grandma took me shopping in the city center and after spending an inordinate amount of time trying on clothes, she took me to what was then the best toyshop in town, where they had just gotten Strawberry Shortcake dolls in stock. And because I couldn’t decide in which one I wanted, Grandma – bless her – bought me the entire first wave. I don’t even want to think about how much that would have cost her – US toys were expensive in the 1980s because of the high exchange rate. What makes this even more remarkable is that my Aunt and to a lesser degree my Mom always referred to Grandma as “stingy” (she was their stepmother – my biological grandmother died young and I never met her), yet my supposedly “stingy” Grandma spent what must have been a lot of money just to buy me Strawberry Shortcake dolls. Grandma had actually worked as a dollmaker for a while in the difficult years after WWII, so she had an affinity for toys and always got me nice ones. Grandma and Grandpa even gave me handmade doll beds – Grandpa, who was a carpenter by trade, built them and Grandma sewed the pillows and blankets. I’m not sure if I ever told Grandma how much those Strawberry Shortcake dolls meant to me (she died in 1996 and has dementia for the last five years or so), though I suspect the fact that I promptly turned her kitchen floor into Strawberry Land and appropriated Grandpa’s footstool as a house for the dolls told them how much I loved their gift. I still have the dolls BTW – packed away in a box – and they still smell….

…Now it’s quite common for German coalmines to have names. However, German coalmines are have names like Germania or Teutonia or Concordia or Zollverein or St. Bonifacius or Zollverein or Monopol or Heinrich Robert or Count Friedrich or Queen Elisabeth or Victoria Auguste or Sophia Jacoba or Ottilia or – if the mine was in former East Germany – Karl Liebknecht or Ernst Thälmann. Erin, however, sounds much more like an Irish maiden than a coalmine in the Ruhrgebiet.

Turns out that there is a reason for this, for the coalmine Erin was established in 1867 by William Thomas Mulvany, an Irish geologist and entrepreneur who came to the Ruhrgebiet in the 1850s in search of business opportunities that were difficult for a Catholic Irishman to access in Ireland under British rule. He wound up founding and operating several mines in the Ruhrgebiet and gave them all names relating to Ireland such as Hibernia, Shamrock and of course Erin. …

(3) LATINX HERITAGE IN HORROR. The Horror Writers Association blog continues its salute to “Latinx Heritage in Horror Month 2024: An Interview with Jessica R. Brynarsky”.

What inspired you to start writing?

I’ve dreamed of being a writer since I could form sentences but what really ignited me was a Halloween short story I did back in the 5th grade. As I advanced through middle school, high school, and college, my passion for writing increased into an obsession almost. I truly felt that I would cease to breathe if I could not put pen to paper and bleed out my imagination all over the page. Writing is my sanctuary; it always has been a way for me to deal with my living nightmares.

Tell us about your work in 25 words or less.

I craft Puerto Rican Gothic tales, eerie thrillers, and soulful poetry that blends my Afro-Boriquena roots with cultural magic and folk tales…

(4) PERIOD STYLES DRAPE MODERN ANGST. Maya St. Clair looks at coded fashion commentary in “Escaping Affirmation: Historical Fiction and the Femcel Dress Fitting” at Muse From the Orb.

This is a corollary to my recent post about historical fantasy set in the Renaissance, and it discusses the extent to which historical settings free women writers to write honestly and brutally about anxieties of beauty. Basically, evaluating the book My Lady Jane in tandem with The Familiar got me thinking about a recurring beat in historical fiction, and what it says about our media environment and repressed emotions surrounding beauty. As the late Harold Bloom was fond of remarking, “period pieces” often tell us much more about contemporary anxieties than they do about whatever history they purport to depict, and one could add that the anxieties of women — the primary creators and audiences of historical dramas and fiction — are especially likely to seep through the period trappings.

In particular, I’ve recently been fascinated with a cliche beat we could call the “wardrobe humiliation scene.” It’s a fixture in the first act of a standard historical book/drama, along the lines of: whilst getting fitted for a dress, the heroine — usually preparing for some ball or arranged marriage — gets told by various assessors that she’s plain, unfashionable, ill-groomed, or fucking busted (or they insinuate as much); various forms of historical looksmaxxing are often utilized (fabrics, powders, jewelry) to conform her to the norms. It’s a masochistic, often weirdly humorous scene — as repetitious as it is, the needs it satisfies are multifaceted and often not as straightforward as one would think….

(5) STUDIO GHIBLI Q&A. “‘Howl’s Moving Castle’ Turns 20: Supervising Animator Akihiko Yamashita Reflects on His Relationship With Hayao Miyazaki and Bringing the Studio Ghibli Classic to Life” in Variety.

Howl’s castle has such an intricate and detailed design. Could you describe the castle’s animation process? How many people were involved?

I’m not sure I can count. There were many, many people who worked on it. In terms of drawing such a large item like that castle, there would usually be a base design for it, and then various animators could draw from that base design. But in this case, there was no such initial base design. So there might be one scene where it was drawn one way and then another scene where the little house wasn’t in the same place. But somehow, even with these angle changes that may show different things, it looked like one castle in the end.

There may be different things stuck onto the castle, but as long as there’s the mouth and the eyes and the chimneys, then people just perceive it as the same thing. So, we take advantage of that sort of misconception on the part of the audience to draw slightly different things.

(6) MEGALOPOLIS B.O. STINKS; WILD ROBOT MUCH SWEETER. [Item by Mike Kennedy.] Going into Sunday, Francis Ford Coppola’s self-financed 120MepicMegalopolisisprojectedtoopenin6thplacedomesticallythisweekend,withadisappointing120M epic Megalopolis is projected to open in 6th place domestically this weekend, with a disappointing 120MepicM​egalopolisi​sprojectedtoopenin6thplacedomesticallythisweekend,withadisappointing4M box office. It is also received a low score (D+) from movie viewers according to rating firm CinemaScore.com.

The Wild Robot (DreamWorks), meanwhile, is opening 1st domestically with an estimated $35M weekend box office and an A audience rating from CinemaScore. Final box office totals may change for either film. “’Megalopolis’ Bombs at Box Office, ‘Wild Robot’ Soars to No. 1” in The Hollywood Reporter.

DreamWorks Animaton and Universal’s family film The Wild Robot is charming moviegoers and audiences alike, boasting both a stellar 98 percent Rotten Tomatoes critics score and a 98 percent audience score, not to mention an A CinemaScore from moviegoers. Thanks to great word of mouth, Wild Robot came in No. 1 with an estimated $35 million.

If only the love were being spread around.

Francis Ford Coppola — in one of the low points of his long and illustrious career — is watching his new movie Megalopolis get almost utterly rejected by moviegoers (it was likewise maligned by many critics). The film received a disastrous D+ CinemaScore from audiences and only cleared an estimated 4millioninitsdomesticdebut(manyrivalspredictfinalnumberswillbelower).Headingintotheweekend,trackingandLionsgateexpectedittodoatleast4 million in its domestic debut (many rivals predict final numbers will be lower). Heading into the weekend, tracking and Lionsgate expected it to do at least 4millioninitsdomesticdebut(manyrivalspredictfinalnumberswillbelower).Headingintotheweekend,trackingandLionsgateexpectedittodoatleast5 million to $7 million.

(7) TOBIAS TAITT DIES. Tobias Taitt, writer of the autobiographical comic Black, passed away September 16. James Bacon toured the Cartoon Museum’s exhibit about the comic (artwork by Anthony Smith) in 2021: “BLACK: The Story Of Tobias Taitt”.

(8) KRIS KRISTOFFERSON (1936-2024). Actor and country singer-songwriter Kris Kristofferson died September 28 at the age of 88. In 2004, he was inducted into the Country Music Hall of Fame. His performance in the film A Star Is Born (1975) earned him a Golden Globe for best actor in 1977.

In the sff/h genres he is best known for his appearances in the Blade movies (Blade, Blade II, Blade: Trinity) opposite Wesley Snipes. Also in Planet of the Apes (2001) as Karubi.

His music appeared in another half dozen sfff/h titles including Watchmen (2009)

(9) MEMORY LANE.

[Written by Paul Weimer.]

Anniversary, September 29, 2005 –The debut of XKCD

By Paul Weimer: It started off innocently enough, with some random sketches by its creator Randall Munroe. A girl in his class. Excitement at the debut of SERENITY. It was mildly amusing but would never have had its cultural impact if it stayed that way. A few months in, the webcomic got geekier, the artwork better, and then there was the secret sauce. The thing that made, I think, the webcomic really take off.

The alt text.

Alt text gets a bad rap. On Mastodon, you get hated if you don’t put it on your photos. Other sites don’t allow it at all. But in XKCD, the creator made alt text an art form, instead of describing his drawings, but coming up with the idea of footnoting them, often with some very funny, if sometimes mordant comedy and observations.

Why wouldn’t a comic that blends science, technology, history, popular culture and more not be utterly popular, especially one that works on several levels, in and out of the text itself?

The intellectual curiosity (as seen in his two books, What If and What if 2) and his ability to just make that into a simple and amusing image on a regular basis makes XKCD something to enjoy time and again and again.

My favorite XKCD strip is going to be an obvious one. He won a Hugo for a 3000 image strip that Munroe updated over five months, telling a grand story set millennia in the future as the waters of the Mediterranean rise…but it is not the story of that rise. It’s the story of the relationships and the people who watch it inexorably happen.

I give you… “Time”.

(10) COMICS SECTION.

(11) SOMETHING WICKED ON THE STAGE. Just outside of LA in the town of Newhall, the “Eclipse Theatre LA Presents Ray Bradbury’s ‘Something Wicked’” in October.

…The play follows two inseparable friends, Will and Jim, on the verge of adulthood. As contrasting as night and day, one yearns for adventure beyond their small town, while the other finds comfort in familiarity.

Their lives take a thrillingly unsettling turn when a mysterious carnival, led by the enigmatic Mr. Dark, rolls into town under the cloak of darkness.

The carnival offers irresistible promises, but at a sinister cost. Will and Jim must confront their deepest desires and grapple with the consequences of wishing for things better left untouched….

Performances run on weekends from October 11th to 13th and October 18th to 20th.

General admission tickets are only $22 and can be purchased online by clicking here.

For more information about the play, visit the website by clicking here

(12) SINNERS TRAILER. ‘Sinners’ first-look trailer unleashes Michael B. Jordan’s horror movie (ew.com) – Entertainment Weekly provides an introduction.

As promised by a creepy social media campaign that emerged online this week, “Sinners are coming.”

Michael B. Jordan appears in the new Sinners trailer, marking the first look at his buzzed about but until now very mysterious horror movie with Ryan Coogler, his director on Fruitvale Station (2013), Creed (2015), Black Panther (2018), and Black Panther: Wakanda Forever (2022).

Jordan stars as twins in this period piece set in the South. A cryptic logline explains the brothers tried to leave their troubled lives behind but return to their hometown for a fresh start, only to discover that “an even greater evil” is waiting to welcome them back. Early reports described the project as a vampire film…

(13) HONEST ABOUT THE ROBBERY. “California’s new law forces digital stores to admit you’re just licensing content, not buying it” reports The Verge.

California Governor Gavin Newsom has signed a law (AB 2426) to combat “disappearing” purchases of digital games, movies, music, and ebooks. The legislation will force digital storefronts to tell customers they’re just getting a license to use the digital media, rather than suggesting they actually own it.

When the law comes into effect next year, it will ban digital storefronts from using terms like “buy” or “purchase,” unless they inform customers that they’re not getting unrestricted access to whatever they’re buying. Storefronts will have to tell customers they’re getting a license that can be revoked as well as provide a list of all the restrictions that come along with it. Companies that break the rule could be fined for false advertising.

The new law won’t apply to stores that offer “permanent offline” downloads and comes as a direct response to companies like PlayStation and Ubisoft. In April, Ubisoft started deleting The Crew from players’ accounts after shutting down servers for the online-only game. And last year, Sony said it would remove purchased Discovery content from users’ PlayStation libraries before walking back the move.

(14) BETTING ON ALIEN LIFE. Dave Eggers on extra-terrestrial life (courtesy of Longreads): “Dave Eggers: NASA’s Jet Propulsion Lab works to discover life in space” in the Washington Post.

In all likelihood, in the next 25 years, we’ll find evidence of life on another planet. I’m willing to say this because I’m not a scientist and I don’t work in media relations for NASA. But all evidence points to us getting closer, every year, to identifying moons in our solar system, or exoplanets beyond it, that can sustain life. And if we don’t find conditions for life on the moons near us, we’ll find it on exoplanets — that is, planets outside our solar system. Within the next few decades, we’ll likely find an exoplanet that has an atmosphere, that has water, that has carbon and methane and oxygen. Or some combination of those things….

… But at the moment, much of the work at JPL is devoted to finding and examining exoplanets, and there is an urgency to the work that is palpable. In more than a dozen conversations with some of the best minds in astrophysics, I did not meet anyone who was doubtful about finding evidence of life elsewhere — most likely on an exoplanet beyond our solar system. It was not a matter of if. It was a matter of when. And if there’s going to be one scientist to bet on being part of the team that does it, it will be Vanessa Bailey. To date, only 82 exoplanets have been directly imaged, and Bailey found one of them….

(15) CRAIG MILLER Q&A. “Fanbase Feature: An Interview with Author Craig Miller on More Movie Memories (2024)”.

In this Fanbase Feature, THE FANBASE WEEKLY podcast co-host Bryant Dillon participates in a one-on-one interview with special guest Craig Miller (writer – STAR WARS MEMORIES, MORE MOVIE MEMORIES / original Director of Fan Relations at Lucasfilm / marketing consultant on THE LAST STARFIGHTER, THE DARK CRYSTAL, & more) regarding his recently released book, MORE MOVIE MEMORIES (2024), the origins of his career, his thoughts on his own place in pop culture history, his love for and approach to being both a creator and part of fandom, and more.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Ersatz Culture, Paul Weimer, James Bacon, Lise Andreasen, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney. ]

(1) COURT STRIKES DOWN MARVEL, DC ‘SUPER HERO’ TRADEMARK. Bleeding Cool tells how it happened: “US Court States Marvel And DC Have Lost Their Super Hero Trademark”.

The law firm of Reichman Jorgensen Lehman & Feldberg (RJLF) has announced a landmark victory in its trademark case against comics publishers Marvel and DC Comics. They have obtained an order from the U.S. Patent and Trademark Office cancelling Marvel and DC Comics’ joint trademark for the word “Super Hero” and thus allowing their clients,S.J. Richold and Superbabies Limited, to freely use the term.

This was granted after Marvel and DC failed to respond to court requests.

RJLF challenged the exclusivity of the SUPER HERO trademarks after DC attempted to block Richold’s efforts to promote The Super Babies—a team of superpowered superhero babies. In its cancellation petition, RJLF charted the history of the superhero trademarks and showed how Marvel and DC used the marks to stifle competition and oust small and independent comic creators.

In 1977, DC Comics and Marvel Comics’ legal departments co-operated over the registration of the trademark “superhero” which they decided to share. It was granted by US authorities in 1979/1980. And it is a trademark that they have successfully defended with their legal departments ever since, disputing numerous challenges in many countries, until today….

(2) READ AND REREAD. Here are the “Science-Fiction Books Scientific American’s Staff Love” from Scientific American. It’s really a collection of lists divided into “Top-Shelf Recommendations”, “Series and Short Stories”, “Ghastly Thrillers”, “Dastardly Dystopias”, “All’s Fair in Love and War and Time Travel”, and “Fantastical Space Operas”. How many of these have you read?

There are few things as memorable to a young reader as the first spaceship they wanted to be onboard or the first fantastical world they wished to inhabit. If you’ve ever discussed the mechanics of warp speed, the anatomy of a shai-hulud or the ethics of a Vulcan mind meld, you know one thing for certain: science fiction is a way of life. Giants of the genre such as Mary Shelley and Isaac Asimov showed readers the horror, the excitement and the gargantuan consequences that arise from combining our scientific knowledge with the expanse of our imagination. What does it feel like to live forever, to breathe something other than air or to love someone from another planet? How will science inspire fiction next? What fiction will inspire new science?

The staff at Scientific American ask questions such as these across lunch tables and whisper book recommendations in hallways. We examine new science every day and read exceptional books each night….

(3) ANOTHER SNOUT IN HOGWARTS TROUGH. “Comcast Sues Warner Bros. Over Refusal to Partner on Harry Potter Series” – The Hollywood Reporter briefed its readers.

A legal brawl has broken out between Comcast‘s Sky and Warner Bros. Discovery, with the European media giant suing over breaches to a 2019 deal for exclusive rights to shows.

Sky, in a lawsuit filed Friday in New York federal court, says Warners is obligated to offer the opportunity to partner on at least four shows per year, including the upcoming Harry Potter series, but “fell far short of that mark” for nearly the entire duration of the contract.

Instead, Warners has “largely disregarded the parties’ agreement and sought to keep the Harry Potter content for itself so that” it can be used as the “cornerstone of the launch of its Max streaming service in Europe,” the complaint states. Sky seeks a court order that would force the David Zaslav-led company to bring it on as a co-producer on the production….

(4) DREAM DESTINATIONS. Nnedi Okorafor pointed out on Facebook:

The airport in Austin, TX has a gate for “Interimaginary Departures” and, Oomza Uni from the Binti Trilogy is on there! How cool!

For those who don’t know, Oomza Uni is the finest university in the galaxy. It’s an entire planet that is a university and only 2% of its students are human (no human faculty).

(Click for larger image.)

(5) EATON COLLECTION GAINS DONATION. Phoenix Alexander, Klein Librarian for Science Fiction & Fantasy at UC Riverside, has a big announcement.

Huge library news! I’m delighted to share that Steven Barnes and @TananariveDue have completed their first donations of archival materials to the Eaton Collection of Science Fiction and Fantasy, where their archives will be housed and continue to grow in the coming months!

— Phoenix Alexander (@dracopoullos.bsky.social) 2024-09-27T19:32:26.553Z

(6) GROWTH OF SFF IN CHINA. In “The Dark Shadow of the Chinese Dream”, the Los Angeles Review of Books gives an overview of Chinese sff while reviewing three books, including Fear of Seeing: A Poetics of Chinese Science Fiction by Mingwei Song.

…Celebrity author Liu Cixin not only became the first Chinese writer to win a Hugo in 2015 for the first book in his Remembrance of Earth’s Past trilogy, The Three-Body Problem, but also has gone on to become the best-selling Chinese author of all time in international markets. He has become a household name globally, a unique feat in the Sinophone fiction writer community. His name is certainly far more recognizable than those of Nobel laureates Gao Xingjian and Mo Yan, and his fame exceeds that of writers of earlier generations such as Eileen Chang and Lu Xun. Liu has cemented Chinese science fiction’s status as part and parcel of world literature.

This hypervisibility, however, is not evenly distributed. Liu defended the Chinese state’s mass internment of Uyghurs in Xinjiang in a 2019 New Yorker profile and has been embraced and heavily promoted by the state. Han Song, by contrast, a writer of the same generation whose works repeatedly satirize Xi Jinping’s public admonitions to “tell the good China story” (or “tell the China story well,” as if there is just one acceptable basic narrative), has struggled to get his writing published in China. The 2023 Hugos further amplified this entwinement between visibility and the “right” kind of politics. A retroactive investigation revealed that the Canadian and American organizers, seeking to abide by local laws, disqualified numerous titles by Chinese and Chinese American authors that were deemed politically sensitive, a form of preemptive self-censorship. Behind every blockbuster spectacle with crossover appeal—such as the 2019 film The Wandering Earth, and its prequel, both based on Liu stories—a darker, more ambiguous strain of speculative fiction struggles to make it into the light.

In his 2023 study Fear of Seeing: A Poetics of Chinese Science Fiction, which won the Science Fiction Research Association’s Book Award, Mingwei Song attempts to make sense of these contradictions….

(7) HE’S PAVING THE WAY. Batman’s star on the Hollywood Walk of Fame was unveiled on September 26: “Batman is the first superhero to get a Hollywood Walk of Fame star” reports CBS News Los Angeles.

A caped crusader who’s been around for more than 85 years got his star on the Hollywood Walk of Fame on Thursday.

Batman is the first superhero to get a Hollywood star, with neighboring sidewalk stars belonging to television’s Batman, Adam West and the co-creator of Batman, Bob Kane.

Created for DC Comics by Kane with Bill Finger, Batman first appeared in 1939’s “Detective Comics #27” and since then the Dark Knight has stood as a symbol of determination, courage, and justice.

“Zock,” “Pow,” and “Whap!” Batman made it into the Saturday morning cartoon lineup in 1968, with Bruce Timm and Paul Dini’s “Batman: The Animated Series_.”_ The series also won acclaim with an Emmy for Outstanding Writing in an Animated Program, the first cartoon based on a comic book to do so…

A man dressed as Batman swings his cape after receiving a star on the Hollywood Walk of Fame, the first such honor for a superhero character, Thursday, Sept. 26, 2024, in Los Angeles. (AP Photo/Chris Pizzello)

(8) NOT A SPRINT BUT A MARATHON. Samit Basu will lead Clarion West’s nine-month “Online Novel Writing Workshop”.

Samit Basu

Are you a science fiction, horror or fantasy writer with a partially written novel but are feeling stalled out on where to go next? Do you have early chapters and a sense of the overall arc of your book, but can’t see a way through to the final pages? Are you bogged down in the Mushy Middle with no momentum to reach ‘The End’?

There’s no one way to complete a novel – the journey is about discovering what works for you, your writing style, and the story you want to tell. Whether you’ve outlined extensively or are navigating by instinct, Clarion West’s nine month virtual workshop is designed to guide you from conception to completion of your novel.

Led by author and six week workshop instructor Samit Basu, with the support of the Clarion West team, this program is built around finding your unique process.

This workshop offers:

At the end of nine months, you’ll have a complete draft, or a solid roadmap for completing your manuscript. From the initial spark to a finished draft, we’re here to support your journey.

(9) DUELING WP’S. “The messy WordPress drama, explained” by The Verge.

WordPress is essentially internet infrastructure. It’s widely used, generally stable, and doesn’t tend to generate many splashy headlines as a result.

But over the last week, the WordPress community has swept up into a battle over the ethos of the platform. Last week, WordPress cofounder Matt Mullenweg came out with a harsh attack on WP Engine, a major WordPress hosting provider, calling the company a “cancer” to the community. The statement has cracked open a public debate surrounding how profit-driven companies can and can’t use open-source software — and if they’re obligated to contribute something to the projects they use in return.

The conflict has escalated in the days since with a barrage of legal threats and has left swaths of website operators caught in the crossfire of a conflict beyond their control. WP Engine customers were cut off from accessing WordPress.org’s servers, preventing them from easily updating or installing plugins and themes. And while they’ve been granted a temporary reprieve, WP Engine is now facing a deadline to resolve the conflict or have its customers’ access fall apart once again.

WP Engine is a third-party hosting company that uses the free, open-source WordPress software to create and sell its own prepackaged WordPress hosting service. Founded in 2010, WP Engine has grown to become a rival to WordPress.com, with more than 200,000 websites using the service to power their online presence…

(10) TODAY’S BIRTHDAY.

[By Cat Eldridge.]

Born September 28, 1946 — Joe Dante, 78. He started off as one as us as he wrote columns and articles for fanzines and APAs.

Now let’s look at what he’s done that I find interesting.

The first would be his collaboration with John Sayles when they completely rewrote the first draft of Gary Brandner’s The Howling novel for that film. Brandner was said to extremely angry with the film that was produced.

Because of The Howling, Speilberg offered up Gremlins, one of my all-time favorite films, to him. I’ve watched it more times than I can count and I enjoyed it each time. Gremlins II, not so much.

Joe Dante

Spielberg also brought him on as one of the directors on John Landis’ Twilight Zone: The Movie. Dante’s segment, a remake of the original Twilight Zone “It’s a Good Life” episode as written by Serling. That story was based off a Jerome Bixby story published in 1953 in the Star Science Fiction Stories anthology series, edited by Frederik Pohl.

Ahhh, Innerspace with Dennis Quaid, Martin Short, and Meg Ryan. The Studio hated it, Dante made the film he wanted to despite the Studio and audiences stayed home. I thought it was sweet.

I hadn’t realized til now that Dante was responsible for Small Soldiers, an interesting film. Not a great film but it did have a possibility of being something. Not sure what that something would have been though I kind of liked it. Dante says that there were twelve writers involved in writing the script. Ouch.

So, Dante directed Looney Tunes: Back in Action. Moving on. Once seeing was way, way more than enough.

Finally, Dante came back to Gremlins by serving as a consultant on the Max Gremlins: Secrets of the Mogwai prequel series. Don’t get too excited as this is an animated series.

(11) COMICS SECTION.

(12) THE INVISIBLE SUPERMAN. “Stan Lee Used To Roast DC For Clark Kent Taking Off His Glasses And Suddenly Becoming Unrecognizable As Superman” at CinemaBlend.

In the history of comic book superheroes, the two biggest names have always been Marvel and DC. While many, especially in recent years, have downplayed the “war” between the two major comic companies, it can’t be denied that there is competition between them. So it should come as no surprise that Stan Lee used to throw shade at Superman, even if he ultimately still loved the character.

An old clip has recently resurfaced showing Larry King interviewing Stan Lee and King asks about his favorite DC character. Lee says that Superman is his favorite because the character launched superhero comics in general. That doesn’t mean he can’t have some sun at Supes’ expense, as Lee pokes fun at Clark Kent’s disguise and the fact that nobody recognized Clark as Superman because of a pair of glasses. Lee said…

“I have joked about that. I say, ‘Hello. My name is Stan Lee.’ [removes sunglasses]. Oh, where did Stan go? Who’s this fella now?’ I know it’s ridiculous.”…

(13) REALLY UNSUSPECTED. Here’s somebody who’s doing a better job of concealing his secret identity. Not that he makes it easy on himself.

literally all the time. mostly it is accompanied by the question: 'why are there so many chuck tingle books and advanced reader copies stacked in your garage' https://t.co/SCzrQG3VJi

— Chuck Tingle (@ChuckTingle) September 28, 2024

(14) V.E. SCHWAB Q&A. CBS News finds out in an interview “How author V.E. Schwab is redefining the fantasy genre”.

Author V.E. Schwab has written nearly two dozen books since making her debut in 2011. Her novels feature modern characters and twisty plots, and are helping redefine the fantasy genre. Dana Jacobson has more.

(15) NOW THAT THE HURRICANE HAS PASSED. “SpaceX launches mission that will bring home Starliner astronauts” reports CNN. So it’s not quite like the movie Marooned, but I’ll just drop that thought here….

A SpaceX mission due to unite the Boeing Starliner astronauts with the spacecraft that will bring them home has taken flight. NASA’s Suni Williams and Butch Wilmore have now been on the International Space Station more than 100 days longer than expected.

The SpaceX mission, called Crew-9, took off at 1:17 p.m. ET Saturday from Cape Canaveral Space Force Station in Florida.

NASA previously delayed the launch attempt from Thursday, rolling the spacecraft back into its hangar as Hurricane Helene threatened Florida and other parts of the southeastern United States. Mission teams reset everything at the launchpad Friday after the danger had passed.

Unlike other routine trips ferrying astronauts to and from the space station under NASA’s Commercial Crew Program — of which SpaceX has already launched eight — the outbound leg of this mission is carrying only two crew members instead of four: NASA astronaut Nick Hague and Roscosmos cosmonaut Aleksandr Gorbunov.

Two other seats are flying empty, reserved for Williams and Wilmore to occupy on the spacecraft’s return flight in 2025. The configuration is part of an ad hoc plan that NASA chose to implement in late August after the space agency deemed the Starliner capsule too risky to return with crew.

Williams and Wilmore rode the Starliner to the International Space Station in early June for what was expected to be about a weeklong test flight….

(16) VOCAL POWER. Here’s is a video compilation of “James Earl Jones’ Comedy Highlights” from the The Late Show with David Letterman.

(17) FROM A LIST LONG, LONG AGO. Going down the same rabbit hole: “Top Ten Things Never Before Said By A ‘Star Wars’ Character”.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Daniel Dern, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Brian Jones. ]

The Washington (DC) Science Fiction Association (WSFA) announced the winner of the 2024 WSFA Small Press Award for best short fiction published by a small press in 2023 on September 28 at Capclave.

“A Bowl of Soup on the 87th Floor” by Kai Holmwood, Dreamforge Magazine, Issue 10 (March 2023) ed. by Scot Noel is the winning story.

In her acceptance speech, Holmwood said:

“Sometimes it feels like the world is doing its best to insist that things are hopeless, and that the future is inevitably bleak and dark. While I’ll never claim there are easy solutions, I believe any chance for a better future depends on hope—not only hope for the big picture, but also hope that even our small actions can matter. I’m honored beyond measure that my story about a bowl of soup making a tangible difference in a solarpunk future won this award, not only because I’m personally delighted—and of course I am! — but because it means that vision of hope resonated with others. Thank you to the brilliant DreamForge for giving my first published story the perfect home, and for filling each issue with stories that offer glimpses of light. Here’s to working together to create a future where even a simple bowl of soup can change the world.”

The other finalists for the 2024 WSFA Small Press Award for Short Fiction were:

The award honors the efforts of small press publishers in providing a critical venue for short fiction in the area of speculative fiction, and showcases the best original short fiction published by small presses in the previous year (2023). An unusual feature of the selection process is that the voting is done with the identity of the author and publisher hidden so that the final choice is based solely on the quality of the story.

[Based on a press release.]

Gail Simone and David Marquez are bringing the X-Men home in a new run of Uncanny X-Men which started last month. In the wake of Krakoa’s fall and Professor X’s imprisonment, the series sees Rogue take on the responsibility of leader by reuniting a core team of X-Men at a new home in New Orleans. It’s a new era for one of the most groundbreaking titles in comic book history. These were the stunning covers on the first issue.

Among the covers are exciting shots of the new team lineup by acclaimed artists Leinil Francis Yu, Andy Kubert, Stephen Segovia, and series artist Marquez; the first in a series of team member spotlights by Luciano Vecchio; and a gorgeous Negative Space Variant Cover of Jubilee by best-selling cover artist John Tyler Christopher. Plus, enjoy a throwback to one of Rogue’s most memorable tales in a Hidden Gem Variant Cover by the legendary Jim Lee. Also available is the third part of Scott Koblish’s epic Wraparound Connecting Variant Cover that will test even the most diehard X-Fan’s knowledge, an eye-catching collage piece by Mr Garcin, and a logo variant cover.

In today’s world, mutants need the X-Men more than ever. With Professor X gone, Rogue reluctantly finds herself as the X-Man designated to keep the team together. Rogue, Wolverine, Gambit, Nightcrawler, and Jubilee forge a new home in a New Orleans, and when four mysterious young mutants show up at their doorstep, that home becomes a haven. Protecting mutants from a world that hates and fears them, and using their powers to ensure there’s a future worth living in. They are the Uncanny X-Men.

See the cover art following the jump.

Continue reading →

(1) INUNDATED BY CLIMATE CHANGE. Author of the Southern Reach novels Jeff VanderMeer says “Hurricane Helene: Storm Decision Fatigue Is Getting to Me” in an opinion piece for the New York Times (unlocked article).

As the tropical disturbance that became Hurricane Helene moved north toward Florida’s Gulf Coast on Tuesday, I had an argument with myself about evacuating from Tallahassee: If I ran from the storm, would I get caught up in it anyway? I was thinking of Charlize Theron’s character in the movie “Prometheus,” crushed by a spaceship that crashed while she ran in a straight line away from it.

Stricken by the thought of being trapped (or worse) in my house by falling trees, I decided to drive to Greenville, S.C., with my elderly cat, but not without extreme anxiety. Many Floridians like me who were not under mandatory evacuation orders remember Hurricane Michael in 2018 and other recent unpredictable, dangerous hurricanes. For us, decisions about whether to stay or leave and where to go have become more tortuous in ways that may be difficult to understand for those who don’t experience hurricanes regularly.

Many don’t have the resources to flee monstrous storms such as Helene. But for those who can evacuate, there is a sense of not being able to outrun them or that the destinations may become just as perilous. Every possibility feels both right and wrong and also like disaster deferred for only days — while dithering only shrinks the window for escape…

(2) A CROSS-GENRE TO BEAR. “Dean Koontz: On Writing Novels That Make Your Publisher Extremely Uneasy” at CrimeReads.

I am a bad boy. I have spread mustard on a sandwich as much as ten days after its use-by date. I have loitered where signs are posted that forbid loitering, not because I wanted to loiter; I was in a hurry to be elsewhere, but I wasn’t going to let anyone tell me where I couldn’t loiter. I have washed garments that I was commanded to “dry clean only.” Really, when it comes to obeying the rules, I am a dangerous nonconformist. This has also been true in my writing life, and while I’m not proud of it, I’m not ashamed, either.

When I began to write cross-genre novels with Strangers in the early 1980s, my publishers knew I was doing something unconventional, and they knew they didn’t like it, but at first, they couldn’t put a name to it or explain why such work made them uneasy.

Initially, I didn’t realize it was the manuscript of Strangers they found off-putting. I thought it must be something about me that repelled them. Something about my face? Everything about my face? Or could it be that I shouldn’t have eaten an anchovy and horseradish sandwich on garlic bread for breakfast that morning?

No. It was Strangers that made their eyes water and induced in them a shortness of breath equal to that of end-stage bacterial pneumonia. The novel was a thriller with a science-fiction premise, a love story, and a paranoid conspiracy tale, written as a mainstream novel, with a theme of transcendence. I was pressured to cut the 940-page manuscript to 450 pages and turn it into a flat-out sci-fi horror novel with a smaller cast and a theme of existential dread. I had considerable respect for the publisher, but I knew why I had done what I’d done, and I knew it wouldn’t work if half the text was cut….

(3) NYT ACKNOWLEDGES GAIMAN NEWS. Yesterday’s New York Times covered the sexual assault allegations made against Neil Gaiman and their effect on film and TV projects: “Production Linked to Neil Gaiman Is Halted Amid Sexual Assault Claims” (behind a paywall).

The production of a movie based on a book by the noted British author Neil Gaiman has been paused by Disney amid allegations that five women have made against him relating to conduct from 1986 to 2022, including one woman who said Mr. Gaiman groped her on a tour bus in 2013 and later paid her $60,000.

The women shared their allegations, which included claims of sexual assault, groping and kissing, on the podcast “Master: The Allegations Against Neil Gaiman.” Mr. Gaiman, 63, has told the podcast he denies any wrongdoing.

The allegations played a role in pausing the production of “The Graveyard Book,” an adaptation of the eponymous young adult novel by Mr. Gaiman, according to a person at Disney. But the allegations were not the sole reason that the production, which was in development, was paused. Disney would not provide any additional reasons.

Another production related to Mr. Gaiman has been canceled for unspecified reasons. “Dead Boy Detectives,” a TV series based on a comic book by Mr. Gaiman, will not return for a second season, according to Netflix, which declined to share why the series would not return. There have been no changes to the Netflix series “The Sandman,” which is based on a separate comic book series by Mr. Gaiman.

Amazon would not say whether there would be any changes to “Good Omens,” a series based on a novel by Mr. Gaiman written in collaboration with Terry Pratchett.

The turmoil around the productions linked to the author has come amid the launch of the podcast, which in July and August released six episodes that detail the women’s accounts. The series has drawn widespread attention among fans, in literary circles and in the entertainment industry….

(4) MARI NESS ON GLASGOW 2024 ACCESSIBILITY. “Glasgow 2024 – a Worldcon for our Futures – though perhaps not disabled futures” by Mari Ness at Blogging with Dragons.

…Glasgow 2024, a Worldcon for our Futures, had this statement on their Accessibility page:

“The Accessibility Team is committed to providing an equitable experience for all disabled members of Worldcon. Support will be available for those with mobility needs, visual impairments, hearing loss or differences, and various types of neurodiversity. “

A message from the con chair added this:

“Considering access, inclusion and diversity as integral to Glasgow 2024 has created an environment where we think carefully about what Worldcon can become – a convention to represent all of our futures as well as a place where everyone can celebrate, and an event where we can take these realities joyfully forwards after it is over.”

This all sounded, if not entirely reassuring, at least hopeful. So I bought my tickets.

It was not, in fact, an equitable experience for all disabled members of Worldcon…

Ness then details more than a half dozen accessibility difficulties she faced at the convention. She raised these issues to the committee with this result:

…On August 12, 2024, my last day at Glasgow 2024, I filed an official complaint, in person, about the con’s multiple accessibility issues. I was assured that this complaint would be escalated to the appropriate people for a response.

As of today [September 22], I have not received a response.

(5) SHADOW BANNED. [Item by Steven French.] For Banned Books Week, Leeds Central Library has published a list of books that were ‘banned’ by the Library in 1975 and which were only available to the public on request (although the list was not itself made know to said public before an alternative newspaper published it!). It included not only the likes of Norman Mailer and Gore Vidal but one Brian Aldiss (his Booker Prize long-listed novel The Hand Reared Boy was deemed too racy for the good burghers of Leeds). “Banned Books in 1975 – The Secret Library” at Leeds Libraries Heritage Blog.

(6) MAKING MONEY WITH ROBOTECH. CBR.com looks at “Jim Lee’s Revival of an ’80s Mecha Sensation — Robotech!”

…As many fans are aware, the show that became known as Robotech in the West is actually an amalgam series of sorts. Screenwriter Carl Macek was hired to adapt the 1982 series Super Dimension Fortress Macross for daily American syndication. Still, the weekly series didn’t have the requisite 65 episodes required for a syndicated series. A decision was made to pair Macross with two shorter anime, 1984’s Super Dimension Cavalry Southern Cross and 1983’s Genesis Climber MOSPEADA, to create an 85-episode series_._

The disparate continuities would be explained as time jumps between episodes, but this didn’t make things easier regarding marketing and promotion. Complicating matters for the brand would be American model kit manufacturer Revell’s existing deal with the producers of Macross and a few other anime studios for a line of mecha scale-model kits imported from Japan. Revell called their two model lines Robotech Defenders and Robotech Changers. Revell even had a deal with DC Comics to promote _Robotech Defenders_as a limited series….

… While Robotech never reached the heights of Transformers‘ American popularity, the series had a devoted fan following. As other 1980s properties received comic book revamps in the early 2000s, it seemed inevitable that Robotech would join the fad. After bouncing around various indie publishers in the ’90s, the Robotech rights landed with Jim Lee’s WildStorm imprint circa 2002. As Harmony Gold creative director Tommy Yune bluntly stated in the first WildStorm release’s introductory text piece: “Everybody’s jumping on the ’80s bandwagon.” Harmony Gold viewed the reignited enthusiasm for ’80s properties as an opportunity to reboot Robotech, declaring the WildStorm series a new canon that superseded any preceding tie-in material….

(7) THE LATE DAVID GRAHAM. [Item by Steve Green.] Talking Pictures TV, the UK-based family-run cable channel which specializes in vintage television and movies, has posted an interview on its ‘Encore’ website with actor David Graham, who died September 20 at the age of 99. Graham featured in many of Gerry Anderson’s puppet series (he is best known for playing the chauffeur Parker in Thunderbirds) and also Doctor Who (voicing early Daleks and appearing on screen opposite both William Hartnell and Tom Baker). “Talking Thunderbirds: Voice Artist, David Graham”. Registration required.

In this Encore exclusive peak behind the curtain, we talk to the very talented David Graham, as he discusses his career, where the inspiration for Parker’s voice came from, being the voice of the Daleks, and other varieties of characters he’s voiced!

(8) VERSUS CLICKERS. “The Last of Us Season 2 Trailer: Joel, Ellie Return to Fight Clickers” – Variety sets the frame:

HBO released the first trailer for “The Last of Us” Season 2, featuring the return of Pedro Pascal as Joel and Bella Ramsey as Ellie, the two zombie apocalypse survivors from the hit video game adaptation.

The eight-time Emmy-winning series (with 24 total nominations) chronicles the story of Joel and Ellie as they navigate a world overrun with zombies infected with a parasitic fungus — not to mention the ruthless vigilantes, mercenaries and cannibals just as desperate to survive.

Here’s the official logline for Season 2: “After five years of peace following the events of the first season, Joel and Ellie’s collective past catches up to them, drawing them into conflict with each other and a world even more dangerous and unpredictable than the one they left behind.”…

(9) MAGGIE SMITH (1934-2024). Actress Maggie Smith, well-known to fans from Hook and Harry Potter, died September 27 at the age of 89. The AP News obituary says: “…Smith drily summarized her later roles as ‘a gallery of grotesques,’ including Professor McGonagall. Asked why she took the role, she quipped: ‘Harry Potter is my pension.’”…

Read more about her memorable roles in Olivia Rutigliano’s “A Requiem for Maggie Smith” at CrimeReads.

…She began her career as a stage actress, with her earliest breakout role as Desdemona opposite Laurence Olivier in Othello at the National Theater in 1962. When she reprised the role in the 1965 film adaptation, she was nominated for her first Academy Award. She would go on to be nominated for six, winning for two.

Maggie Smith was not in many crime movies. But she was often the most memorable part of the ones that she was in: Dora Charleston in Murder by Death, Miss Bowers in Death on the Nile, and Constance, Dowager Countess of Trentham in Gosford Park. And we cannot forget her turn as the stern, intolerant, but ultimately-supportive Mother Superior of St. Katherine’s in Sister Act. She could whip that steeliness into provincial villainy just as easily as stony protectiveness or begrudging kindness. She had that twinkle in her eye, an overwhelming wittiness, and a knack for nuance that was so razor sharp that she could be flip and solemn at the same time, an affective style that would become her trademark.

Since the announcement of Smith’s passing, earlier today, I have watched an outpouring of tributes and trivia about her: an endless, adoring parade of praise and respect. Maggie Smith was one of those actors who openness to many different kinds of roles kept reinventing her for younger and younger generations. By the time she appeared as the no-nonsense Professor McGonagall in the Harry Potter films, my generation had already seen her as the elderly Wendy in Hook, Mrs. Medlock in The Secret Garden, and many others….

(10) MEMORY LANE.

[Written by Cat Eldridge.]

Anniversary: “The Enterprise Incident” (1968)

“The Enterprise Incident” I believe was truly one of the classic episodes of the Star Trek series. Airing fifty-six years ago on NBC on this date, it was scripted by D.C. Fontana, one of eleven episodes that she would write including “Catspaw” that I dearly love, and directed by John Meredyth Lucas as the second episode of the third and final season.

If you’ve forgotten, the story is that Kirk violated the neutral zone. The Romulans have a new bit of technology called a “cloaking device” (just go with the idea please). Kirk pretends to be crazy, then pretends to be a Romulan to get to it. Meanwhile, Spock pretends to be in love. But is he pretending? Who knows. It’s fun to watch, isn’t it?

D. C. Fontana says she based her script very loosely upon the Pueblo incident but I’ll be damned I can see this. It’s a Cold War espionage thriller at heart and most excellently played out. You did note the Romulnan commander never gets named? Later novels including Vulcan’s Heart by Josepha Sherman and Susan Shwartz gave her the name of Liviana Charvanek.

Speaking of Vulcans, Fontana deliberately kept the romance between her and Spock low key to the finger games they did. And then there’s Roddenberry’s idea, never done, Spock “raining kisses” on the bare shoulders of the Romulan commander. Oh awful.

Season three had no budget, I repeat, no budget for frills, so this episode suffered several times from that. Kirk was supposed to have surgery done on him after dying but that got deep sixed, and McCoy was supposed to accompany him back to the Romulan ship but my, oh my ears are expensive, aren’t they?

Fontana would co-write with Derek Chester a sequel: Star Trek: Year Four—The Enterprise Experiment, a graphic novel published by IDW Publishing in 2008.

Critics then and now love it.

It’s airing on Paramount + as is about everything else in the Trek universe.

(11) COMICS SECTION.

(12) IT’S ALL TRUE, I SWEAR BY MY TATTOO. NPR research reveals “More than 15 markers claim aliens and UFOs have visited Earth”. One of them is in Pascagoula, Mississippi. The full citation is here: “Pascagoula UFO 1973 Historical Marker”. A full-size photo of the marker is here.

…“It was the evening of October 11, 1973 when two local shipyard workers went fishing,” the marker says, at the edge of the Pascagoula River.

The sign says Charles Hickson and Calvin Parker spotted a football-shaped craft, which took them aboard.

“Inside the craft, Hickson was examined by a robotic eye, then both men were deposited back on the river bank and the space ship shot away,” the marker says. Stamped at the bottom is the seal of the city of Pascagoula and the Jackson County Historical and Genealogical Society….

There’s no way to really know what happened that night in 1973, when the men waded headfirst into one of humanity’s greatest mysteries: Are we alone?

But the marker is now one of at least 15 that say, without hesitation, that aliens have come to visit Earth.

They join more than 180,000 other historical markers dotting the country’s landscape, and NPR found they wouldn’t be the first to claim something that may, or may not, be true.

There’s a marker in Massachusetts that claims the town was once home to a real, live wizard. New York has a marker about a ghost that plays the fiddle on a bridge in the moonlight….

(13) SUPER DUBIOUS. Ryan George decides “Invisibility is a Sketchy Superpower”.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Steven Green, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Bill. ]

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