Editor Anatoly Dmitriyev (1908-1978) Publisher. Info. N.A. Rimsky-Korsakov: Complete Collected Works, vol.1А–Б (Полное собрание сочинений).Moscow: Muzyka, 1966. Plate 1504–1504a. Copyright Public Domain - See notes on copyright status for urtext editions [tag/del] Misc. Notes URTEXT EDITION This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country. Purchase Javascript is required for this feature.
Version C
Complete
Publisher. Info. St. Petersburg: Bessel & Cie., n.d.(ca.1897). Plate 3800-3817. Copyright Public Domain [tag/del] Purchase Javascript is required for this feature.
Publisher. Info. St. Petersburg: Bessel & Cie., n.d.(ca.1897). MPR Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A8294. Copyright Public Domain [tag/del/mrg] Purchase Javascript is required for this feature.
Vocal Scores
Version C
⇒ 6 more: Act I, Tableau 1 • Act I, Tableau 2 • Act II, Tableau 1 • Act II, Tableau 2 • Act III, Tableau 1 • Act III, Tableau 2
Псковитянка ; Ivan le Terrible : La Psokvitaine ; Pskovityanka ; Ivan the Terrible*
Name Translations
Псковитянка; La Pskovitaine; Псков'янка; La donzella de Pskov; La fanciulla di Pskov; La dama de Pskov; A pszkovi lány; La ragasóla 'd Pskov; プスコフの娘; Pskovanino; 普斯科夫的女子; Flickan från Pskov; Das Mädchen von Pskow; "Псковитянка"; המשרתת מפסקוב
Name Aliases
Псковитянка (опера); La criada de Pskov; La noia de Pskov; La knabino el Pskov; プスコフの乙女; Pskowitjanka; Die Pskowerin; 普斯科夫的女仆; 普斯科夫的姑娘
voices, chorus, orchestra Cast Ivan the Terrible - Иван Грозный (bass)Prince Tokmakov - Князь Токмаков (bass)Priness Olga - Ольга (soprano)Boyar Matuta - Боярин Матута (tenor)Boyaryna Stepanida Matuta - Боярыня Степанида Матута (Стеша) (soprano)Mikhail Tucha - Михайло Туча (tenor)Prince Vyazmesky - Князь Вяземский (bass)Bornelius - Бомелий (bass)Yushko Velebin - Юшко Велебин (bass)Vlasyevna - Власьевна (mezzo-soprano) Perfulyevna - Перфильевна (mezzo-soprano) Mixed chorus (SATB)Judges, Pskovian boyars, governor's sons, oprichniks,Muscovite Streltsy, maidens, people Orchestra piccolo, 2 flutes, 2 oboes, English horn, 2 clarinets, bass clarinet, 2 bassoons, contrabassoon 4 horns, 3 trumpets, 3 trombones, tubatimpani, percussion, harp, strings
Related Works
Versions B and D include the The Noblewoman Vera Sheloga, Op.54 as a prologue.Rimsky-Korsakov also wrote separate incidental music to accompany Mey's drama of the same name (1877, rev.1881–82).
The Maid of Pskov (1868-72, rev. 1876-77, 1891-92, 1898-1901) Mlada (1872) - portions of Acts II and III(music reused by composer in later stage works) May Night (1878-79) The Snow Maiden (1880-81, rev. ca.1895) Mlada (1889-90) Christmas Eve (1894-95) The Barber of Baghdad (1895, unfinished) Sadko (1895–96) Mozart and Salieri, Op.48 (1897)