State Symbols and Song (original) (raw)

There is frequently much confusion as to the status of the so-called state songs, due largely to the fact that they may be chosen by official action, by popular approval, or by a combination of the two methods. In the Middle West particularly, where state boundaries are artificial and the population has constantly shifted, it is not surprising that there should be much uncertainty. There have been many aspirants to the honor of writing the state song for Iowa, but only three or four of these songs have received noteworthy official or popular recognition.

First in point of time and official recognition is The Song of Iowa, the words of which were written by S.H.M. Byers, who give the following account of the inspiration of the song:

"At the great battle of Lookout Mountain I was captured, in a charge, and taken to Libby Prison, Richmond, Va. I was there seven months, in one room. The rebel bands often passed the prison, and for our discomfiture, sometimes played the tune 'My Maryland', set to southern and bitter words. Hearing it once through our barred window, I said to myself, 'I would like some day to put that tune to loyal words.' "

Many years later, in 1897, Mr. Byers carried out his wish and wrote a song to the music of Tannenbaum, the old German folk-song which the Confederates had used for My Maryland. The next night a French concert singer at the Foster Opera House in Des Moines sang the new song upon the request of Mr. Byers. The number was a great success and was encored again and again.

While Major Byers thus had the honor of writing Iowa's official song, the best known and most popular song of the state is the famous "Iowa Corn Song," which every loyal son and daughter of the Hawkeye State sings lustily on any and all occasions, reaching their hands as high toward Heaven as they possibly can when the words roar forth "That's where the tall corn grows."

This famous song was written by George Hamilton, secretary of the Des Moines Chamber of Commerce and a big man in the Masonic Lodge, particularly among Shriners, with later help from Prof. John T. Beeston, the well known band leader; sung to the tune of "Traveling."

George Hamilton started the song back in 1912 when a delegation of Za-Ga-Zig Shriners had gone to Los Angeles, California, to participate in the huge Shrine convention, and it was realized that what Iowa needed was a rousing marching song, which should advertise the chief product of the state: Corn. So Hamilton wrote the original stanza, dealing mainly with the glories of the Shrine, and tacked on the original and still-intact chorus, which is far the best known and most rousing part of the song. Hundreds of later verses have been added by Hamilton himself, Professor Beeston and others, but as it is published and usually sung, the song goes in this manner:

Let's sing of grand old I O W A Y,
Yo-ho; yo-ho; yo-ho.
Our love is strong ev'ry day,
Yo-ho; yo-ho; yo-ho.
So come along and join the throng,
Sev'ral hundred thousand strong,
As you come, just sing this song:
Yo-ho; yo-ho; yo-ho.

Chorus:
We're from Ioway, Ioway;
State of all the land,
Joy on every hand;
We're from Ioway, Ioway.
That's where the tall corn grows.

Our land is full of ripening corn,
Yo-ho; yo-ho; yo-ho.
We've watched it grow by night and morn,
Yo-ho; yo-ho; yo-ho.
But now we rest, we've stood the test;
All that's good, we have the best;
Ioway has reached the crest;
Yo-ho; yo-ho; yo-ho.
Chorus.

* "Der Tannenbaum," the old air to which this song is sung, was a popular German students' song as early as 1849. It had been a Volks song long before that. During our Civil War, the Southerners adapted it to the song, "My Maryland."