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Wavetable Synthesis 101, A Fundamental Perspective
Wavetable synthesis is both simple and straightforward in implementation and sophisticated and subtle in optimization. For the case of quasi-periodic musical tones, wavetable synthesis can be as compact in data storage requirements and as general as additive synthesis but requires much less real-time computation. This paper shows this equivalence, explores some suboptimal methods of extracting wavetable data from a recorded tone, and proposes a perceptually relevant error metric and constraint when attempting to reduce the amount of stored wavetable data.
Author (s): Bristow-Johnson, Robert
Affiliation: Wave Mechanics, Inc., Montclair, NJ, (See document for exact affiliation information.)
AES Convention: 101 **Paper Number:**4400
Publication Date: 1996-11-06 Import into BibTeX
Session subject: Analysis and Synthesis of Sound and Music
Permalink: https://aes2.org/publications/elibrary-page/?id=7379
(859KB)
Type: Convention Paper
E-Libary location: (CD aes13) PP9496/PP9611/
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Bristow-Johnson, Robert; 1996; Wavetable Synthesis 101, A Fundamental Perspective [PDF]; Wave Mechanics, Inc., Montclair, NJ,; Paper 4400; Available from: https://aes2.org/publications/elibrary-page/?id=7379
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Bristow-Johnson, Robert; Wavetable Synthesis 101, A Fundamental Perspective [PDF]; Wave Mechanics, Inc., Montclair, NJ,; Paper 4400; 1996 Available: https://aes2.org/publications/elibrary-page/?id=7379
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@article{bristow-johnson1996wavetable,
author={bristow-johnson robert},
journal={journal of the audio engineering society},
title={wavetable synthesis 101, a fundamental perspective},
year={1996},
number={4400},
month={november},}
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TY – paper
TI – Wavetable Synthesis 101, A Fundamental Perspective
AU – Bristow-Johnson, Robert
PY – 1996
JO – Journal of the Audio Engineering Society
VL – 4400
Y1 – November 1996
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