Coot's Reviews (original) (raw)

July 12, 2024 · 12:01 am

Hit ‘Em Where It Hurts by Rachel Bitecofer and Aaron Murphy

The GOP is a threat to your freedom, health, wealth, and safety. If they gain control of the federal government they plan on passing a national abortion ban, gutting Medicare, destroying Obamacare, raising taxes on working families, and stealing a lifetime of YOUR Social Security money.

Partisanship creates a convenient shortcut that low-interest and low-information voters can rely on to make their vote decisions, and it colors our entire perception of the political world.

There are two things that should never be discussed in polite company, religion and politics. Well, presuming you, gentle reader, to be a reasonably polite person…sorry.

Rachel Bitecofer is a PhD in political science and international affairs. In 2017 she wrote The Unprecedented 2016 Presidential Election, a book analyzing the 2016 US elections. She made her reputation by being one of the few political analysts who correctly predicted Biden’s 2020 victory with impressive specificity, and the size of the Blue Wave in 2018. She has come to some conclusions about why Democrats so frequently lose to Republican candidates whose interests are in opposition to those of their constituents. In order for Dems to make inroads with voters, they will have to take some pages from the GOP campaign playbook. Hit ‘Em Where It Hurts lays out what the other side is doing, and extracts from that lessons to be learned to improve outcomes.

Rachel Bitecofer – image from The Telegraph – credit Christopher Newport University

What is it that they do? Well, demagoguing issues and playing the politics of division, lying relentlessly and repeating their lies ad nauseum, of course. Not news. But Bitercofer digs into the specifics of how the GOP goes about this. She also offers analysis of voting groups, with an eye to how one engages different populations.

Ordinary people hate losing, or losing out on things we like or think we might like–with more intensity than we like gaining those things. A simpler way to put it is losing makes us feel twice as bad as winning makes us feel good.

Instead of the usual Democratic campaign of demonstrating to voters why a candidate is better able, better prepared, and maybe a better person, Bitecofer urges Dems to engage in impactful criticism of their opponents. Or, why the other candidates will be bad for you, applying the blame of truth not just to the down-ballot candidates, but to the party as a whole. Voters may or may not recall a candidate’s name, but they’re likely to remember how they feel about Rs and Ds. Where I live, for example, it is not just GOP senatorial candidate Dave McCormick who is a terrible person with terrible plans, it is the entire Republican Party. Frankly, it is not a tough case to make. Not to the exclusion, of course, of promoting better ideas and humans, but with maybe a shifting of campaign resources from all positive to more attack-mode.

When, at the 2016 Democratic convention, Michelle Obama first said, “When they go low, we go high,” it was a rousing moment which spoke to people being and becoming their best selves. Good values matter. But from a tactical perspective it is self-defeating. In basketball, these days, it is called undercutting (back when I was a terrible player, it was called low-bridging), when a defender hits an airborne shooter, causing a dangerous crash to the floor. Going high when the opposition is spending millions going low is a surefire way to ensure a broken back or a losing campaign.

There are two things that low information, and low interest voters (and they are legion) rely on in deciding who to vote for. Most important is party affiliation and second is their familiarity with the names of candidates. So, as a rule, a Republican will vote for the Republican on the ticket, regardless of the candidate’s merits. We can, for example, fully expect that, in addition to his core supporters, Donald Trump will receive tens of millions of votes from people who simply do not care about his 34 felony convictions, his attempt to stage a coup, his stealing of classified documents, his relentless lying and his considerable hostility to democracy. Nope. If he’s got an “R” next to his name, he’s our guy. To be fair, there are some Dem voters would vote for a cheese sandwich if it was on the ballot with a “D” next to its name, but I expect fewer than the “R” non-MAGA voters or leaners. Core voters for both parties will support their team.

But there is a middle ground, comprised of voters who lean and the truly unaffiliated, a small number. This is where the battle is engaged. Campaign ads must portray not only the candidate of the opposing party, but the party he/she represents, in a bad, but honest light. And do it relentlessly. She calls this Negative Partisanship. Instead of proclaiming only the virtues of our candidate, we must also portray the darkness of our opposition, something that has worked quite well for Republicans, but which has met with resistance from many Democratic candidates. Also, this should not be limited to the candidate in a given election, but applied across the board to the Republican Party. It is the party that will see to it that our rights and freedoms are pared back, while the rich get richer, not just the candidate. This has the benefit of being a worthy broad brush, as all Republican pols do whatever their Dear Leader wants.

There are barriers to Democrats progressing in political warfare tactics, primarily money. The right has a well-funded, (by billionaire oligarch sorts like the Koch brothers and major corporations like the big oil producers ) well-oiled machine for spreading their message. Think tanks provide academic cover for nonsensical or dark policies. Check out the Heritage Foundation’s Project 2025 for maybe the best example of this, certainly the most alarming, and probably the most dangerous. The American Legislative Exchange Council (ALEC) is a central clearinghouse for the creation of rightist legislation. It is no accident that the same text is used in state bills across the nation. Dems do not have a comparable entity. Neither do we have Fox News, the primary purveyor of political misinformation, even if it does cost them the odd billion dollars or so in court settlements. It is an uneven playing field.

In the absence of that sort of infrastructure, Dems must rely on improving messaging, making it more pointed. When it comes to public policy, the majority of voters side with Democratic positions, on sensible gun control, abortion rights, the inviolability of Social Security and Medicare, and more recently on the need for Obamacare. It is important, Bitecofer says, to point out to voters just what they are in danger of losing, highlighting the differences between Dems and Republicans. What are they trying to take from you? Pretty easy re SS and Medicare, which have huge national constituencies. Republicans are eager to gut both. People are more likely to respond to a campaign that points to Republicans trying to take away your medical choices, your literal freedoms, than they are to a detailed message about how a religious belief should not be made into public policy. How about the safety of your children? Are they likelier to come home from school in one piece if we allow military grade weapons to be bought by just about anyone? Are you ok with schools having to run active-shooter drills? It is not necessary to get into the corruption of the NRA or point out that that organization has become a funnel for Russian money to right-wing politicians. Simplify, show contrasts, and point out potential personal losses.

In most political books the analysis of why we are where we are is all fine and dandy, but what does it mean for addressing it, given that the dark side has, effectively, limitless funding to spread their lies, the mainstream media has shown itself to be highly resistant to calling out liars, and most voters simply do not give a shit? Are we doomed to relentless right-wing propaganda and spin through their pervasive media capture, aided of course by Putin and other foreign allies of American fascists? What can be done to get people to recognize the existential threat posed to our democracy? Turns out there are some things we can do. This is what makes Hit ’Em Where It Hurts different from most political analyses, and a must read for anyone engaged in political campaigns.

This is not unplowed earth in which Bitecofer toils. There have been plenty of books written about political tactics. Rick Wilson’s wonderful 2020 book, Running Against the Devil, offers advice on how to go about campaigning against Trump. One book that stands out the most for me is Saul Alinsky’s look at how to organize a movement for change, a community organizer guide, based on his decades of experience. In the 1970s many progressive and liberal activists studied his now classic 1971 political strategy book, Rules for Radicals. The benefit of these, and surely many other books is that they offer specifics re how to move forward. While Bitecofer’s book differs in focus from Alinsky’s the intention of both works is to show people how to seek and gain power over their own lives through democratic means. Bitecofer’s Hit ‘Em Where it Hurts is a Rules for Radicals for the 21st century. We have already seen some application of her approach in current and recent campaigns, whether inspired by her or someone else. The tactics she espouses have found their way into the real world and we will see in 2024 if candidates are willing to accept her counsel and do what it takes to win. I truly hope that most of them do.

think of all elections, big and small, as battles in a much larger and far more consequential electoral war, whose victors will determine the future of this nation.

Review posted – 07/12/24

Publication date – 02/06/24

This review is cross-posted on Goodreads. Stop by and say Hi!

======================================EXTRA STUFF

Links to the Bitecofer’s personal Substack, Threads, FB, Instagram, and Twitter pages

Profile – from SALT

Senior Fellow, Elections, The Niskanen Center
Rachel Bitecofer is assistant director of the Wason Center for Public Policy at Christopher Newport University, where she teaches classes on political behavior, elections, & political analysis and conducts survey research and elections analysis. Her research has been featured in many media outlets such as The New York Times, The Washington Post, USA Today, NPR, and she is a contracted commentator on CBC Radio. Her book, The Unprecedented 2016 Presidential Election (Palgrave McMillan) is available via Amazon.
Her innovative election forecasting model predicted the 2018 midterms five months before Election Day, far ahead of other forecasting methods. Her forecasting work argues that American elections have become increasingly nationalized and highly predictable; with partisanship serving as an identity-based, dominant vote determinant for all but a small portion of Americans.

Interviews
—–CSPAN – Washington, DC – Prose & Prose bookstoreHit ‘Em Where It Hurts – How to Save Democracy by Beating Republicans at Their Own Game by Adam Parkhomenk – video – 1:04:00
—–Salon – Rachel Bitecofer’s tough-love lesson for Democrats: Time to fight dirty by Paul Rosenberg
—–The Al Franken podcast – Democratic Strategists Rachel Bitecofer and Justin Barasky on Democratic Messaging – video – 48:00
—–Morning Joe – Democrats Seek to Recreate Midterm Success in 2024
“Roe is a concrete way to show people you have a right and the Republicans stole it from you”

Items of Interest from the author
—–ResearchGate – A list of her publications from January 2018 to January 2023
—–Web site for the book

Item of Interest
—–PoliticalCharge.org – An Elections Specialist You Should Get to Know by Tokyosand

July 5, 2024 · 12:01 am

Cats on a Pole by Betsy Robinson

Harmony thought about cats as she rolled out of bed and staggered to the bathroom. Her favorite cat was the one that used to get stuck on top of a telephone pole in front of the house where she grew up. At least once a month in the warm weather, she’d hear the neighbor kids yelling, “Cat’s on a pole!” as they gathered around to taunt the poor thing. Harmony would watch the scene from her kitchen window, and a couple of times she tried to thought-talk the cat down. “Are you out of your mind?” the cat would answer. “They’ll kill me.”

When he was forty-three, he met Judy. By then, construction work had taken second seat to massage therapy, where he discovered he had a gift. He didn’t understand how it worked; he just knew that when he touched people, his hands grew hot, his heart exploded, the room filled with colors, and sometimes helpers in subtle bodies would instruct him where to touch. And the clients felt better.

Harmony and Joshua have special abilities. You might even call them superpowers. As with most such talented people, that has not necessarily led to them being happy. Joshua makes a living running healing classes at his own studio. He has always had what seems a pheromonic gift for attracting women. Woof! But commitment has never been a strong suit. Until he married Judy and they had a baby, Emily. Still, it is tough to resist all those longing gaze from his students and assistants.

Betsy with pooch – image from her site

Harmony is forty-something, works at a gardening magazine, is of uncertain ethnicity, having been adopted and having no real memory of her birth parents, and is different from the rest of us. She sees colors around people, auras, and has a sense of smell that allows her to tell about a person’s health, among other things. It is understandable that being in a relationship can be tough if you can pretty much read the other person’s thoughts and feelings. Insightful? Yes, very literally. She thinks of it as being about energy, hers, others, an experiential milieu no stranger to her than seeing the usual colors or hearing the sounds of the world are for most of us. But can you live through every day seeing, sensing the world like that? Harmony is in mourning for her best friend, her late pooch and beloved companion of 18 years, Delilah.

Each believes they are unique, and are destined to remain that way. It is pretty clear that these two crazy kids are destined to get together in one way or another. In this magical rom-com, they meet cute on a Manhattan bus, and we are off to the races.

The story centers on their relationship, which, surprisingly, never gets truly physical. Maybe metaphysical? With or without physical touching it is intensely sexual. They are both, because of their abilities, outsiders. Joshua manages by running a school, trying to help people find the abilities they have, but do not recognize. He is able to direct his energy to healing as well. ”We all have this capacity,” says Robinson in her video promo for the book. She has been involved for a long time with spiritual psychology and healing arts, so brings an interesting perspective to Joshua and Harmony’s capacities.

[In therapy] I was talking about how I reacted to various people in the office. There was one guy there who wanted an office wifey. I couldn’t stand this guy. Every time he would approach me it was like I was getting slimed with ectoplasm. Etheric gunk would come over me. I wanted to take a shower.

Harmony gets more ink of the two, with a large piece of that her interactions with her therapist, Doctor Thompson. These are fabulous.

Spectral beings are also a considerable presence. Ghosts? Angels? Something else? Like Julie Jordan in the musical Carousel, Harmony’s favorite musical, both Joshua and Harmony see or sense presences, which sometimes become active to the point of issuing directions.

Keep an eye out for mirrors, an image that pops up multiple times. Can you actually see yourself? Or does truly getting to know yourself require another person?

There are a few cockroach POV scenes that are hilarious, even to a native of NYC who had to contend with them for a lifetime, sometimes in large numbers. Lord knows, those of us who have spent much of our lives in city apartments can well attest to their persistence, and share Josh’s frustration at their ability to mockingly skitter away from our attempts to extinguish them. Robinson is a funny writer, so there are plenty of LOLs throughout the novel, not all related to bugs.

Cats on a Pole is a moving story about people searching for…something, love, companionship, understanding, truth, connection, release. There will be tears as well as laughs. The novel also offers a deeper perspective on spirituality and the meaning of death. It all builds up to a surprising climax, so buckle in. These cats may be stuck atop a pole, (or multiple poles?) getting some temporary safety, but they also gain a broader view of the world, and so will you.

What was extraordinary were her colors—raw red and orange energy around her torso, a deep indigo, bluer than the bottom of the ocean with radiant purple wafting through it vibrating so fast above her head it made him feel faint just to watch it. But watch it he did. How could he not? Her desire was direct and raw.

Review posted – 07/05/24

Publication date – 07/02/24

I received an eBook version of Cats on a Pole from the author in return for a fair review. Thanks Betsy.

This review is cross-posted on Goodreads. Stop by and say Hi!

=======================================EXTRA STUFF

Links to Robinson’s personal, Twitter and FB pages

(Partial) Profile – from her site

Betsy Robinson was raised an atheist and went on to make her living as a writer and editor of spiritual subject matter: as managing editor of Spirituality & Health magazine for six and a half years and as an editor of spiritual psychology and books about shamans and traditional healers.

She is or has been an actor, a playwright, an essayist, an editor, a freelance writer, messenger, paralegal, legal secretary, chambermaid, IHOP hostess, fortune cookie writer, novelist, and more. Cats on a Pole is her third novel. Plan Z was published in 2001 and The Last Will & Testament of Zelda McFigg came out in 2014.

Interviews
—– Ectoplasmic Inspo + Publisher at 73: Betsy Robinson – mostly on becoming a publisher
—– Why Publish “Cats on a Pole” and “The Spectators” Now? self-interview – video – 4:25

My review of an earlier book by the author
—–The Last Will & Testament of Zelda McFigg

Songs/Music from Carousel – Harmony buys a CD of the 1987 revival
It does make one wonder if Harmony’s last name was an homage to the composer.
—–What’s the use of Wond’rin
—–The Carousel Waltz
—–You’ll Never Walk Alone
—–If I loved You

Items of Interest from the author
—– Her promo video
—–Book trailer
—–Betsy reads from the book

Filed under Fantasy, Fiction, Reviews, Romantic Comedy

Tagged as book-review, fantasy, Fiction, ghost, healing, humor, meditation, paranormal, rom-com, spirituality

June 14, 2024 · 12:01 am

How to Win Friends and Influence Fungi – edited by Chris Balakrishnan, Matt Wasowski

Nerd Nite is an event usually held at a bar or other public venue where usually two or three presenters share about a topic of personal interest or expertise in a fun-yet-intellectual format while the audience shares a drink. It was started in 2003 by then-graduate student (now East Carolina University professor) Chris Balakrishan at the Midway Cafe in the Jamaica Plain neighborhood of Boston. In 2006 Nerd Nite spread to New York City, where Matt Wasowski was tasked with expanding the idea globally. – from Wikipedia

Be There and Be Square – Nerd Nite logo

There was a nerd magazine in 2012, a Youtube presence, and occasional podcasts. This is the first Nerd Nite book.

Misophonia can attach itself to any repetitive sound, but the most common ones are things, like chewing, breathing, sniffing, and throat clearing. It can be hard for sufferers to talk about because of how difficult it can be to tell someone politely that the sound of them keeping themselves alive is repulsive to you.

There are 71 entries, taken from live presentations done by the authors of each piece. (TED talks for those with short attention spans and a need for alcohol?) Nerd Nites have been held in over 100 cities across the globe. The material here covers eleven scientific areas. (see below) All the entries are brief, so if one does not appeal to your mental tastebuds hang on a couple of minutes for the next one, or just skip past.

Chris Balakrishnan and Matt Wasowski – editors – image (from some time ago) from Facebook

You can digest this book a few morsels at a time, and not have to worry about the fate of a fictional hero or put-upon victim. Nope. The heroes here are the scientists, the presenters. One of the great failings of popular science books, IMHO, is the absence of humor, or poor attempts at it. Not here. There are many moments in this one, and humor in almost all of them. That made me very happy. Of the 71 pieces, almost all are very pop-sciency, understandable by most readers, even me. There were only one or two that made my head hurt. It makes an excellent bed-side read. It was an upstairs book for me, to be read before nodding off, hopefully. Sometimes that takes a while. This is not an all-inclusive list of the articles, but lets you know what might be in store in its eleven sections

1 – Creature Features – on weird animals
2 – Mmmm…Brains – strangeness with how we learn and adapt
3 – Bodily Fluids – on things like coping with poo in space. (In space, no one can hear you fart?)
4 – Doing It – like it suggests, on sex, human and non-human, (no, not with each other. Don’t be weird.)
5 – Health and (un)Wellness – human smells (See Paul Giamatti in The Holdovers) – on therapeutic maggots, adolescent medicine, et al
6 – Pathogens and parasites – on birds, bacteria in birds, zombies, the scotch tape test (don’t ask), viruses
7 – Death and Taxes – mass extinction, cancer, algae
8 – Space, the Big and the Beautiful – ignorance, asteroid avoidance and use, life on Europa?, artificial gravity, studying a pristine meteorite, Webb telescope
9 – Tech (High and Low) – GMOs, dating app, human powered flight, cyborging humans, domesticating bacteria, nuclear fusion
10 – Math is fun – a seminal experiment, the math of gossip, the golden ratio, infinity, cryptography
11 – Careers – things removed from dogs, useless inventions, myths about death, animals CSI, amputations, fermentation, flames.

there are approximately 100 trillion microorganisms (mainly bacteria), representing as many as 30,000 different species, living in every crevice, nook, and mucosal cranny of your body that you can imagine.

I would include a list of my favorite articles, but it would wind up as long as the parts list above. But ok, because I have the sense of humor of a twelve-year-old, the one that made me laugh the most was To Boldy Go: Dealing with Poop and Pee in Space. Apollo 10 astronauts were gifted with the visual, and no doubt olfactory, treat of a turd meandering about in their capsule. This begins a talk about how one handles bodily waste in zero G. Another on bladder control, or the absence thereof, was sidesplitting. Others, on camel spiders and hangovers, generated a fair number of LOLs.

Some were fascinating, like one having to do with making a brain on a chip. (Can it be served with Salsa?) The pieces on bacteria and their importance to human life, heck, to all life on Earth, were fascinating.

There is plenty of weirdness, about diverse forms of milk, the proper use of maggots in healing, zombie parasites, asteroids, artificial gravity, and here we go with another bloody list. Sorry. Take my word, there is a wealth of material here that will broaden your knowledge base, and serve up plenty of conversational hors d’oeuvres for cocktail party chatter.

It worked quite well for me. There is a downside, though. Because all the articles here are very short, one is often left hungry for more. On the other hand, that limitation might provoke you to sate that desire with a bit of extra research, which is always a good idea. So, never mind.

If science piques your curiosity, if learning new and diverse things makes your heart race, or if you like to laugh, then this book is for you. How to Win Friends and Influence Fungi is a very filling read, one nibble at a time.

Review posted – 06/14/24

Publication date – 02/01/24

I received a hardcover of How to Win Friends and Influence Fungi from St. Martin’s Press in return for a fair review. Thanks, folks.

This review is cross-posted on Goodreads. Stop by and say Hi!

======================================EXTRA STUFF

Author/Editor links

Chris Balakrishnan – Program Director at the National Science Foundation – His personal and FB pages
A list of his articles

Matt Wasowski – Director of New Business and Product Development, Events at SAE International – His FB, LinkedIn and Twitter pages

Items of Interest from the authors (really editors)
—–Soundcloud – excerpt – 5:01
—–Birdsong: How the Twittering Set Learns to Speak
—–“Nerd Nite Published a Book!” by Matt Wasowski – Nerd Nite Austin 155, January 2024

Filed under Non-fiction, Psychology and the Brain, Reviews, Science and Nature

Tagged as book-review, books, essays, humor, Nonfiction, psychology, psychology-and-the-brain, science

April 5, 2024 · 12:01 am

The House of Last Resort by Christopher Golden

A forty-minute drive from the volcanic Mount Etna, Becchina should have been alive. Instead, it was the corpse of a town that didn’t even realize it was already dead.

A low scritching noise caught his attention, and he swung the flashlight beam down to the right, where the natural tunnel and the man-made wall formed a dark and jagged corner. Tiny, putrid-yellow eyes glittered in the shadows. “Jesus Christ!” Tommy hissed, jerking backward in revulsion as the flashlight beam illuminated the foot-long rat crouched in that corner. Silent, twitching, the rat stared brazenly up at him, unafraid. It watched him with apparent disdain, as if to let Tommy know that he was the intruder here, not the rat.

A deal that is too good to believe. Ownership of an abandoned hilltop house in a Sicilian town (Becchina, a made-up town, – buh-kee-na) for a single euro, as long as you agree to live there for five years and invest 50K euros fixing it up. What could possibly go wrong? Tommy and Kate Puglisi see this as a once-in-a-lifetime opportunity. A chance for a much better future than they could ever afford in Boston.

Christopher Golden – Image from MichelleRLane.com

The world seemed to be unraveling every day. American culture seemed to be rotting from the inside out, manipulated by an amoral oligarchy whose worst enemy was young people who didn’t want to play their game, and Kate and Tommy were happy to be counted in that category. The irony had not been lost on them, that the nineteenth and twentieth centuries had been defined by people leaving the so-called Old World to seek their fortunes in the New World, and now she and Tommy were doing the opposite, seeking new life in the Old World. But they both believed that earlier generations had it right—a slower life, a smaller circle, a focus on home.

That Tommy’s family had come from Becchina gave it an additional draw, a chance to spend time with his grandparents, whom he loved and very much wanted to see lot of in their final years. The importance of that is magnified by the fact that both of Tommy’s parents are dead. Tommy and Kate are on extended time off from work, so can attend to getting things fixed up before returning to their jobs, remote jobs, which allows them the freedom to live anywhere. And they do not yet have children.

Of course the house comes with some unadvertised extras. The book opens with:

The rats are like fingers. No. That’s not right. Fingers can reach out, can grasp and extend. The rats are not like fingers at all. They are periscopes, like those on submarines, each able to give its captain only a limited view of the world above. From their place below, among the dead, the lost ones can see only as far as the rats can see. But they are patient, and so they wait. And they let the rats run.

Uh oh. Squatters. Toss in being within commuting distance of Mount Etna to shake things up. Oh, and that lady down the hill who is always staring daggers at them whenever they pass by. And the family, who is warm and welcoming but not altogether forthright about the history of the town or the house. On the other hand, there is a group of other new arrivals, lured by the same opportunity. They call themselves The Imports. It’s fun seeing Tommy reconnect with famiglia. He and Kate slowly get to know the town and some of its residents, make friends, and come up with a plan to boost the local economy. Can-do Yanks in action.

But things keep happening. Kate thinks she sees someone in the house, but did she really? A tremor arrives soon after they do. There is a part of the house that the R/E agent somehow managed to overlook when showing the place. A door that was locked, but then is mysteriously open. Golden makes generous use of Gothic fiction features (see abbreviated list in EXTRA STUFF) to give you chills.

Tommy and Kate are actually a happy couple. Many horror books use spectral events as manifestations of underlying relationship problems. Not the case here. This is also not a case in which better-off sorts gentrify an old area, forcing out the locals. Instead, they are trying to save, replenish, and reconstruct, infusing new life into a withered, crumbling, forgotten town. The houses The Imports bought were already abandoned. The newbies are looking to build up not just the houses they occupy but the community as well. So, the dark forces here are not cutouts for obvious social criticism. They are pretty much straight up malignancy coming at you in sundry ways. One way is our visceral reaction to vermin.

The rats that feature in the opening lines persist throughout, gaining in their power to induce fear and loathing. It was a specific choice. In the Book Nook interview, Golden talks about how he believes we mortals have a race-memory fear of rats, the result of plagues that wiped large portions of humanity from the planet multiple times, akin to the natural fear most of us have of snakes, from the days when they were in our immediate environment and posed a mortal threat. Rats give us the creeps.

What you get in The House of Last Resort is a likable pair in peril, with a plentiful supply of scary, a cauldron of creepy, and a shipload of shivers. If you think your basement is a mess, you have no idea. There are nifty twists, some local color and action aplenty to keep you turning the pages. Depending on your susceptibility to such books, you may get a sleepless night or two out of this one. A fun read, a pure entertainment, uncluttered by larger sociopolitical concerns, a fabulous summer read. But probably a bad idea to take this along if you plan to visit Sicily.

A voice crying out. Tommy frowned, wondering if that had been a dream or if it had been what woke him. The wind gusted, rattling the window in its frame. He listened to see if the cry would come again but heard nothing beyond the sighs and creaks of the old house.

Review posted – 04/05/24

Publication date – 01/30/24

I received an ARE of The House of Last Resort from St. Martin’s Press in return for a fair review, and some DNA samples. Thanks, folks, and thanks to NetGalley for facilitating.

This review is cross-posted on Goodreads. Stop by and say Hi!

======================================EXTRA STUFF

Links to Golden’s personal, FB, Instagram, and Twitter pages

Profile

Golden is a monster of an author who got started, and found success, very early. He has a gazillion publications to his credit and an army-size host of teleplay credits from his years writing for Buffy with Joss Whedon, and plenty more. And then there are the comics. You may have heard of Hell Boy, among those. Here is a list of what he has published, from Fiction DB. I personally think he has elves, or more likely, goblins, chained to computers in his basement helping him crank out such volume.

My reviews of Golden’s two prior books
———-2022 – Road of Bones
———-2023 – All Hallows

Interviews
—–Paul Semel – Exclusive Interview: “The House Of Last Resort” Author Christopher Golden
—– WYSO – Book Nook – ’The House of Last Resort,’ by Christopher Golden by Vick Mickunas – audio – 50:04

Checklist – Partial Characteristics of the Gothic Novel
See my review of While You Sleep for more of this sort
Setting – castle or old mansion – oh, Yeah
Secret passages or creaky doors – of course
Atmosphere of mystery or suspense – fuh shoo-uh
Ancient prophecy or legend – sort of
Omens, portents, visions – tremors, hints from neighbors and family
Supernatural or otherwise inexplicable events – ghost sightings?
High, overwrought emotion – you betcha
Women in distress – actually not so much. Both Tommy and Kate are beset
Women threatened by powerful, tyrannical male – see above

March 29, 2024 · 12:01 am

Goldenseal by Maria Hummel

Falling into friendship, with Edith was also, for Lacey, inextricable, with falling in love with the northern summer. Never had she woken to birdsong, or plunged headfirst into cool water on a blazing day, or listened to the whispers of the oaks as a thunderstorm, swept in. Never had the sun felt so warm and golden, or rain soaked her so completely. The shrill of crickets, alarming at first, began to soothe her to sleep at night. A toad hunched by a log was so intensely ugly she cried out in shock, while a fox, slipping through the pines, looked like the tip of a paintbrush dipped in orange. Her hands and legs became tan and useful. She could tie three kinds of sailor knots, and she could kick her way up a river current. Her face in the spotty cabin mirror was freckled, it also looked rounder and full. She was gaining weight back, and when one night Edith observed, “You’re not coughing anymore,” Lacey realized it was true.

“When the stranger returned to the city…” are the opening words of Goldenseal, or could be of a fun Western. The description that follows is pure delight, set in 1990 Los Angeles, as Maria Hummel shows off her poet’s gift for description. In The Rumpus interview she talks about having to tone that element down to spend more focus on moving the story forward. A loss for the likes of me. Edith Holle left Lacey, and Los Angeles forty-four years ago. She is back now on a mission known only to herself.

I was interested in creating a novel that had an allegorical Western feel. The stranger comes back to this city for the first time in forty-four years; “the stranger comes to town.” That’s the beginning of the classic Western, and Westerns play an important role throughout the story, as both subject and backdrop, especially in regard to gender. Because in the classic Western, the “stranger” is male, right? But here, it’s Edith, an old woman in a wrinkled skirt and sneaker boots. – from The Rumpus interview

In addition to the western genre references, there is a mystery afoot here, well, a few. What was the nature of Edith’s connection to Lacey? Why did she leave? Why is she back?

Maria Hummel – Image from her site

We get an up close look at Lacey’s discomfort, wondering what Edith is up to, stressing over what to wear, as if her sartorial selections might provide a layer of armor, but Lacey is also clearly dying to see her. Once the waiting is done, we get on with the bulk of the story. It is told in two time lines. First is an ongoing conversation between the two women, the frame. Second is the history they recount within it.

Lacey Crane was born in Prague, her parents fleeing before, but not because of, the future Nazi invasion. Middle class, they were able to experience success in the hotel business. We get a look at the impact of the Holocaust on her parents, particularly her Jewish mother. As girls, Lacey and Edith meet at a California camp, where Edith is a bit of a loner, the daughter of the camp caretaker, special for her talent at stage performance, among other things, but seen as too lower class for most of the privileged girls. Not for Lacey. They become instant besties. (see quote at top) Edith’s home life is challenging, and Lacey wants to take her away from all that.

We follow the development of their friendship, and of their lives, together and apart. It is events in adulthood that split them, a final, dramatic schism. Dirty laundry is pulled from their memory bags, and held up for close inspection. Some garments are left unaired.

The contemporary conversation functions as a way for them to both examine the lives they have led. It also illuminates some of the changes women experienced in the 20th century.

The novel germinated over a protracted period, until all the elements finally came together. First was the Biltmore. When she and her husband moved there in the early aughts, Hummel was smitten with the LA hotel culture, particularly that hotel.

[This] combined with a book that I read that came out in American translation in 2001 called Embers …originally published in 1942, is a story about two old friends, males, an old general and a soldier, meeting in a castle in the Carpathians for the first time in forty years. They’re also weighing out friendship. When I read that book, I thought, this is such a great treatise on friendship, but it’s about male friendship. Female friendship is different. Wouldn’t it be great to use this structure but set it in an American castle? There it is. Then the third piece was, as we all experienced, we lived like recluses, particularly for me, the academic year that was 2020/’21. I thought, I know how to write this character now, this person who’s basically a hermit who lives in the hotel and never goes out and is locked in her tower. – from the Moms Don’t Have Time to Read Books interview

Underneath it all is that primal bond, forged in childhood, hardened in adulthood but seriously damaged. We are waiting for the high noon moment when the women unholster their revelations and take aim.

The Lacey-Edith intersection is, in a way, where Old World meets New. Lacey having been born middle class in Europe. Edith living a much more frontier-type of existence in the American far west. Lacey is relatively well-to-do, while Edith is a bit of a Cinderella character, responsible beyond her years, kept as something of a household slave by an unfeeling parent. Maybe Lacey can fit her up with a glass slipper, get her a carriage ride to something better? There are medical remedies from both the Old World and the New that present the strengths of both cultures. Familial tragedies echo across the divide.

Do we care? Each girl faces challenges at home. And both are portrayed as decent kids, so it is not hard to feel for them. The tale of their early friendship is incredibly charming and engaging, a major strength of the novel. The bond between these two is palpable and we want it to be eternal. Each girl finds relief from her personal stresses in having someone with whom to share. We get glimpses of their time together later, as teens, but these are fleeting, and lack the immediacy and impact of their camp days. Their time as adults is also presented in brief glimpses, stroboscopic flashes of events. Sure, there is angst, pain, heartbreak, betrayal, and disappointment, but having stepped back from Lacey and Edith, the impact is dulled. It is not a bad thing to leave readers wanting more of a character but it seemed to me that we got a bit short-changed and should not have needed that much more.

The narrative flow works quite well, switching back and forth between the contemporary and historical. But in a latter section of the novel, the conversation became much less…conversational, transforming into almost straight up exposition. I found this distancing, and thus off-putting.

There is a lot going on in Goldenseal. Thematically, it offers a trove of genre touches, coming of age, mystery, western, domestic drama and probably others. Hummel writes beautiful descriptions. I wish there had been even more of that. She gets us to care about her leads. And offers a persuasive explanation at the end, for most questions. It is a good read for sure, but maybe a Silver Seal instead of a Golden One.

Review posted – 03/29/24

Publication date – 01/09/24

I received a hardcover copy of Goldenseal from Counterpoint in return for a fair review. Thanks, folks.

This review is cross-posted on Goodreads. Stop by and say Hi!

=======================================EXTRA STUFF

Links to Hummel’s personal and Twitter pages

Profile – from her website

Maria Hummel is a novelist and poet. Her books include Goldenseal, Lesson in Red, a follow-up to Still Lives, a Reese Witherspoon x Hello Sunshine pick, a Book of the Month Club pick, and BBC Culture Best Book of 2018; Motherland, a San Francisco Chronicle Book of the Year; and House and Fire, winner of the APR/Honickman Poetry Prize… Hummel worked for many years as an arts editor and journalist, and as a writer/editor for The Museum of Contemporary Art, experience that informed Still Lives and Lesson in Red. She also taught creative writing at Stanford University and Colorado College, and is now a full professor at the University of Vermont. She lives in Vermont with her husband and sons.

Interviews
—–The Mark Twain House & Museum Program – GOLDENSEAL with Maria Hummerl and Barbara Bourland by Omar Savedo – Video – 58:15
—–Moms Don’t Have Time to Read Books – Maria Hummel, Goldenseal by Zibby Owens
—–The Rumpus Friendship Sunset: A Conversation with Maria Hummel by Jenny Bartoy

Items of Interest from the author
—–Reading Group Guide
—–LitHub – The Shadow Self of Domestic Stories: A Reading List of Novels Set in Hotels

Filed under Fiction, Historical Fiction, Literary Fiction, Mystery

Tagged as book-review, book-reviews, books, California, coming-of-age, Fiction, Historical Fiction, historical-fiction, Mystery, womens-fiction

March 22, 2024 · 12:01 am

The Age of Deer by Erika Howsare

…deer…occupy a middle zone between …extremes of domestication and wildness. Far from tame, they are nonetheless experts at living with people, and in many ways, they actually prefer to share habitat with us. All across North America, as in many other parts of the world, we exist in intimate proximity to deer.

The FAA considers white-tailed deer more hazardous to U.S. civil aircraft than any other animal.

Many images might pop to mind when we think about deer. I am sorry to say that the first one in my tiny mind is the sad vision of road kill. The second is the sheer joy of spotting wild deer in woods, or yards, or, more grandly, in national parks, whether the white-tail native to my part of the world, the mule deer and caribou more prevalent in the west, and even moose. I cannot say I have seen reindeer in the wild, unfortunately. Many visits to the Bronx Zoo introduced me to a much wider range of cervids, the family to which deer belong, including the diminutive muntjacs.

Erika Howsare – image from her site

Erika Howsare has had more of a connection to deer than, I expect, most of us. She grew up in western Pennsylvania in a family that hunted. In fact, the Monday after Thanksgiving is an unofficial holiday in our state, with most schools, and many businesses closed due to expected high absenteeism. This is one of many foci of interaction between deer and people.

I’d had an inkling, even before writing the book proposal, that deer were involved in all manner of controversies, contradictions, and human strivings. That was what got me interested in them. But I didn’t know too many specifics. When I started researching, one of the first things I did was to set up news alerts on deer and several other related terms.

Within a week, I had a rough outline of some of the major roles deer play in our world. They are victims; they are pests; they are something to hunt as well as something to study and protect. They are the targets of culling operations and the objects of sentimental love. They are trophies and intruders. It was all there in the news cycle. – From the Lithub article

Thankfully, Howsare, a published poet, offers a lot more than the daily deer chyron.

I did start the book from a fairly cerebral place where I thought, “Oh yeah, great subject. Like, this will bring up all kinds of great questions, and I’ll be able to go down all these roads in terms of the research and make these points, and it’s gonna be a really great opportunity to dig into these intellectual questions.” What I wasn’t expecting was how much it would change me as a person. – from the Phoebe Journal interview

And a wondrous opportunity it proved. You will learn a lot about the human/deer connection, and a bit about deer behavior as well.

White tailed deer – image from PennVet – University of Pennsylvania

One thing to consider is just how long deer and humans have been interacting. Pretty much as long as there have been people, judging by the content of ancient cave art. They appear in all cultures, and are a rich presence in mythology worldwide. As our first-hand experience of deer is usually liminal, many have come to see deer as ambassadors of the wild world, crossing from theirs to ours, and maybe offering a route away from the world of living humans. Of course, for many of us there is an UR deer image that has been burned into our brains. Really, can you name any other deer this side of Santa’s team?

Bambi – image from Disney via KRCA.com

They are beautiful and offer us an image of wildland innocence. But for many they have become pestiferous. Consider having spent months planting and tending your beautiful back yard garden, only to wake one day to find that real-life Bambis and their kin have laid waste to all your work. There is also the carnage caused not just to deer but to people and their vehicles from collisions with deer. There are folks whose job it is to collect the bodies. Howsare spent time with one of them.

Deer have been a crucial source of food for people across the millennia, but also of a wide range of materials. Howsare gets trained in earth skills to find out how to make buckskin, and many other useful items formed from deer parts.

We usually think of reintroduction of wildlife having to do with trout, or other finned creatures. You may have heard of attempts to reintroduce predators, like wolves in Yellowstone. But the largest and most successful reintroduction in US history occurred in the early 20th century when deer, which had been driven near to extinction, were reintroduced in many parts of the nation.

Sweet Tooth – image from Netflix via BBC

Ok, this was not at all included in the book but I kinda hoped it would gain at least a mention, as it does speak to the closeness of our species.

Factlets abound. Did you know that deer can suffer from a chronic, deadly disease that we usually associate with cattle, chronic wasting disease? Or that maybe the notion of adorning rulers with crowns was a way of imitating the stag rack? You will gain an appreciation for the use of deer-based imagery in the film Get Out. There are plenty more.

One of the main points to be gained is seeing how deer are actually quite adaptable, and have managed to carve out an ecological niche at the perimeters of human population.

Moose – image rom Britannica

A survey course on cervid-sapiens connection makes for an entertaining, informative read on its own. But Howsare incorporates a personal journey into her narrative. Never a hunter, at least not one who shoots anything, she has enough personal connection to folks who do, relations, to want to gain a better understanding of the hunting culture and the rationales of those who kill deer. She looks at her own feelings about deer and hunting. Not all who hunt actually shoot. Hunting can be a group activity, with a diversity of roles, very reminiscent of our prehistoric ancestors. One very appealing element of this learning curve for Howsare was becoming more comfortable with being still, settling into a place and letting herself experience the environment, the moment, fully, a form of meditation almost.

She looks at some of the outrages associate with hunting as well. Like releasing or breeding deer in fenced areas to be killed by people fond of killing things, but not much interested in doing all the research and preparation that serious hunters undertake. Think Dick Cheney hunting quail.

My only gripe about the book is a petty one. I find that science/nature books always go down easier when the information is spiced with a bit of humor. No danger of that here. So, past my personal preferences, The Age of Deer is an easy thumbs up. You will learn a lot and gain a far greater understanding of the relationship between humans and cervids throughout history and our interactions today, finding yourself saying, whether aloud or internally, “I never knew that.”

In the Anthropocene, it seems that far too much of humanity has assumed the position of the prototypical you-know-what frozen in place as the headlights of global doom approach at increasing speed. Deer, at least, have an excuse for such behavior, as their woodland-creature-instinct, however misguided it might be on a paved road, is to become very still so an approaching predator might not see or hear them. Given their abundance on the planet, it is a strategy that has worked out well for them, despite the roadside carnage, as deer remain the last large wild animal in most places. The roaches and rats will not be alone after we are gone. Deer, icons of woodland beauty, are adaptable. They are survivors, and will be keeping them company.

If the American project was, in part, to make a pastoral landscape out of a wilderness, deer benefited from that project in a cultural sleight of hand. We thought of them as part of the wild, but we had misconceived them. Their secret was that they, like us—like squirrels, corn, apple trees, clover, ands sparrows—would flourish in our human garden.

Review posted – 03/22/24

Publication date – 01/20/24

I received a hardcover of The Age of Deer from Catapult in return for a fair review. Thanks, folks.

This review is cross-posted on Goodreads. Stop by and say Hi!

=======================================EXTRA STUFF

Links to the author’s personal, FB, Instagram, and Twitter pages

Profile – from Catapult
ERIKA HOWSARE holds an MFA in literary arts from Brown University and has published two books of poetry. She also worked in local journalism for twenty years, covering culture and environmental issues. She teaches writing and contributes reviews and essays to various national outlets. A native of Pennsylvania, she lives in rural Virginia.

Interviews
—–Poets & Writers – Ten Questions for Erika Howsare by staff
—–Flyleaf Books – Erika Howsare presents THE AGE OF DEER -Howsare reads from the book then takes questions – the sound quality is poor
—–Phoebe Journal – Hungry Deer and Pissed off Gardeners: An Interview with Erika Howsare by Ashlen Renner

Items of Interest from the author
—–The Atlantic – An Incurable Disease Is Coming for Deer – an excerpt – but requires a subscription
—–Orion – Skin to Skin with a Deer – excerpt
—–Virginia Audio Collective – If You See a Deer – a four-episode companion podcast
—–Lithub – Erika Howsare on Finding Inspiration in Headlines

Items of Interest
—–Be vewy, vewy quiet. – Mister Fudd may be hunting a different species, but his approach applies to deer as well
My review of Stephen Graham Jones’s – The Only Good Indian – a wronged elk on the warpath
—–My review of Elizabeth Marshall Thomas’s – The Hidden Life of Deer: Lessons from the Natural World
—–Gutenberg – The Yearling by Marjorie Kinnan Rawlings

Filed under anthropology, Non-fiction, Science and Nature

Tagged as animals, anthropology, ecology, environment, hunting, memoir, natural-history, nature, wildlife

March 8, 2024 · 12:01 am

The Future by Naomi Alderman

The road to ruin is paved with certainty. The end of the world is only ever hastened by those who think they will be able to protect their own from the coming storm.

Love is the mind killer.

So what would you do if your super-secret software gave you the alert? End times are afoot. Time to scoot! If you are like most of us, you might seek our your nearest and dearest to see the world out together. But what if you are one of the richest people on the planet? Well, in that case, you would have prepared a plan, an escape, a plane, supplies, a bunker somewhere safe. Buh-bye, and off they go. The they in this case includes three billionaires, the heads of humongous tech companies, some years in the not-too-distant future, Lenk Sketlish, Zimri Nommik, and Ellen Bywater.

They were definitely not inspired by anyone specifically who could sue me for everything I’m worth and barely notice it…They are composite characters made up of some of the ridiculous and awful things that tech billionaires have done and some of it just made up out of my head. But of course the companies are inspired by real companies. – from the LitHub interview

What if you were the number one assistant to one of these folks, or the less-than-thrilled wife of another, or the ousted former CEO and founder of a third one, maybe the gifted child of one? You might have been spending your time trying to see what you could do to mitigate the vast harm these mega-corporations have done to the planet. These are Martha Einkorn, Lenk’s #2, Selah Nommik, Zimri’s Black British wife, Alex Dabrowski, founder and former CEO of the company now headed by Ellen, and Badger, Ellen’s son.

“Margaret [Atwood] has very much covered how bad it can get, so we don’t need a lesser writer doing that,” Alderman says. “I’m interested in the most radical ideas about how we can make things better, and what are the avenues we can pursue.” – from the AP interview

BTW, Atwood mentored Alderman.

What if you were attending a conference in Singapore, having recently met one of group B above for an interview, and gotten entangled in an unexpected way, but now find yourself in the vast mall in which the conference is being held, being chased and shot at by some psycho, probably a religious nut? Lai Zhen is a 33yo refugee from Hong Kong, an archaeologist and well-known survivalist influencer. She had met someone she thinks may be The One, but her immediate survival is taking up all available mental space. Thankfully, she has help, but will it be enough?

Naomi Alderman – image from The Guardian

The action-adventure-sci-fi shell encasing The Future is a dystopian near-future that takes an if-this-goes-on perspective re the road we are currently traveling toward planetary devastation, global warming, the increasing greedification of the world economy, and concentration of wealth, at the expense of sustainability and human decency. But Alderman has done so much more with it.

The Future has a brain and a heart, to go along with the coursing hormones, and some serious mysteries as well. Did I mention there is a romance in here also? Good luck shelving this thing. You probably will not have much luck putting it down once you start reading. Well, take that advisedly. I did find that it took a while to settle in, as there is a fair bit to get through with introducing all the characters, but once you get going, day-um, you will want to keep on.

While offering a look at survival post everything, Alderman tosses in some fun high tech and BP-raising sequences. And she gives readers’ brains a workout, providing considerable fodder for book club discussions. To bolster the thematic elements, Aldermen provides plenty of connections to classic tales, biblical and other, that offer excellent starting points for lively discussions.

Martha was raised in an apocalypse-concerned cult, led by her father. As an adult she gets involved in on-line exchanges about questions like what might be learned from the experience of a biblical apocalypse survivor, Lot. Alderman was raised as an Orthodox Jew, studying the Torah in the original, so knows her material well. (God was about to firebomb Sodom when Lot’s kindness to a couple of god’s emissaries earned him and his family a get-out-of-hell-free pass.) In addition, she finds relevance in Ayn Rand, The Iliad, The Odyssey, and more.

She brings in a discussion of the enclosure act in the UK, how the stealing of public land by the wealthy has a mirror in the theft of public space of different sorts in the 20th and 21st centuries. But the biggest issue at work here is trust. In fact, Alderman had intended to title the book Trust. But when Herman Diaz’s novel, Trust, won a Pulitzer Prize, she had to find an alternative. Can Zhen trust her new love interest. Can she trust the AI that is supposedly helping her? Can she trust any of the oligarchs? Can she trust people she has known for years on line, but never met in person? This is a core concept, not just on a personal, but on a societal level. Civilizations are built on trust. It is an issue that touches everyone.

The wealthier you are, the less you have to ask people things and the less you ask people for things, the less you have to discover that you can trust and rely on them. Eventually, that erodes your ability to trust. Then, you’re sunk. – from the Electric Literature interview

Consider a concern that is immediate in early 2024. Can American allies, whose alliances have kept the world out of World War III since the end of World War II, trust the US intelligence services with their secrets, when our next president might give, trade, or sell it to our enemies? Can you trust that the person you are communicating with on-line is being honest with you. (As someone who has met people through Match.com, I am particularly aware of that one.) If you are stuck on a survival island, can you trust that the other people there will not do you in, in order to improve their chances of gaining power once things begin to return to some semblance of global livability?

In today’s culture, technology, particularly social media, “encourages us not to really trust each other,” Alderman explains. “The ways that we use to communicate with each other have been monetized in order to make us as angry at and afraid [of one another] as possible.” And while the internet can all too often amplify “absolute hateful stupidity” to feed our distrust of one another, the author continues, “It can also demonstrably, again and again, multiply our knowledge and capacity to understand.” – from the Shondaland interview

Zhen’s is our primary POV through this, although we spend a lot of time with Martha. She is an appealing lead, a person of good intentions, and reasonably pure heart. She is wicked smart, able, and adaptive. It is easy to root for her to make it through. But, noting the second quote at the top of this review, if Love is the mind killer, might it impair her clarity of thought, her maintenance of necessary defenses? Of might it impair that of the person she is love with?

The concern with dark forces is a bit boilerplate. Two of the oligarchs are cardboard villains; another has some edges.
But it is the conceptual bits that give The Future its heft. Oh, and one more thing. Woven throughout the 432 pages of this book is minor crime, Grand Theft Planet. It should come as no surprise that an author who has had great success with her previous novels, and who has spent some years writing video games, would produce a fast-paced, engaging read, replete with dangers, anxieties, fun toys, and wonderful, substantive philosophical sparks. I cannot predict the future any better than 2016 presidential pollsters, but my personal AI suggests that should The Future will find its way to you, you will be glad it did.

Imagining bad futures creates fear and fear creates bad futures. The pulse beats faster, the pressure rises, the voice of instinct drives out reason and education. At a certain point, things become inevitable.

Review posted – 3/8/24

Publication date – 11/7/23

I received an ARE of The Future from Simon & Schuster in return for a fair review, and the password to my super-secret software. Thanks, folks, and thanks to NetGalley for facilitating.

This review is cross-posted on Goodreads Goodreads. Stop by and say Hi!

=======================================EXTRA STUFF

Links to the author’s personal, Instagram, GR, and Twitter pages

Profile – from Simon & Schuster

Naomi Alderman is the bestselling author of The Power, which won the Women’s Prize for Fiction, and was chosen as a book of the year by The New York Times, The Washington Post, the Los Angeles Times, and was recommended as a book of the year by both Barack Obama and Bill Gates. As a novelist, Alderman has been mentored by Margaret Atwood via the Rolex Arts Initiative, she is a Fellow of the Royal Society of Literature, and her work has been translated into more than thirty-five languages. As a video games designer, she was lead writer on the groundbreaking alternate reality game Perplex City, and is cocreator of the award-winning smartphone exercise adventure game Zombies, Run!, which has more than 10 million players. She is professor of creative writing at Bath Spa University. She lives in London.

Interviews
—–Professional Book Nerds – Dystopian Futures with Naomi Alderman – video, well, mostly audio, with no real video – 41:59
—–Toronto Public Library – Naomi Alderman | The Future | Nov 13, 2023 with Vass Bednar – 45:05 – there is a nice bit in here on tech as neither bad nor good, but a tool which can be used for good or evil.
—–Literary Hub – Naomi Alderman on Creating a Fictional Tech Dystopia by Jane Ciabattari
—–Shondaland – Naomi Alderman Is Still Finding Hope in Humankind by Rachel Simon
—–AP- Naomi Alderman novel ‘The Future’ scheduled for next fall by Hillel Italic
—–Electric Literature – Dystopian Future Controlled by Technology by Jacqueline Alnes
—–Independent – How We Met: Naomi Alderman & Margaret Atwood – by Adam Jacques – Atwood mentored Alderman in 2012 – a fun read

Item of Interest from the author
—–BBC Sounds – audio excerpt – 1.0 – The End of Days – 15:47

Items of Interest
—–Tristia by Ovid – Zhen reads this prior to a trip to Canada
—–The Admiralty Islands
—–inert submunition dispenser – a kind of cluster bomb
—–Wiki on the enclosure act

Filed under Action-Adventure, AI, Cli-Fi, computers, Fiction, Literary Fiction, Mystery, Reviews, Science Fiction, Thriller, Thriller

Tagged as Adventure, apocalypse, book-review, book-reviews, books, brain-candy, computers-ai, crime, Fiction, literary-fiction, Science Fiction, science-fiction, Thriller

February 23, 2024 · 12:01 am

The Picture of Dorian Gray by Oscar Wilde, introduction by Jeffrey D. Keeten

There were moments when he looked on evil simply as a mode through which he could realize his conception of the beautiful.

“How sad it is! I shall grow old, and horrible, and dreadful. But this picture will remain always young. It will never be older than this particular day of June…. If it were only the other way! If it were I who was to be always young, and the picture that was to grow old! For that—for that—I would give everything! Yes, there is nothing in the whole world I would not give! I would give my soul for that!”

Be careful what you wish for.

Oscar Wilde – image from Wikipedia

Man sells soul to the devil in return for…something, in this case a body encased in eternal youth, while a portrait takes on the outward manifestation of his aging and his sins. It ends badly, as deals with the devil usually do. This is hardly a unique tale. In fact, it is a bit of a trope, a Faustian bargain. There is a lovely listing here of examples new and old. Absent, of course, is the most famous, and least successful example of a soul-selling, really more of a soul-buying, from Matthew 4:1-11, when the devil made Jesus an offer he actually could refuse. Don Corleone would have been very disappointed.

But it is a bit more complicated than that, as these things often are. It is always a challenge and an adventure to read a classic. Books become regarded as a base part of our culture for reasons. They can establish motifs, or ways of seeing the world that resonate with their contemporary audiences (well, not always) and future generations. They can offer us a portrait of a time and place, a culture, a class, a social or political issue. They can illuminate moral questions, deal in universal themes, offer insight into human motivation, whether individually or en masse. And we come to see them in particular ways. In The Strange Case of Dr. Jekyll and Mr. Hyde, the prior re-pub in this Gravelight series, what one finds in the original is not quite what one might expect, given how popular culture has transformed the story by bleaching out important nuance. That is less the case with Dorian Gray, at least in part because there appears to have been fewer iterations of the tale in popular entertainments. But, nonetheless, our understanding of the story is generally of the bare bones sort. There is plenty of flesh to give those bones some added heft.

Jeffrey Keeten – they came to take his furniture, but the only way they will take his books is from his cold dead hands – image from his site

The history of a book matters. Keeten’s introduction offers an excellent take on how Dorian was received at publication. It generated quite a bit of attention on its release. There were many who were not amused. That may have contributed to the fact that The Picture of Dorian Gray is singular in being the sole novel published by Oscar Fingal O’Flahertie Wills Wilde. The subject matter was considered a big no-no in 1890. The Dorian of the title is a man of many tastes, and apparently insatiable appetites. He manages to bring ruin to both men and women. It was not, in particular, the ruination of women that caused a storm. The periodical in which it was first published was withdrawn from bookshops due to the outrage.

Wilde was a very popular writer of the time, wearing his sexuality like a badge. A tough stance to assume in a culture that preferred to sate it appetites and interests discretely. His novel was a shocker for the time in portraying homosexuality in interest, if hardly in action. The painter of Dorian’s portrait is clearly smitten with him, dazzled by his physical beauty, which he sees also as representative of an underlying perfection.

For all the shock of its homosexual content, there is no physical contact of that sort in the pages. (an earlier version may have been more direct) All is insinuation, suggestion, hinting. It is the same technique that has worked quite well for ages in the horror genre. Shadows, rattling chains, creaky doors, unsourced moans. Sometimes we are offered the shocker scene in which the monster is revealed. The Opera Phantom’s mask is pulled off to reveal the horror of his face. Hyde’s deformity is revealed as the window into Jekyll’s soul. And so it is here. Dorian’s true nature is revealed. The “I’m shocked, shocked” reaction of contemporary critics suggests more about what they were projecting onto the novel than what was actually there.

The portrait used in the 1945 film by Ivan Le Lorraine Albright – image from Wikipedia

So, what is the horror that is on display? It is the hedonism of the late 19th century English upper class, sashaying about in the interesting, entertaining, appealing drag of philosophy. Henry argues for the unashamedly sybaritic life. Art need have no meaning, no being other than itself. Apply to humans. Is art, is beauty the highest value? When beauty is left to dangle free, disconnected from any higher value, what is its impact on the world? Actions have no moral content. It is in fact a positive good to live a life dedicated to the primitive accumulation of sensation, through the arts, through physical pleasures, not just of sex, but of sight, smell, sound and touch, to experience beauty in all its forms. Try everything. Art for art’s sake in the guise of human experience. Some people have an amazing ability to come up with excuses for their excesses, explanations, some reason for why they shouldn’t be held accountable for their actions. Like the poor and taxes, we will always have the morally challenged, the malignant narcissists, the sociopaths with us.

beauty is a form of genius—is higher, indeed, than genius, as it needs no explanation. It is of the great facts of the world, like sunlight, or spring-time, or the reflection in dark waters of that silver shell we call the moon. It cannot be questioned. It has its divine right of sovereignty. It makes princes of those who have it. You smile? Ah! when you have lost it you won’t smile…. People say sometimes that beauty is only superficial. That may be so, but at least it is not so superficial as thought is. To me, beauty is the wonder of wonders. It is only shallow people who do not judge by appearances. The true mystery of the world is the visible, not the invisible….

But if this was on the up and up, there would have been no need to keep one’s behavior secret. It is clearly a place where freedom crosses the line into license. The practitioners of such a “philosophy” knew they were up to no good. They merely wanted to hide from the responsibility. Dr Jekyll was quite happy to have an alter-ego he could let loose on the world, to have the sorts of fun he could not have as himself in public view. They knew, not just that their behavior was wrong, not just that it ran afoul of extant mores, but that their reasoned explanation was taffeta thick.

Hurd Hatfield as Dorian in the 1945 film – image from Wikipedia

It is not the barely latent bisexuality of the novel that marks Dorian as fallen, it is that he had ruined peoples’ lives, men and women, not by having sex with them, (which is suggested, but never acted out on the pages) but by corrupting them in various ways, by causing them to become as self-centered, as pleasure-seeking as he was. A person can get away with this if he or she is wealthy enough. Paying off porn stars to keep quiet about an extramarital fling certainly fits into such a scenario. Dorian manages to keep his scandals at bay with the use of his wealth.

It is as true today as it was when Wilde was writing this book, the selfishness, the hedonism, the amorality of the wealthy feeds on the blood and life forces of those they exploit, few of whom can afford to fight back directly. (You go, E. Jean!) I imagine this is a core of what Wilde was getting at, and the real reason his critics were so angry at him.

Dorian does not come to his corruption unaided. He arrives as a beautiful young man, who is seen as being as pristine inside as he is on the surface. The Victorians were very concerned with exteriors, believing that they served as personal screens displaying to the world a person’s character. But then he is introduced to Lord Henry Wotton. Henry proceeds to emit a torrent of nonsense, albeit amusing nonsense, mocking the morals of the time. Wilde, speaking through Henry, is cattier than my living room when I shake a container of treats. Henry offers a torrent of false, cynical aphorisms, suitable material to be printed on small pieces of paper and tucked inside poisoned fortune cookies. Were he opining today, Henry would be posting outrageous clickbait opinions on Twitter. Here are a few examples. They are legion, and will sound familiar in tone to characters from Wilde’s 1895 theatrical triumph, The Importance of Being Earnest

…beauty, real beauty, ends where an intellectual expression begins. Intellect is in itself a mode of exaggeration, and destroys the harmony of any face. The moment one sits down to think, one becomes all nose, or all forehead, or something horrid.

…the one charm of marriage is that it makes a life of deception absolutely necessary for both parties. I never know where my wife is, and my wife never knows what I am doing. When we meet-we do meet occasionally, when we dine out together or go down to the Duke’s—we tell each other the most absurd stories with the most serious faces.

…as for believing things, I can believe anything, provided that it is quite incredible.

It is the cynical Henry who finds in the gullible Dorian the raw material with which to cast the young man into a representative of his very hedonistic view of life. Dorian offers the plasticity of the young to the dubious molding of the amoral. The young man is all ears. He even takes time away from the painter, Basil Hallward, to learn at Wotton’s feet. .

To a large extent the lad was his own creation. He had made him premature. That was something. Ordinary people waited till life disclosed to them its secrets, but to the few, to the elect, the mysteries of life were revealed before the veil was drawn away. Sometimes this was the effect of art, and chiefly of the art of literature, which dealt immediately with the passions and the intellect. But now and then a complex personality took the place and assumed the office of art, was indeed, in its way, a real work of art, life having its elaborate masterpieces, just as poetry has, or sculpture, or painting.

We are offered a bit of background on Dorian, to help explain his vulnerability to Lord Henry’s dark influence. And are even given a bit of theatrical brimstone to explain how the deal with the devil is achieved. Neither really matters much.

Angela Lansbury as Sibyl Vane in the 1945 film – image from Wikipedia

Early on, Dorian is smitten with a beautiful young actress, Sibyl Vane, who considers him her Prince Charming. It is Sibyl’s appearance, her elevated acting performances, in addition to her beauty, that attracts Dorian. But when her dazzling talent on stage suddenly vanishes, she can no longer offer Dorian the thing he most admired, and he dumps her, cruelly. It is the first crime to which we are witness, the first time his painting changes. The pursuit of beauty and sensation above all else has claimed its first victim. There will be many more, but most of those bad behaviors take place off screen.

Wilde put all of himself into this novel

“Basil Hallward is what I think I am: Lord Henry is what the world thinks me: Dorian what I would like to be.”

Unlike Lord Henry and Basil Hallward though, Wilde acted on his urges. Unlike Dorian, Wilde was imprisoned for his actions. Unlike Henry’s and Dorian’s depraved indifference to the harm they caused others, it is not clear that Wilde was a cruel person.

Dorian is clearly a corrupt individual. Whether he arrived there unaided or had a push is of secondary importance. Lord Henry is clearly corrupt as well, even though we do not see him engage in any physical acts of treachery. Perhaps the corruption of youth, pulling Luke Dorian to the dark side is enough. Henry and Dorian both represent the worst of the amorality of the Victorian age, the hypocrisy of the upper class. This seems the true target of Wilde’s effort. He is not celebrating amorality, but pointing an accusing finger at it, and letting us know who are its most damaging practitioners. At one point Dorian even shows enough residual humanity to want to turn over a new leaf, not appreciating that to succeed he would need to upend an entire forest. (don’t write. I know that the leaf in question was supposed to mean a book page.)

Keeten goes into some detail on the derivation of the name Dorian Gray. Why not Loki? There are very concrete reasons. In fact, there is a lot you will enjoy learning when you check out his introduction. It is rich with detail about the author, the book, and the controversy that surrounded its publication. It also looks at the lasting impact Wilde has had on modern culture. It will definitely increase your appreciation of this wonderful novel.

I suppose there might be a modern version in which Gray and his portrait are linked by quantum entanglement, or one should be made if it does not already exist. The battle between inner self and outer manifestation is certainly an eternal literary theme.

For the second time, a sojourn down the Gravelight illuminated alley of classic horror has proved stimulating and enlightening. From Keeten’s smart, incisive introduction to the chance to see what the original of a household-name classic was really on about, The Picture of Dorian Gray offers a richly rewarding reading experience, clever, funny, dark, shocking, intelligent, satirical, and satisfying.

There were moments when he looked on evil simply as a mode through which he could realize his conception of the beautiful.

Review posted – 02/23/24

Publication date – 11/6/23

I received copy of The Picture of Dorian Gray from Gravelight Press in return for a fair review. Thanks, folks.

This review is cross-posted on my site, Goodreads. Stop by and say Hi!

=======================================EXTRA STUFF

Links to Keeten’s personal, FB, and Instagram pages

Prior reviews for books intro’d by Jeffrey Keeten
—– Exhumed: 13 Tales Too Terrifying to Stay Dead – edited by David Yurkovich
—– The Strange Case of Dr. Jekyll and Mr. Hyde – edited by David Yurkovich

Items of Interest
—–Les Cent Nouvelles – a book of coarse French stories referenced in Chapter 4
—–Margaret of Valois
—–Manon Lescaut – an 18th C. novel in which young lovers live a life of sexual and social freedom, while giving morality little thought – referenced in chapter 4
—–The St. James’s Gazette – referenced in chapter 10
—–Elephantis – author of a sex manual in Classical Greece – noted in Chapter 11
—–Against Nature by Joris-Karl Huysmans – cited in the introduction – Dorian’s reading of this 1884 celebration of sensory gluttony contributes to his corruption
—–Wiki Deals with the devil in popular culture

Filed under classics, Fantasy, Fiction, Historical Fiction, Horror, Literary Fiction, Reviews

Tagged as author-request, book-review, books, classics, fantasy, Fiction, gay-and-lesbian, historical-fiction, horror, lgbtq, literary-fiction, paranormal

February 9, 2024 · 12:01 am

The Hive and the Honey by Paul Yoon

Come. I want to show you something. I learned it from the missionary. We haven’t seen him in a while, yes?…I retrieve my teacup where there is a little honey left, and I walk toward the perimeter of the woods and hold it up. I hear her coming up behind me, the slow rustle of her skirt in the grass, but I don’t turn. A few minutes later, a bee appears, hovering, circling, then dips into the cup. Then it flies away into the woods. I follow it. She follows me. When I can’t see it anymore or hear it anymore, I stand still and hold up the cup and wait for the bee to come back. Which it does. So we move on, and as we head farther into the woods, I tell the daughter that it is a trick I learned from the missionary. We’re creating a trail. “To the hive,” I say. “And the honey.”

In The Hive and the Honey Paul Yoon returns to areas that readers of his earlier work will recognize. This is his third story collection, following Once the Shore (2009) and The Mountain (2017). He has published two novels as well, Snow Hunters (2013) and Run Me To Earth (2020). He treats often in themes of Korean diaspora, losing a sense of home, trying to build new families and communities, feeling alone, often being alone, the impact of history on one’s lived experience, and the impacts of war. That holds here.

I can’t speak to a unifying Korean identity, but I think, growing up, because I had very little access to an extended family, I was often searching for my own version of that. And I think all my characters are searching for their own version of family. They’re quite literally and figuratively orphans. And they want to rebuild. They want to find a home in all sense of that word. – from the Pen-Ten Interview

There are seven stories in the collection, ranging from 17th century Japan to 20th century New York. The age of the primary characters covers a wide range. One lead is 16, others are in their 20s, returning from war or prison, or still in uniform. There is a couple in their forties and we see one life across decades.

Paul Yoon – image from Interlocutor – shot by Paul Yoon

A persistent challenge is to make a home. In Bosun, Bo tries to find a home and family in a small upstate NY town. In At The Post Station, Two samurai must repatriate a 12yo Korean boy to officials from his country. Toshio, the samurai who has been raising his young charge for many years, must face this direct loss of family. The boy must face introduction to an entirely alien culture. Cromer offers a middle-aged London shop-keeper couple, both children of North Korean refugees, who had opted to never have children of their own. But when a 12 yo apparently- battered runaway boy turns up in their shop, many miles from home, it makes them face the insular, child-free lives they had chosen, the community they had not built, the family they had not made. In The Valley of the Moon a man returns from a settlement to his isolated family farm after The Korean War. It is a moonscape, littered with bones and craters. He slowly but steadily brings the farm back. He even takes in two orphans to make a proto-family, but the damage from the war, and from an act he commits before the kids arrived, haunts him for the rest of his life.

Biological families here are all dispersed, or worse. Characters are often stuck on their own. Relations in other places are unreachable, unresponsive, or dead. Some of the impetus for the collection was Yoon’s own familial diaspora.

My grandfather was a Korean War refugee who eventually, after the war, settled in a house in the mountains in South Korea. Where he lived wasn’t nearly as isolated as the setting of “Valley of the Moon,” but my memory of him was that he was—or had become after the war—a bit of a loner, someone who kept to himself, and so I think (a) the character of Tongsu and where he returns to was always linked from the start, and (b) that initial push forward into this story stemmed from wanting to create and capture, perhaps, some corner of family history that felt, and still feels, really distant to me—to engage with that distance, creatively, and to engage with him and with so many others of that generation who had to flee their homes and do anything they could to survive during those horrific years. – from the New Yorker interview

Yoon’s characters also travel far afield. Bosun came to the USA at 18. In Komarov, a Korean cleaning woman is living in Spain. At the Post Station features a boy who was held prisoner by Japan for his entire life and will now be faced with living in an alien culture in Korea. In Cromer, the parents of the couple living in London all escaped from North Korea, and a young Korean boy flees apparent physical abuse. In The Hive and the Honey, the community over which the young soldier watches is comprised of Koreans who had left Korea and were establishing a small community in eastern Russia. In Person of Korea, the lead’s father had taken work far from home and had become unreachable. Families that remain (the survivors) are severely depleted, family trees having been pruned to stumps or worse by war and dispersion. Holding on even to images of one’s past can become a challenge.

Bo thought he would eventually miss Queens or perhaps even South Korea, where he had spent the first eighteen years of his life, but as the months went on, they were like the faces he tried to recall: far away, as though the places he’d once lived had been homes to someone else.

But for all the travails, the challenges, there is an intrepid spirit at work that pushes them onward. How easy would it have been for the farmer to simply walk away from his devastated fields? For the convict to have given up hope?

The use of imagery is exquisite, illuminating themes, showing how the past impacts, intercedes in, and informs the present.

Every night, the moon rose from here, and fell, and shattered. And then built itself back up again.

This certainly stands in well for the challenge of all these characters, forced as they are to reconstruct lives after the world has caused them so much disruption. The quote at the top of this review offers another wonderful image. Luring bees with honey then following them back to their nest, taking the steps one can take, however many may be needed, to reach your goal, whether the location of a hive, a home, or something else. A tree grows through the skull of a corpse, offering a (perhaps grim) reminder that life continues, creating a future by feeding on the past.

These are very moving tales, as rich with hope, tenacity, and sweetness as they are with loss, disappointment, and sadness, personal tales told against a backdrop of a nation’s history. The Hive and the Honey is an outstanding literary short-story collection, well deserving of all the award buzz it has been receiving. What could be sweeter?

economic reasons.”During the pandemic, Yoon says, “we were all scattered. I was separated from friends and to cope I imagined a kind of map. We were all in different places, but we were all part of one world. That got me thinking about the family tree, thinking of that as a map as well. This was the seed of the collection: the movement of a country and its people.” – from the Louisa Ermelino PW interview

THE STORIES

Bosun – a Korean man, just released from an upstate New York prison, tris to make a life for himself in a small community nearby.

Komarov – A refugee from North Korea is working as a cleaner in Spain when she is approached by Korean agents to spy on a Russian boxer they believe to be her son.

At the Post Station – Two 17th C. samurai accompany a Korean boy, who had been held hostage all his life, to Korean officials who will take him home.

Cromer – The children of escaped North Koreans, a middle-aged couple in London consider their life choices when a 12yo runaway boy happens into their convenience store.

The Hive and the Honey – A young Russian soldier is charged with overseeing a Korean settlement in remote eastern Russia. Things get out of hand when there is a killing, then another.

Person of Korea – When the uncle with whom he had been living dies, a 16yo boy travels to find his father, a security guard on an island off the east coast of Russia.

Valley of the Moon – two years after the Korean War a man returns home to a devastated, vacated farm, and tries to bring it back to life. He takes in two orphans and has a difficult, life-changing encounter with someone looking to cross the border.

Review posted – 02/09/24

Publication date – 10/10/23

I received an ARE of The Hive and the Honey from Simon & Schuster in return for a fair review. Thanks, folks, and thanks to NetGalley for facilitating.

This review is cross-posted on my site, Goodreads. Stop by and say Hi!

=======================================EXTRA STUFF

Paul Yoon’s personal site

Profile – from Wiki

Paul Yoon (born 1980) is an American fiction writer. In 2010 The National Book Foundation named him a 5 Under 35 honoree.

Early life and education
Yoon’s grandfather was a North Korean refugee who resettled in South Korea, where he later founded an orphanage. Yoon graduated from Phillips Exeter Academy in 1998 and Wesleyan University in 2002.

Career
His first book, Once the Shore, was selected as a New York Times Notable Book; a Los Angeles Times, San Francisco Chronicle, Publishers Weekly, and Minneapolis Star Tribune Best Book of the Year; and a National Public Radio Best Debut of the Year. His work has appeared in the PEN/O. Henry Prize Stories collection, and he is the recipient of a 5 under 35 Award from the National Book Foundation. His novel, Snow Hunters, won the 2014 New York Public Library Young Lions Fiction Award. His 2023 story collection, The Hive and the Honey, was named a finalist for The Story Prize.
Recently a part of the faculty of the Bennington Writing Seminars, Yoon is now a Briggs-Copeland lecturer at Harvard University.

Interviews
—–Publishers Weekly – In Seven Stories, Paul Yoon’s New Book Spans 500 Years of Korean Diaspora By Louisa Ermelino | Jul 07, 2023
—–The Pen-Ten Interview – Paul Yoon | The PEN Ten Interview by Sabir Sultan – October 12, 2023
—–The New Yorker – Paul Yoon on the Korean War’s Aftershocks by Cressida Leyshon – about Valley of the Moon
—–Publisher’s Weekly – Paul Yoon’s Haunted Geographies by Conner Reed
—–LitHub – Writing as Transformation: Who Paul Yoon Needed to Become to Finish His Book by Laura van den Berg (Yoon’s wife)

Filed under Fiction, Historical Fiction, Literary Fiction, Short Stories

Tagged as books-of-the-year-2023, drama, Fiction, historical-fiction, kdrama, Korea, korean-drama, literary-fiction, short-stories, south-korea

January 26, 2024 · 12:01 am

West Heart Kill by Dann McDorman

A scream suddenly pierces the air. Startled glances are exchanged on the porch, a drink is spilled, a baby begins to cry, and your muscles tense; you sense this is one of those plot leaps that writers use to punctuate and propel the narrative, like those bursts of biological creativity that scientists claim shock evolution into action. But you are unsettled; just pages into the book, is it too early? Should a mystery unfold in a more demure fashion? Aren’t the suspense and anticipation the real secret thrill of the book, rather than (let us be honest) the all-too-often disappointing dénouement, the magician turning over his cards for an audience that realizes, bitterly leaving the theater, that they’ve been had?

Other people’s secrets are easy. It’s our own that are hard

I am not particularly a fan of video games, the large immersive, role-playing ones. Nothing against them. They are simply outside my experience for the most part. But I do know that a lot of the experience, the joy of these games, lies in figuring things out. If I do this, what happens? What if I do that? Where might secret intel reside? How can I get to it? It strikes me that for many readers, particularly for readers of detective stories, the experience is comparable, however different the physical approaches might appear. The internal processes are quite similar. Reading West Heart Kill is a bit like having a game designer walking you through the construction of the game as you play it, reminding you of the usual rules, and teasing you a bit about whether you will actually figure things out or not, suggesting tricks and traps that writers (or game designers) employ to keep you off base, while remaining entertained.

I am a bit obsessive when I read mysteries, keeping lists of characters with their attributes, keeping track of timelines, locations, motives, et al, so am primed for such things. The game here is an overt one. The author is challenging you to figure out whodunit. If you accept the challenge you need to figure things out before the final reveal, otherwise it is game over for you. It is not that you finish the book with no points. Figuring out the mystery, the how, why, when and where, may be the top prize, but a skillful writer will offer plenty of rewards along the way, whether you succeed or fail. I did not figure out ahead of time the large murder questions, but I did suss out some of the lesser puzzles, and there was at least some whoo-hoo!-figured-it-out satisfaction to be had in that. There are further benefits to be had.

Dann McDorman – image from the NY Times – shot by Maansi Srivastava

The West Heart of the title is a private club (membership fees are exorbitant), high on wealth (well, presumed wealth, at least), and low on morals. Secrets abound, as one might expect. The residents, many of whom spent their summers there as children, have considerable difficulty with marital vows, in particular, and then, of course, with that whole thou shalt not kill thing.

Adam McAnnis is a thirty-something private investigator who has been hired to hang about, keep his eyes open, and see if he spots anything off. His connection is with an erstwhile classmate, from whom he manages to wheedle an invitation. The place is isolated, and will become more so as an expected storm seems likely to close off roads and cut off communications. Sound familiar?

Many of the elements that make up this very meta novel will, particularly as McDorman lays them out for us, addressing readers directly. The weary detective is one:

How often is he both lonely and alone, suspicious of everyone, accepting betrayal as the rule, not the exception? The deceits that begin to unfold the moment the client walks through his office door. Nights spent in parked cars watching illicit silhouettes behind shaded windows, receipts pulled from dripping trash bags, a five-dollar bill waved between two fingers before a junkie’s fixed gaze . . . the debased work of hundreds of cases, a file cabinet full of tragedies and comedies and tales too ambiguous to categorize.

Or one particular character type:

As a general rule, in murder mysteries, the least likable character is the most likely to die. But devious writers can anticipate your knowledge of this cliché and thrust a character like Warren Burr into early prominence to surprise you, later, with an entirely different victim. Or, perhaps, more devious still, circle back and kill him off in a double bluff—destined to die all along, exploiting and perverting your expectations from the start. Of course, some writers, among them not the least skilled, use much the same trick to mask and unmask their murderers . . .

These permeate the story, as McDorman pokes you to figure things out. He even provides lists of characters and clues to help you along.

It does not take too long for first mortality to occur. McAnnis takes on the role of investigator, publicly this time. We tag along as he interviews each of the suspects in turn. McDorman has a bit of fun, even concocting one interview with a dead person.

We are treated to small essays on this and that, methods of killing people, for example, or an etymology of the word Murder, or on Agatha Christie’s mysterious disappearance, or on well-known writers using pseudonyms, or on the rules for mysteries, or on unresolved literary murders, and more. These are small, delightful diversions.

Voice is handled differently from the norm here.

The novel takes place over a long July 4th holiday weekend —Thursday to Sunday — and so I had the idea of writing each day from an additional different perspective: “he”… “I”… “we”… etc. Thus, each section is stamped with its own particular identity. And of course, the “you” voice explores why the perspective suddenly shifts, and how that plays into the intrigue of the plot… – from the Bloomsbury interview

In fact, this works to keep one off-balance a bit. But there was some ambiguity even within the voice, at times, that I found off-putting. For example, there are sections in which the resident population is represented by a sort-of “we” voice. Then it mixed with an omniscient narrator. While there was certainly a purpose to it, it came across as jumbled to me.

Asked what drew him to the 1970s as a time in which to set his novel, McDormand said,

The superficial reason is that it was fun! The hairstyles alone defy belief. Some of the most entertaining hours I spent “working” on the novel involved paging through mid-70s clothing catalogs; that led directly to an entire paragraph early in the book that is just a listing of the trademarked (and fabulously named) artificial fabrics worn by the characters: Acrilan®, Fortrel®, PERMA-PREST®, Sansabelt®, Ban-Lon®… More substantively, the zeitgeist of the 1970s felt intensely familiar to me. We’d lost trust in institutions and in each other; the old solutions didn’t work; the new ones seemed inadequate; a creeping disillusionment had overtaken the best of us, while the worst seemed full of passionate intensity. As an era, the 1970s seems extraordinarily relevant to writers and readers today. – from the Bloomsbury interview

There are plenty of suggestive atmospherics, like a part of the considerable property that is used for hunting (hunting what, exactly?), or a traditional bonfire that might be used for the destruction of evidence, (or maybe eliminating a pesky witness?) primitive maps, hidden paths, mysterious people seen at a distance on ill-lit trails, a dark and stormy night. All great fun.

Of course, there is another traditional element in the mystery novel. Be sure to bring along your fishing pole. There are red herrings aplenty to land.

I found this to be an entertaining read, but there were bits that did not sit well. There is an event that happens near the end, which I will not spoil, that created a bit of a vacuum, that space being filled in a way that, while very creative, still felt forced and unnatural. Certain scenes are written as plays, which seemed cutesy. Not saying these were not entertaining, but why?

Many of us who read Stephen King continue to do so because there is pleasure to be had in the reading, the engagement, the flow, the scares, even though many readers often find his final reveals to be unsatisfying. In a similar vein here. There is much in West Heart Kill that is great fun, that engages us and prods our brains to kick into gear when a less meta approach might just leave us to cruise through the read in a straight line. It encourages us to play, rather than just watch. That is worth a lot. The elements that bugged me made it less than a five-star read, but it will certainly stand out from the pack for seasoned readers of crime novels for its interactive approach. Game on.

Review posted – 01/26/24

Publication date – 10/24/23

I received an ARE of West Heart Kill from Knopf in return for a fair review. Thanks, folks, and thanks to NetGalley for facilitating.

This review is cross-posted on my site, Goodreads. Stop by and say Hi!

=======================================EXTRA STUFF

Author links – well, McDorman’s social media links definitely remind one of the time in which he located his novel. He did have a Twitter account at some point, but has not posted anything for years. Nada on FB. Here is his GR profile page.

Interviews
—–NY Times – When a Book Deal Feels Like ‘Winning the Middle-Age Lottery’ by Elizabeth A. Harris – nothing on the book itself, solely on his unlikely situation of getting a first novel published.
—–Bloomsbury – “In the end, both the detective and the killer must make a choice, whether to act from hate, or from love”
—–Crimereads – DANN MCDORMAN ON EXPLORING LITERARY HIJINKS AND META MYSTERY by Jenny Bartoy
—–BookBrunch – Q&A: debut novelist Dann McDorman by Lucy Nathan

Items of Interest
—–Publishers Weekly – Knopf Bets on ‘West Heart Kill’
—–Wiki on Angela Atwood – referenced in Chapter 1

Filed under Fiction, Mystery, Reviews, Suspense, Thriller, Thriller

Tagged as book-review, books, Fiction, Meta, Mystery, Thriller