A Clockwork Orange (1971) ⭐ 8.2 | Crime, Sci-Fi (original) (raw)

Malcolm McDowell in A Clockwork Orange (1971)

Alex DeLarge and his droogs barbarize a decaying near-future.Alex DeLarge and his droogs barbarize a decaying near-future.Alex DeLarge and his droogs barbarize a decaying near-future.

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Director's Trademarks: A Guide to Stanley Kubrick's Films

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Review

A disturbing but yet very beautiful piece of film-making, Kubrick has created the ultimate study of mind manipulation in this film. It is a protest against reform programs that take away freedom of a choice, and the message of the film in terms of paying for one's sins in all eternity is inescapable, evident to a large extent in the sardonic nature of the tale. Although set in the future, it hardly feels like it is, this being because the message of the film is overwhelmingly powerful and capable of applying to any age. The film has a number of possible hidden meanings to it – a feat equaled on scale only by Kubrick's former film '2001: A Space Odyssey'. Besides for the meaning behind the film, there are still the marks of a masterpiece. Kubrick's direction is superb alongside the good photography, capturing shadows and angles needed to establish tone. The editing is excellent too, done in a flashy, brainwashing style at times to have relevance to the film. The choice of cast is again inspirational, however the film achieves the most in terms of music. Kubrick manages to use one of the earliest forms of art, classical music, and give it an unforgettable style and importance in the film. It is truly a difficult task to explain what is so great about a film such as 'A Clockwork Orange' – it is maybe best explained by watching the film itself.

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Malcolm McDowell in A Clockwork Orange (1971)

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