Spain 1479-1555 (original) (raw)
Music for Joan the Mad
Spain 1479-1555
La Nef - Sylvain Bergeron
Melodic MLD2-10003
Dorian Discovery 80128
Contents:
Los Cantos del Exilio
- Dame la mano - La Sirena
- Una Matica de ruda
- Poco le das
- Dunula (instrumental)
- Dame la Mano (instrumental)
- El mi querido (instrumental)
- Dolores tiene la Reina
- Por allí pasó un cavallero
- Los bilbilicos
- Marcha sobre "Dame la mano" (instrumental)
En Toledo, con los Reyes Católicos
- La Canela (instrumental)
- Dios te salve, Maria
- O Señor Dios
- Juan del Encina: Triste España sin ventura
- Francesco de la Torre: Alta / O Gloriosa Domina (spoken & sung)
Reconquista
- Acuérdate de Andalucía... (spoken)
- Paséabase el Rey Moro
- O Gloriosa Domina (instrumental)
- Juan del Encina: ¡Levanta, Pascual!
El Amor y la Muerte
- Josquin: Mille regrets (instrumental)
- Si je perdais mon amy
- William Cornish: Adieu corage, adieu
- Agricola: De tous bien playne (instrumental)
- Todas estas canciones (spoken)
- Juan Vásquez: ¿Con que la lavaré?
El Nuevo Mundo
- L'Homme armé / Credo in unum Deum (spoken & sung)
Performers: Sylvain Bergeron (lute, oud, saz, voice), Nathalie Cloutier (soprano, recitation), Claire Gignac (alto, recorders, gemshorn, bowed psaltery, recitation), Nicolas Lemieux (voice), Isabelle Marchand (viol, vielle, voice), Jean-Pierre Noiseux (santur, percussion, recorders, flute, voice, recitation), Rafik Saman (voice, percussion)
Playing time: 66'
Recording date: September 1991, rel. 1992 (Melodic), 1995 (Dorian)
Text to tracks #13, #15 (partly), #16 (partly), #24, #26 is by Alain Bergeron. Music to tracks #13 & #26 is by Sylvain Bergeron.
The first section of this program "Los Cantos del Exilio" is taken from ethnomusicological reconstructions of songs from oral traditions originating among the exiled Jews of Spain.
This program originated in a dramatic presentation, and gives full reign to creativity rather than keeping strictly to established performance norms for music of the period.
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Todd M. McComb