Automatic for the People: ( ) | Archive & Documentation | a participatory performance conducted at SFMOMA and on the web (original) (raw)

Automatic for the People: ( ), conducted from November 8, 2008 to February 7, 2009, is an art project by the Brooklyn-based art duo MTAA. Commissioned by the San Francisco Museum of Modern Art and included in the exhibition The Art of Participation: 1950 to Now, the piece explores audience participation in the creation of an art work.

Asking the general public to vote on ten elements of an art performance, Automatic for the People: ( ) deliberately blurs the roles of artist and audience, creator and viewer. Voting and discussion took place on-line via MTAA's website and in the museum via a computer kiosk. The final performance, Automatic for the People: (We Solemnly Promise That No One Will Get Naked), took place on February 7, 2009 at SFMOMA.

The project consists of three parts:

the opening performance;
the voting process (website & museum kiosk);
the final performance (as voted by the public).

the opening performance

On November 8, 2008 MTAA launched Automatic for The People: ( ) with an opening performance lecture at SFMOMA . Consisting of a slide lecture, a "museum hall-style" debate and a public poll, this performance introduced and set the tone of the project.

selected photos ⬇

the debate & poll ⬇

During the opening performance, a "museum hall-style" debate was held to determine the location of the final performance within the institution. Once the choices had been deliberated, the audience received a ballot and a vote was taken. A reproduction of the ballot provided to the audience is to the right.

The location choices (all open in a new window):

"Freight elevator" won by an outstanding margin.

the voting process

The website and kiosk were active elements in the performance. Web-viewers could vote and comment on the site and museum-goers could vote and read all the comments from the web. The audience voted on the themes of the performance, props and wardrobe amongst other options.

the polling place ⬇

the website ⬇

Click the image below to browse an archived version of the website in a new window.

the first vote was to determine the rest of the title

Below, each poll followed with the winning option and the winning vote count. Click each poll to see the full results (all open in a new window).

The Rest of the Title — We Solemnly Promise That No One Will Get Naked — 68 votes
Duration — the exact same length as R.E.M.'s Automatic for the People album — 55 votes
Props — house plants, 2x4s, lawn chairs, a PA — 44 votes
Cultural References — Marcel Duchamp, chat rooms, ukuleles, take-out food — 74 votes
Actions — game, build, dance, slow, photograph — 56 votes
Wardrobe — robot — 163 votes
Audience — general public — 234 votes
Refreshments — wine & cheese — 113 votes
Space — all over the place — 94 votes
Conclusion — dance party — 109 votes

In all, 4571 votes were cast over three months.

more ⬇

the final performance — Automatic for the People: (We Solemnly Promise That No One Will Get Naked)

The title of the final performance was chosen via audience polling in the very first on-line vote, which took place from Nov. 8–12, 2008. See the full results of that poll (opens in a new window).

The performance was scripted using the winning results from the 10 polls. Structured around the tracks on R.E.M.'s Automatic for the People, it continued the project's participatory theme by involving the audience in the building of two robot costumes. In-between bursts of robot-making, there were also some interludes and digressions including a ukulele rendition of Nightswimming by Uni & Her Ukelele, a short lecture on the relation of Duchamp's art to take-out food and a wine and cheese refreshment.

video ⬇

MTAA_AFTP-WSPTNOWGN.mp4; 643.8MB; 1:11:20; MPEG-4; H.264,AAC; direct link to MP4 file (opens in a new window)

selected photos ⬇

waiting in the freight elevator before the performance

M.River intro's the performance

T.Whid conducts the "Duchamp & Take-out" food digression

group photo of the robot builders and judges

the robots vogue for the judges

everyone waves goodbye as we disappear into the freight elevator

Click on images to open them on Flickr. There are high resolution images available. All links open in a new window. Photos by Aimee Friberg; courtesy of SFMOMA.

in the freight elevator