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“The most gratifying filmmaking experiences are ones that take effort to unpeel the layers surrounding the heart of the story, and to find the best musical expression of that heart,” says Danna. “Those are always the film scores that I am most proud of.”

His passion for presenting complex ideas in a musically accessible way began as Danna learned his craft at the University of Toronto. There, he was exposed to early- and world-music that later influenced his style. Danna earned the school’s inaugural Glenn Gould Composition Award in 1985 and also began scoring for student theatre groups, as he launched his artistic partnership with filmmaker Atom Egoyan. Danna has scored all of Egoyan’s films since 1987’s Family Viewing.

Life of Pi’s rich soundscape reflects a deeply trans-national story with inventive cross-cultural arrangements: Indian sitars play French melodies, European accordions

play South Asian motifs, a church choir sings in Sanskrit,

and a variety of other musical combinations soar alongside a full studio orchestra.

Danna says his approach is “making music an integral part of the storytelling, not simply repeating what is happening onscreen, but adding unexpected dimension and insight that enrich the experience of the director's vision.”

“I have had exactly the career that I want for many years now,” says Danna. “I've been fortunate enough to work alongside many of the world's best directors, telling challenging and compelling stories. I hope to continue doing exactly this.”