Awards – New York Film Critics Circle (original) (raw)
Jump to: NYFCC Student Critic Prizes
2024 Winners
Best Film:
The Brutalist
Best Director:
RaMell Ross, Nickel Boys
Best Actor:
Adrien Brody, The Brutalist
Best Actress:
Marianne Jean-Baptiste, Hard Truths
Best Supporting Actor:
Kieran Culkin, A Real Pain
Best Supporting Actress:
Carol Kane, Between the Temples
Best Screenplay:
Sean Baker, Anora
Best International Film:
All We Imagine as Light
Best Animated Film:
Flow
Best Cinematography:
Jomo Fray, Nickel Boys
Best Non-Fiction Film:
No Other Land
Best First Film:
Janet Planet
Special Award:
To Save and Project: The MoMA International Festival of Film Preservation
Search the Database
This list contains all past award winners going back to 1936. Use the search filters at the top or bottom of the list to find specific names, years, or films. Or, select “show all entries” and scroll through!
| Year | Category | Name | Film Title |
|---|---|---|---|
| 2024 | Best Picture | The Brutalist | |
| 2024 | Best Director | RaMell Ross | Nickel Boys |
| 2024 | Best Screenplay | Sean Baker | Anora |
| 2024 | Best Actress | Marianne Jean-Baptiste | Hard Truths |
| 2024 | Best Actor | Adrien Brody | The Brutalist |
| 2024 | Best Supporting Actress | Carol Kane | Between the Temples |
| 2024 | Best Supporting Actor | Kieran Culkin | A Real Pain |
| 2024 | Best Cinematography | Jomo Fray | Nickel Boys |
| 2024 | Best Animated Film | Flow | |
| 2024 | Best Documentary | No Other Land | |
| 2024 | Best International Film | All We Imagine as Light | |
| 2024 | Best First Film | Janet Planet | |
| 2024 | Special Award | To Save and Project: The MoMA International Festival of Film Preservation | |
| 2023 | Best Picture | Killers of the Flower Moon | |
| 2023 | Best Director | Christopher Nolan | Oppenheimer |
| 2023 | Best Screenplay | Samy Burch | May December |
| 2023 | Best Actress | Lily Gladstone | Killers of the Flower Moon |
| 2023 | Best Actor | Franz Rogowski | Passages |
| 2023 | Best Supporting Actress | Da'Vine Joy Randolph | The Holdovers |
| 2023 | Best Supporting Actor | Charles Melton | May December |
| 2023 | Best Cinematography | Hoyte van Hoytema | Oppenheimer |
| 2023 | Best Animated Film | The Boy and the Heron | |
| 2023 | Best Documentary | Menus-Plaisirs – Les Troisgros | |
| 2023 | Best International Film | Anatomy of a Fall | |
| 2023 | Best First Film | Past Lives | |
| 2023 | Special Award | Karen Cooper | |
| 2022 | Best Picture | TÁR | |
| 2022 | Best Director | S.S. Rajamouli | RRR |
| 2022 | Best Screenplay | Martin McDonagh | The Banshees of Inisherin |
| 2022 | Best Actress | Cate Blanchett | TÁR |
| 2022 | Best Actor | Colin Farrell | After Yang, The Banshees of Inisherin |
| 2022 | Best Supporting Actress | Keke Palmer | Nope |
| 2022 | Best Supporting Actor | Ke Huy Quan | Everything Everywhere All at Once |
| 2022 | Best Cinematography | Claudio Miranda | Top Gun: Maverick |
| 2022 | Best Animated Film | Marcel the Shell with Shoes On | |
| 2022 | Best Non-Fiction Film (Documentary) | All the Beauty and the Bloodshed | |
| 2022 | Best International Film | EO | |
| 2022 | Best First Film | Charlotte Wells | Aftersun |
| 2022 | Special Award | Jafar Panahi | |
| 2022 | Special Award | Jake Perlin | |
| 2022 | Special Award | dGenerate Films | |
| 2021 | Best Picture | Drive My Car | |
| 2021 | Best Director | Jane Campion | The Power of the Dog |
| 2021 | Best Screenplay | Paul Thomas Anderson | Licorice Pizza |
| 2021 | Best Actress | Lady Gaga | House of Gucci |
| 2021 | Best Actor | Benedict Cumberbatch | The Power of the Dog |
| 2021 | Best Supporting Actress | Kathryn Hunter | The Tragedy of Macbeth |
| 2021 | Best Supporting Actor | Kodi Smit-McPhee | The Power of the Dog |
| 2021 | Best Cinematography | Janusz Kaminski | West Side Story |
| 2021 | Best Animated Film | The Mitchells vs. the Machines | |
| 2021 | Best Non-Fiction Film (Documentary) | Flee | |
| 2021 | Best International Film | The Worst Person in the World | |
| 2021 | Best First Film | Maggie Gyllenhaal | The Lost Daughter |
| 2021 | Special Award | Maya S. Cade | Black Film Archive |
| 2021 | Special Award | Diane Weyermann | Work at Sundance and Participant (Posthumous) |
| 2021 | Special Award | Marshall Fine | NYFCC General Manager Service |
| 2020 | Best Picture | First Cow | |
| 2020 | Best Director | Chloe Zhao | Nomadland |
| 2020 | Best Screenplay | Eliza Hittman | Never Rarely Sometimes Always |
| 2020 | Best Actress | Sidney Flanigan | Never Rarely Sometimes Always |
| 2020 | Best Actor | Delroy Lindo | Da 5 Bloods |
| 2020 | Best Supporting Actress | Maria Bakalova | Borat Subsequent Moviefilm |
| 2020 | Best Supporting Actor | Chadwick Boseman | Da 5 Bloods |
| 2020 | Best Cinematography | Shabier Kirchner | Small Axe |
| 2020 | Best Animated Film | Wolfwalkers | |
| 2020 | Best Non-Fiction Film (Documentary) | Time | |
| 2020 | Best International Film | Bacurau | |
| 2020 | Best First Film | Radha Blank | The 40-Year-Old Version |
| 2020 | Special Award | Spike Lee | New York New York Love Letter |
| 2020 | Special Award | Kino Lorber | Kino Marquee Virtual Cinema |
| 2019 | Best Picture | The Irishman | |
| 2019 | Best Screenplay | Quentin Tarantino | Once Upon a Time in Hollywood |
| 2019 | Best Actor | Antonio Banderas | Pain and Glory |
| 2019 | Best Supporting Actress | Laura Dern | Marriage Story, Little Women |
| 2019 | Best Supporting Actor | Joe Pesci | The Irishman |
| 2019 | Best Cinematography | Claire Mathon | Portrait of a Lady on Fire |
| 2019 | Best Animated Film | I Lost My Body | |
| 2019 | Best Non-Fiction Film (Documentary) | Honeyland | |
| 2019 | Best International Film | Parasite | |
| 2019 | Best First Film | Mati Diop | Atlantics |
| 2019 | Special Award | Cole Kronman | Student Scholarship |
| 2018 | Best Picture | Roma | |
| 2018 | Best Director | Alfonso Cuarón | Roma |
| 2018 | Best Screenplay | Paul Schrader | First Reformed |
| 2018 | Best Actress | Regina Hall | Support the Girls |
| 2018 | Best Actor | Ethan Hawke | First Reformed |
| 2018 | Best Supporting Actress | Regina King | If Beale Street Could Talk |
| 2018 | Best Cinematography | Alfonso Cuarón | |
| 2018 | Best Animated Film | Spider-Man: Into the Spider-Verse | |
| 2018 | Best Non-Fiction Film (Documentary) | Minding the Gap | |
| 2018 | Best International Film | Cold War | |
| 2018 | Best First Film | Bo Burnham | Eighth Grade |
| 2018 | Special Award | David Schwartz | Career Achievement |
| 2017 | Best Picture | Lady Bird | |
| 2017 | Best Director | Sean Baker | The Florida Project |
| 2017 | Best Screenplay | Paul Thomas Anderson | Phantom Thread |
| 2017 | Best Actress | Saoirse Ronan | Lady Bird |
| 2017 | Best Actor | Timothee Chalamet | Call Me by Your Name |
| 2017 | Best Supporting Actress | Tiffany Haddish | Girls Trip |
| 2017 | Best Supporting Actor | Willem Dafoe | The Florida Project |
| 2017 | Best Cinematography | Rachel Morrison | Mudbound |
| 2017 | Best Animated Film | Coco | |
| 2017 | Best Non-Fiction Film (Documentary) | Faces Places | |
| 2017 | Best International Film | BPM (Beats Per Minute) | |
| 2017 | Best First Film | Jordan Peele | Get Out |
| 2017 | Special Award | Molly Haskell | Career Achievement |
| 2016 | Best Picture | La La Land | |
| 2016 | Best Director | Barry Jenkins | Moonlight |
| 2016 | Best Screenplay | Kenneth Lonergan | Manchester by the Sea |
| 2016 | Best Actress | Isabelle Huppert | Elle & The Things to Come |
| 2016 | Best Actor | Casey Affleck | Manchester by the Sea |
| 2016 | Best Supporting Actress | Michelle Williams | Manchester by the Sea & Certain Women |
| 2016 | Best Supporting Actor | Mahershala Ali | Moonlight |
| 2016 | Best Cinematography | James Laxton | Moonlight |
| 2016 | Best Animated Film | Zootopia | |
| 2016 | Best Non-Fiction Film (Documentary) | O.J.: Made in America | |
| 2016 | Best International Film | Toni Erdmann | |
| 2016 | Best First Film | Trey Edward Shults | Krisha |
| 2015 | Best Picture | Carol | |
| 2015 | Best Director | Todd Haynes | Carol |
| 2015 | Best Screenplay | Carol | |
| 2015 | Best Actress | Saoirse Ronan | Brooklyn |
| 2015 | Best Actor | Michael Keaton | Spotlight |
| 2015 | Best Supporting Actress | Kristen Stewart | Clouds of Sils Maria |
| 2015 | Best Supporting Actor | Mark Rylance | Bridge of Spies |
| 2015 | Best Cinematography | Edward Lachman | Carol |
| 2015 | Best Animated Film | Inside Out | |
| 2015 | Best Non-Fiction Film (Documentary) | In Jackson Heights | |
| 2015 | Best International Film | Timbuktu | |
| 2015 | Best First Film | László Nemes | Son of Saul |
| 2015 | Special Award | William Becker and Janus Films | |
| 2015 | Special Award | Ennio Morricone | |
| 2014 | Best Picture | Boyhood | |
| 2014 | Best Director | Richard Linklater | Boyhood |
| 2014 | Best Screenplay | ||
| 2014 | Best Screenplay | The Grand Budapest Hotel | |
| 2014 | Best Actress | Marion Cotillard | The Immigrant, Two Days, One Night |
| 2014 | Best Actor | Timothy Spall | Mr. Turner |
| 2014 | Best Supporting Actress | Patricia Arquette | Boyhood |
| 2014 | Best Supporting Actor | J.K. Simmons | Whiplash |
| 2014 | Best Cinematography | Darius Khondji | The Immigrant |
| 2014 | Best Animated Film | The LEGO Movie | |
| 2014 | Best Non-Fiction Film (Documentary) | Citizenfour | |
| 2014 | Best International Film | Ida | |
| 2014 | Best First Film | Jennifer Kent | The Babadook |
| 2014 | Special Award | Adrienne Mancia | Adrienne Mancia |
| 2013 | Best Picture | American Hustle | |
| 2013 | Best Director | Steve McQueen | 12 Years a Slave |
| 2013 | Best Actress | Cate Blanchett | Blue Jasmine |
| 2013 | Best Actor | Robert Redford | All Is Lost |
| 2013 | Best Supporting Actress | Jennifer Lawrence | American Hustle |
| 2013 | Best Supporting Actor | Jared Leto | Dallas Buyers Club |
| 2013 | Best Cinematography | Bruno Delbonnel | Inside Llewyn Davis |
| 2013 | Best Animated Film | The Wind Rises | |
| 2013 | Best Non-Fiction Film (Documentary) | Stories We Tell | |
| 2013 | Best International Film | Blue is the Warmest Color | |
| 2013 | Best First Film | Ryan Coogler | Fruitvale Station |
| 2013 | Special Award | Frederick Wiseman | |
| 2012 | Best Picture | Zero Dark Thirty | |
| 2012 | Best Director | Kathryn Bigelow | Zero Dark Thirty |
| 2012 | Best Screenplay | Tony Kushner | Lincoln |
| 2012 | Best Actress | Rachel Weisz | The Deep Blue Sea |
| 2012 | Best Actor | Daniel Day-Lewis | Lincoln |
| 2012 | Best Supporting Actress | Sally Field | Lincoln |
| 2012 | Best Supporting Actor | Matthew McConaughey | Bernie, Magic Mike |
| 2012 | Best Cinematography | Greig Fraser | Zero Dark Thirty |
| 2012 | Best Animated Film | Frankenweenie | |
| 2012 | Best Non-Fiction Film (Documentary) | The Central Park Five | |
| 2012 | Best International Film | Amour | |
| 2012 | Best First Film | David France | How to Survive a Plague |
| 2012 | Special Award | Milestone Films | |
| 2011 | Best Picture | The Artist | |
| 2011 | Best Director | Michel Hazanavicius | The Artist |
| 2011 | Best Actress | Meryl Streep | The Iron Lady |
| 2011 | Best Actor | Brad Pitt | Moneyball, The Tree of Life |
| 2011 | Best Supporting Actress | Jessica Chastain | |
| 2011 | Best Supporting Actress | Jessica Chastain | The Tree of Life |
| 2011 | Best Supporting Actor | Albert Brooks | Drive |
| 2011 | Best Cinematography | Emmanuel Lubezki | The Tree of Life |
| 2011 | Best Non-Fiction Film (Documentary) | Cave of Forgotten Dreams | |
| 2011 | Best International Film | A Separation | |
| 2011 | Best First Film | J.C. Chandor | Margin Call |
| 2011 | Special Award | Raoul Ruiz | |
| 2010 | Best Picture | The Social Network | |
| 2010 | Best Director | David Fincher | The Social Network |
| 2010 | Best Actress | Annette Bening | The Kids Are All Right |
| 2010 | Best Actor | Colin Firth | The King's Speech |
| 2010 | Best Supporting Actress | Melissa Leo | The Fighter |
| 2010 | Best Supporting Actor | Mark Ruffalo | The Kids Are All Right |
| 2010 | Best Cinematography | Matthew Libatique | Black Swan |
| 2010 | Best Animated Film | The Illusionist | |
| 2010 | Best Non-Fiction Film (Documentary) | Inside Job | |
| 2010 | Best International Film | Carlos | |
| 2010 | Best First Film | David Michôd | Animal Kingdom |
| 2010 | Special Award | Jeff Hill | Jeff Hill |
| 2009 | Best Picture | The Hurt Locker | |
| 2009 | Best Director | Kathryn Bigelow | The Hurt Locker |
| 2009 | Best Actress | Meryl Streep | Julie & Julia |
| 2009 | Best Actor | George Clooney | Up In The Air; Fantastic Mr. Fox |
| 2009 | Best Supporting Actor | Christoph Waltz | Inglourious Basterds |
| 2009 | Best Cinematography | Christian Berger | The White Ribbon |
| 2009 | Best Animated Film | Fantastic Mr. Fox | |
| 2009 | Best Non-Fiction Film (Documentary) | Of Time and The City | |
| 2009 | Best International Film | Summer Hours | |
| 2009 | Best First Film | Steve McQueen | Hunger |
| 2009 | Special Award | Andrew Sarris | |
| 2008 | Best Picture | Milk | |
| 2008 | Best Director | Mike Leigh | Happy-Go-Lucky |
| 2008 | Best Screenplay | Jenny Lumet | Rachel Getting Married |
| 2008 | Best Actress | Sally Hawkins | Happy-Go-Lucky |
| 2008 | Best Actor | Sean Penn | Milk |
| 2008 | Best Supporting Actress | Penelope Cruz | Vicky Cristina Barcelona |
| 2008 | Best Supporting Actor | Josh Brolin | Milk |
| 2008 | Best Animated Film | WALL⋅E | |
| 2008 | Best Documentary | Man on Wire | |
| 2008 | Best International Film | 4 Months, 3 Weeks and 2 Days | |
| 2008 | Best First Film | Courtney Hunt | Frozen River |
| 2007 | Best Director | Joel and Ethan Coen | No Country for Old Men |
| 2007 | Best Actress | Julie Christie | Away from Her |
| 2007 | Best Actor | Daniel Day-Lewis | There Will Be Blood |
| 2007 | Best Supporting Actress | Amy Ryan | Gone Baby Gone |
| 2007 | Best Supporting Actor | Javier Bardem | No Country for Old Men |
| 2007 | Best Cinematography | Robert Elswit | There Will Be Blood |
| 2007 | Best Animated Film | Persepolis | |
| 2007 | Best Documentary | No End in Sight | |
| 2007 | Best International Film | The Lives of Others | |
| 2007 | Best First Film | Sarah Polley | Away from Her |
| 2007 | Special Award | Sidney Lumet | |
| 2006 | Best Picture | United 93 | |
| 2006 | Best Director | Martin Scorsese | The Departed |
| 2006 | Best Screenplay | Peter Morgan | The Queen |
| 2006 | Best Actress | Helen Mirren | The Queen |
| 2006 | Best Actor | Forest Whitaker | The Last King of Scotland |
| 2006 | Best Supporting Actress | Jennifer Hudson | Dreamgirls |
| 2006 | Best Supporting Actor | Jackie Earle Haley | Little Children |
| 2006 | Best Cinematography | Guillermo Navarro | Pan's Labyrinth |
| 2006 | Best Animated Film | Happy Feet | |
| 2006 | Best Non-Fiction Film (Documentary) | Deliver Us From Evil | |
| 2006 | Best International Film | Army of Shadows | |
| 2006 | Best First Film | Ryan Fleck | Half Nelson |
| 2005 | Best Picture | Brokeback Mountain | |
| 2005 | Best Director | Ang Lee | Brokeback Mountain |
| 2005 | Best Screenplay | Noah Baumbach | The Squid and the Whale |
| 2005 | Best Actress | Reese Witherspoon | Walk the Line |
| 2005 | Best Actor | Heath Ledger | Brokeback Mountain |
| 2005 | Best Supporting Actress | Maria Bello | A History of Violence |
| 2005 | Best Supporting Actor | William Hurt | A History of Violence |
| 2005 | Best Cinematography | Christopher Doyle | 2046 |
| 2005 | Best Animated Film | Howl's Moving Castle | |
| 2005 | Best Non-Fiction Film (Documentary) | Grizzly Man | |
| 2005 | Best Non-Fiction Film (Documentary) | ||
| 2005 | Best International Film | 2046 | |
| 2005 | Best First Film | Bennett Miller | Capote |
| 2004 | Best Picture | Sideways | |
| 2004 | Best Director | Clint Eastwood | Million Dollar Baby |
| 2004 | Best Screenplay | Alexander Payne | Sideways |
| 2004 | Best Screenplay | Jim Taylor | Sideways |
| 2004 | Best Actress | Imelda Staunton | Vera Drake |
| 2004 | Best Actor | Paul Giamatti | Sideways |
| 2004 | Best Supporting Actress | Virginia Madsen | Sideways |
| 2004 | Best Supporting Actor | Clive Owen | Closer |
| 2004 | Best Cinematography | Christopher Doyle | Hero |
| 2004 | Best Animated Film | The Incredibles | |
| 2004 | Best Non-Fiction Film (Documentary) | Fahrenheit 9/11 | |
| 2004 | Best International Film | Bad Education | |
| 2004 | Special Award | Milestone Films | |
| 2003 | Best Picture | The Lord of the Rings: The Return of the King | |
| 2003 | Best Director | Sofia Coppola | Lost in Translation |
| 2003 | Best Screenplay | Craig Lucas | The Secret Lives of Dentists |
| 2003 | Best Actress | Hope Davis | American Splendor; The Secret Lives of Dentists |
| 2003 | Best Actor | Bill Murray | Lost in Translation |
| 2003 | Best Supporting Actress | Shohreh Aghdashloo | House of Sand and Fog |
| 2003 | Best Supporting Actor | Eugene Levy | A Mighty Wind |
| 2003 | Best Cinematography | Harris Savides | Elephant; Gerry |
| 2003 | Best Animated Film | The Triplets of Belleville | |
| 2003 | Best Non-Fiction Film (Documentary) | Capturing the Friedmans | |
| 2003 | Best International Film | City of God | |
| 2003 | Best First Film | American Splendor | American Splendor |
| 2002 | Best Picture | Far From Heaven | |
| 2002 | Best Director | Todd Haynes | Far From Heaven |
| 2002 | Best Screenplay | Charlie Kaufman | Adaptation |
| 2002 | Best Screenplay | Donald Kaufman | Adaptation |
| 2002 | Best Actress | Diane Lane | Unfaithful |
| 2002 | Best Actor | Daniel Day-Lewis | Gangs of New York |
| 2002 | Best Supporting Actress | Patricia Clarkson | Far From Heaven |
| 2002 | Best Supporting Actor | Dennis Quaid | Far From Heaven |
| 2002 | Best Cinematography | Edward Lachman | Far From Heaven |
| 2002 | Best Animated Film | Spirited Away | |
| 2002 | Best Non-Fiction Film (Documentary) | Standing in the Shadows of Motown | |
| 2002 | Best International Film | And Your Mother Too (Y tu mamá también) | |
| 2002 | Best First Film | Dylan Kidd | Roger Dodger |
| 2002 | Special Award | Kino International | Metropolis |
| 2001 | Best Picture | Mulholland Drive | |
| 2001 | Best Director | Robert Altman | Gosford Park |
| 2001 | Best Screenplay | Julian Fellowes | Gosford Park |
| 2001 | Best Actress | Sissy Spacek | In the Bedroom |
| 2001 | Best Actor | Tom Wilkinson | In the Bedroom |
| 2001 | Best Supporting Actress | Helen Mirren | Gosford Park |
| 2001 | Best Supporting Actor | Steve Buscemi | Ghost World |
| 2001 | Best Cinematography | Christopher Doyle | In the Mood for Love |
| 2001 | Best Animated Film | Waking Life | |
| 2001 | Best Non-Fiction Film (Documentary) | The Gleaners and I | |
| 2001 | Best International Film | In the Mood for Love | |
| 2001 | Best First Film | Todd Field | In the Bedroom |
| 2001 | Special Award | Jacques Demy | Bay of Angels (1963) |
| 2001 | Special Award | Jacques Demy | |
| 2000 | Best Picture | Traffic | |
| 2000 | Best Director | Steven Soderbergh | Erin Brockovich; Traffic |
| 2000 | Best Screenplay | Ken Lonergan | You Can Count On Me |
| 2000 | Best Actress | Laura Linney | You Can Count On Me |
| 2000 | Best Actor | Tom Hanks | Cast Away |
| 2000 | Best Supporting Actress | Marcia Gay Harden | Pollock |
| 2000 | Best Supporting Actor | Benicio Del Toro | Traffic |
| 2000 | Best Cinematography | Peter Pau | Crouching Tiger, Hidden Dragon |
| 2000 | Best Animated Film | Chicken Run | |
| 2000 | Best Non-Fiction Film (Documentary) | The Life and Times of Hank Greenberg | |
| 2000 | Best International Film | Yi yi: A One and a Two... | |
| 2000 | Best First Film | David Gordon Green | George Washington |
| 2000 | Special Award | James Dassin | Rififi (1955) |
| 2000 | Special Award | Shooting Gallery | The Shooting Gallery |
| 1999 | Best Picture | Topsy-Turvy | |
| 1999 | Best Director | Mike Leigh | Topsy-Turvy |
| 1999 | Best Screenplay | Alexander Payne | Election |
| 1999 | Best Screenplay | Jim Taylor | Election |
| 1999 | Best Actress | Hilary Swank | Boys Don't Cry |
| 1999 | Best Actor | Richard Farnsworth | The Straight Story |
| 1999 | Best Supporting Actress | Catherine Keener | Being John Malkovich |
| 1999 | Best Supporting Actor | John Malkovich | Being John Malkovich |
| 1999 | Best Cinematography | Freddie Francis | The Straight Story |
| 1999 | Best Non-Fiction Film (Documentary) | Buena Vista Social Club | |
| 1999 | Best International Film | All About My Mother | |
| 1999 | Best First Film | Spike Jonze | Being John Malkovich |
| 1999 | Special Award | Manny Farber | |
| 1998 | Best Picture | Saving Private Ryan | |
| 1998 | Best Director | Terrence Malick | The Thin Red Line |
| 1998 | Best Screenplay | Tom Stoppard | Shakespeare in Love |
| 1998 | Best Screenplay | Marc Norman | Shakespeare in Love |
| 1998 | Best Actress | Cameron Diaz | There's Something About Mary |
| 1998 | Best Actor | Nick Nolte | Affliction |
| 1998 | Best Supporting Actress | Lisa Kudrow | The Opposite of Sex |
| 1998 | Best Supporting Actor | Bill Murray | Rushmore |
| 1998 | Best Cinematography | John Toll | The Thin Red Line |
| 1998 | Best Non-Fiction Film (Documentary) | The Farm: Angola, USA | |
| 1998 | Best International Film | The Celebration | |
| 1998 | Special Award | Rick Schmidlin | Touch of Evil (1958) |
| 1997 | Best Picture | L. A. Confidential | |
| 1997 | Best Director | Curtis Hanson | L. A. Confidential |
| 1997 | Best Screenplay | Brian Helgeland | L. A. Confidential |
| 1997 | Best Screenplay | Curtis Hanson | |
| 1997 | Best Actress | Julie Christie | Afterglow |
| 1997 | Best Actor | Peter Fonda | Ulee's Gold |
| 1997 | Best Supporting Actress | Joan Cusack | In & Out |
| 1997 | Best Supporting Actor | Burt Reynolds | Boogie Nights |
| 1997 | Best Cinematography | Roger Deakins | Kundun |
| 1997 | Best Non-Fiction Film (Documentary) | Fast, Cheap & Out of Control | |
| 1997 | Best First Film | Neil LaBute | In the Company of Men |
| 1996 | Best Picture | Fargo | |
| 1996 | Best Director | Lars von Trier | Breaking the Waves |
| 1996 | Best Screenplay | Monica McGowan Johnson | Mother |
| 1996 | Best Screenplay | Albert Brooks | Mother |
| 1996 | Best Actress | Emily Watson | Breaking the Waves |
| 1996 | Best Actor | Geoffrey Rush | Shine |
| 1996 | Best Supporting Actress | Courtney Love | The People vs. Larry Flynt |
| 1996 | Best Supporting Actor | Harry Belafonte | Kansas City |
| 1996 | Best Cinematography | Robby Müller | Breaking the Waves; Dead Man |
| 1996 | Best Documentary | When We Were Kings | |
| 1996 | Best International Film | The Mirror | |
| 1996 | Best New Director | Stanley Tucci | Big Night |
| 1996 | Best New Director | Campbell Scott | Big Night |
| 1996 | Special Award | Vertigo (1958) | Most Distinguished Reissue |
| 1996 | Special Award | Jonas Mekas | |
| 1995 | Best Picture | Leaving Las Vegas | |
| 1995 | Best Director | Ang Lee | Sense and Sensibility |
| 1995 | Best Screenplay | Emma Thompson | Sense and Sensibility |
| 1995 | Best Actress | Jennifer Jason Leigh | Georgia |
| 1995 | Best Actor | Nicolas Cage | Leaving Las Vegas |
| 1995 | Best Supporting Actress | Mira Sorvino | Mighty Aphrodite |
| 1995 | Best Supporting Actor | Kevin Spacey | Outbreak |
| 1995 | Best Cinematography | Yue Lu | Shanghai Serenade |
| 1995 | Best Non-Fiction Film (Documentary) | Crumb | |
| 1995 | Best International Film | Wild Reeds | |
| 1995 | Best New Director | Chris Noonan | Babe |
| 1994 | Best Picture | Quiz Show | |
| 1994 | Best Director | Quentin Tarantino | Pulp Fiction |
| 1994 | Best Screenplay | Quentin Tarantino | |
| 1994 | Best Screenplay | Roger Avary | Pulp Fiction |
| 1994 | Best Actress | Linda Fiorentino | The Last Seduction |
| 1994 | Best Actor | Paul Newman | Nobody's Fool |
| 1994 | Best Supporting Actress | Dianne Wiest | Bullets Over Broadway |
| 1994 | Best Supporting Actor | Martin Landau | Ed Wood |
| 1994 | Best Cinematography | Stefan Czapsky | Ed Wood |
| 1994 | Best Documentary | Hoop Dreams | |
| 1994 | Best International Film | Three Colors: Red | |
| 1994 | Best New Director | Darnell Martin | I Like It Like That |
| 1994 | Special Award | Jean-Luc Godard | |
| 1993 | Best Picture | Schindler's List | |
| 1993 | Best Director | Jane Campion | The Piano |
| 1993 | Best Screenplay | Jane Campion | |
| 1993 | Best Actress | Holly Hunter | The Piano |
| 1993 | Best Actor | David Thewlis | Naked |
| 1993 | Best Supporting Actress | Li Gong | Farewell My Concubine |
| 1993 | Best Supporting Actor | Ralph Fiennes | Schindler's List |
| 1993 | Best Cinematography | Janusz Kaminski | Schindler's List |
| 1993 | Best Documentary | Visions of Light | |
| 1993 | Best International Film | Farewell My Concubine | |
| 1992 | Best Picture | The Player | |
| 1992 | Best Director | Robert Altman | The Player |
| 1992 | Best Screenplay | Neil Jordan | The Crying Game |
| 1992 | Best Actress | Emma Thompson | Howards End |
| 1992 | Best Actor | Denzel Washington | Malcolm X |
| 1992 | Best Supporting Actress | Miranda Richardson | The Crying Game; Enchanted April; Fatale |
| 1992 | Best Supporting Actor | Gene Hackman | Unforgiven |
| 1992 | Best Cinematography | Jean Lépin | The Player |
| 1992 | Best Documentary | Brother's Keeper | |
| 1992 | Best New Director | Allison Anders | Gas Food Lodging |
| 1991 | Best Picture | The Silence of the Lambs | |
| 1991 | Best Director | Jonathan Demme | The Silence of the Lambs |
| 1991 | Best Screenplay | David Cronenberg | Naked Lunch |
| 1991 | Best Actress | Jodie Foster | The Silence of the Lambs |
| 1991 | Best Actor | Anthony Hopkins | The Silence of the Lambs |
| 1991 | Best Supporting Actress | Judy Davis | Naked Lunch; Barton Fink |
| 1991 | Best Supporting Actor | Samuel L. Jackson | Jungle Fever |
| 1991 | Best Cinematography | Roger Deakins | Barton Fink |
| 1991 | Best Documentary | Paris is Burning | |
| 1991 | Best International Film | Europa Europa | |
| 1991 | Best New Director | John Singleton | Boyz N the Hood |
| 1990 | Best Picture | GoodFellas | |
| 1990 | Best Director | Martin Scorsese | GoodFellas |
| 1990 | Best Actress | Joanne Woodward | Mr. & Mrs. Bridge |
| 1990 | Best Actor | Robert De Niro | GoodFellas; Awakenings |
| 1990 | Best Supporting Actress | Jennifer Jason Leigh | Miami Blues; Last Exit to Brooklyn |
| 1990 | Best Supporting Actor | Bruce Davison | Longtime Companion |
| 1990 | Best Cinematography | Vittorio Storaro | The Sheltering Sky |
| 1990 | Best International Film | The Nasty Girl | |
| 1990 | Best New Director | Whit Stillman | Metropolitan |
| 1989 | Best Picture | My Left Foot | |
| 1989 | Best Director | Paul Mazursky | Enemies: A Love Story |
| 1989 | Best Screenplay | Gus Van Sant | Drugstore Cowboy |
| 1989 | Best Screenplay | Daniel Yost | Drugstore Cowboy |
| 1989 | Best Actress | Michelle Pfeiffer | The Fabulous Baker Boys |
| 1989 | Best Actor | Daniel Day-Lewis | My Left Foot |
| 1989 | Best Supporting Actress | Lena Olin | Enemies: A Love Story |
| 1989 | Best Supporting Actor | Alan Alda | Crimes and Misdemeanors |
| 1989 | Best Cinematography | Ernest R. Dickerson | Do the Right Thing |
| 1989 | Best Documentary | Roger & Me | |
| 1989 | Best International Film | Story of Women | |
| 1989 | Best New Director | Kenneth Branagh | Henry V |
| 1988 | Best Picture | The Accidental Tourist | |
| 1988 | Best Director | Chris Menges | A World Apart |
| 1988 | Best Screenplay | Ron Shelton | Bull Durham |
| 1988 | Best Actress | Meryl Streep | A Cry in the Dark |
| 1988 | Best Actor | Jeremy Irons | Dead Ringers |
| 1988 | Best Supporting Actress | Diane Venora | Bird |
| 1988 | Best Supporting Actor | Dean Stockwell | Married to the Mob; Tucker: The Man and His Dream |
| 1988 | Best Cinematography | Henri Alekan | The Sky Above Berlin |
| 1988 | Best Documentary | The Thin Blue Line | |
| 1987 | Best Picture | Broadcast News | |
| 1987 | Best Director | James L. Brooks | Broadcast News |
| 1987 | Best Screenplay | James L. Brooks | |
| 1987 | Best Actress | Holly Hunter | Broadcast News |
| 1987 | Best Actor | Jack Nicholson | The Witches of Eastwick; Ironweed; Broadcast News |
| 1987 | Best Supporting Actress | Vanessa Redgrave | Prick Up Your Ears |
| 1987 | Best Supporting Actor | Morgan Freeman | Street Smart |
| 1987 | Best Cinematography | Vittorio Storaro | The Last Emperor |
| 1987 | Best International Film | My Life as a Dog | |
| 1986 | Best Picture | Hannah and Her Sisters | |
| 1986 | Best Director | Woody Allen | Hannah and Her Sisters |
| 1986 | Best Screenplay | Hanif Kureishi | My Beautiful Laundrette |
| 1986 | Best Actress | Sissy Spacek | Crimes of the Heart |
| 1986 | Best Actor | Bob Hoskins | Mona Lisa |
| 1986 | Best Supporting Actress | Dianne Wiest | Hannah and Her Sisters |
| 1986 | Best Supporting Actor | Daniel Day-Lewis | My Beautiful Laundrette; A Room with a View |
| 1986 | Best Cinematography | Tony Pierce-Roberts | A Room with a View |
| 1986 | Best Documentary | Marlene | |
| 1985 | Best Picture | Prizzi's Honor | |
| 1985 | Best Director | John Huston | Prizzi's Honor |
| 1985 | Best Screenplay | Woody Allen | The Purple Rose of Cairo |
| 1985 | Best Actress | Norma Aleandro | The Official History |
| 1985 | Best Actor | Jack Nicholson | Prizzi's Honor |
| 1985 | Best Supporting Actress | Anjelica Huston | Prizzi's Honor |
| 1985 | Best Cinematography | David Watkin | Out of Africa |
| 1985 | Best Documentary | Shoah | |
| 1985 | Best International Film | Ran | |
| 1984 | Best Picture | A Passage to India | |
| 1984 | Best Director | David Lean | A Passage to India |
| 1984 | Best Screenplay | Robert Benton | Places in the Heart |
| 1984 | Best Actress | Peggy Ashcroft | A Passage to India |
| 1984 | Best Actor | Steve Martin | All of Me |
| 1984 | Best Supporting Actress | Christine Lahti | Swing Shift |
| 1984 | Best Supporting Actor | Ralph Richardson | Greystoke: The Legend of Tarzan, Lord of the Apes |
| 1984 | Best Cinematography | Chris Menges | The Killing Fields |
| 1984 | Best Documentary | The Times of Harvey Milk | |
| 1984 | Best International Film | A Sunday in the Country | |
| 1983 | Best Picture | Terms of Endearment | |
| 1983 | Best Director | Ingmar Bergman | Fanny and Alexander |
| 1983 | Best Screenplay | Bill Forsyth | Local Hero |
| 1983 | Best Actress | Shirley McLaine | Terms of Endearment |
| 1983 | Best Actor | Robert Duvall | Tender Mercies |
| 1983 | Best Supporting Actress | Lina Hunt | The Year of Living Dangerously |
| 1983 | Best Supporting Actor | Jack Nicholson | Terms of Endearment |
| 1983 | Best Cinematography | Gordon Willis | Zelig |
| 1983 | Best International Film | Fanny and Alexander | |
| 1982 | Best Picture | Gandhi | |
| 1982 | Best Director | Sydney Pollack | Tootsie |
| 1982 | Best Screenplay | Larry Gelbart | Tootsie |
| 1982 | Best Screenplay | Murray Schisgal | Tootsie |
| 1982 | Best Actress | Meryl Streep | Sophie's Choice |
| 1982 | Best Actor | Ben Kinglsey | Gandhi |
| 1982 | Best Supporting Actress | Jessica Lange | Tootsie |
| 1982 | Best Supporting Actor | John Lithgow | The World According to Garp |
| 1982 | Best Cinematography | Néstor Almendros | Sophie's Choice |
| 1982 | Best International Film | Time Stands Still | |
| 1981 | Best Picture | Reds | |
| 1981 | Best Director | Sidney Lumet | Prince of the City |
| 1981 | Best Screenplay | John Guare | Atlantic City |
| 1981 | Best Actress | Glenda Jackson | Stevie |
| 1981 | Best Actor | Burt Lancaster | Atlantic City |
| 1981 | Best Supporting Actress | Mona Washbourne | Stevie |
| 1981 | Best Supporting Actor | John Gielgud | Arthur |
| 1981 | Best Cinematography | David Watkin | Chariots of Fire |
| 1981 | Best International Film | Pixote | |
| 1981 | Special Award | Krzysztof Zanussi | |
| 1981 | Special Award | Andrzej Wajda | |
| 1981 | Special Award | Napoleon | |
| 1980 | Best Picture | Ordinary People | |
| 1980 | Best Director | Jonathan Demme | Melvin and Howard |
| 1980 | Best Screenplay | Bo Goldman | Melvin and Howard |
| 1980 | Best Actress | Sissy Spacek | Coal Miner's Daughter |
| 1980 | Best Actor | Robert De Niro | Raging Bull |
| 1980 | Best Supporting Actress | Mary Steenburgen | Melvin and Howard |
| 1980 | Best Supporting Actor | Joe Pesci | Raging Bull |
| 1980 | Best Cinematography | Geoffrey Unsworth | Tess |
| 1980 | Best Cinematography | Ghislain Cloquet | Tess |
| 1980 | Best Documentary | Best Boy | |
| 1980 | Best International Film | My American Uncle | |
| 1979 | Best Picture | Kramer vs. Kramer | |
| 1979 | Best Director | Woody Allen | Manhattan |
| 1979 | Best Screenplay | Steve Tesich | Breaking Away |
| 1979 | Best Actress | Sally Field | Norma Rae |
| 1979 | Best Actor | Dustin Hoffman | Kramer vs. Kramer |
| 1979 | Best Supporting Actress | Meryl Streep | Kramer vs. Kramer; The Seduction of Joe Tynan |
| 1979 | Best Supporting Actor | Melvyn Douglas | Being There |
| 1979 | Best International Film | The Tree of Wooden Clogs | |
| 1978 | Best Picture | The Deer Hunter | |
| 1978 | Best Director | Terrence Malick | Days of Heaven |
| 1978 | Best Screenplay | Paul Mazursky | An Unmarried Woman |
| 1978 | Best Actress | Ingrid Bergman | Autumn Sonata |
| 1978 | Best Actor | John Voigt | Coming Home |
| 1978 | Best Supporting Actress | Maureen Stapleton | Interiors |
| 1978 | Best Supporting Actor | Christopher Walken | The Deer Hunter |
| 1978 | Best International Film | Bread and Chocolate | |
| 1977 | Best Picture | Annie Hall | |
| 1977 | Best Director | Woody Allen | Annie Hall |
| 1977 | Best Director | Charles Burnett | Killer of Sheep (1977) |
| 1977 | Best Screenplay | Marshall Brickman | Annie Hall |
| 1977 | Best Screenplay | Woody Allen | |
| 1977 | Best Actress | Diane Keaton | Annie Hall |
| 1977 | Best Actor | John Gielgud | Providence |
| 1977 | Best Supporting Actress | Sissy Spacek | 3 Women |
| 1977 | Best Supporting Actor | Maximilian Schell | Julia |
| 1976 | Best Picture | All the President's Men | |
| 1976 | Best Director | Alan J. Pakula | All the President's Men |
| 1976 | Best Screenplay | Paddy Chayefsky | Network |
| 1976 | Best Actress | Liv Ullman | Face to Face |
| 1976 | Best Actor | Robert De Niro | Taxi Driver |
| 1976 | Best Supporting Actress | Talia Shire | Rocky |
| 1976 | Best Supporting Actor | Jason Robards | All the President's Men |
| 1975 | Best Picture | Nashville | |
| 1975 | Best Director | Robert Altman | Nashville |
| 1975 | Best Screenplay | Jean Gruault | The Story of Adele H. (L'Histoire d'Adéle H.) |
| 1975 | Best Screenplay | François Truffaut | The Story of Adele H. |
| 1975 | Best Screenplay | Suzanne Schiffman | The Story of Adele H. |
| 1975 | Best Actress | Isabelle Adjani | The Story of Adele H. |
| 1975 | Best Actor | Jack Nicholson | One Flew Over the Cuckoo's Nest |
| 1975 | Best Supporting Actress | Lily Tomlin | Nashville |
| 1975 | Best Supporting Actor | Alan Arkin | Hearts of the West |
| 1974 | Best Picture | I Remember | |
| 1974 | Best Director | Federico Fellini | I Remember |
| 1974 | Best Screenplay | Ingmar Bergman | Scenes from a Marriage |
| 1974 | Best Actress | Liv Ullman | Scenes from a Marriage |
| 1974 | Best Actor | Jack Nicholson | Chinatown; The Last Detail |
| 1974 | Best Supporting Actress | Valerie Perrine | Lenny |
| 1974 | Best Supporting Actor | Charles Boyer | Stavisky … |
| 1974 | Special Award | Fabiano Canosa | |
| 1973 | Best Picture | Day for Night | |
| 1973 | Best Director | François Truffaut | Day for Night |
| 1973 | Best Screenplay | George Lucas | American Graffiti |
| 1973 | Best Screenplay | Gloria Katz | American Graffiti |
| 1973 | Best Screenplay | Willard Huyck | American Graffiti |
| 1973 | Best Actress | Joanne Woodward | Summer Wishes, Winter Dreams |
| 1973 | Best Actor | Marlon Brando | Last Tango in Paris |
| 1973 | Best Supporting Actress | Valentina Cortese | Day for Night |
| 1973 | Best Supporting Actor | Robert De Niro | Mean Streets |
| 1972 | Best Picture | Cries and Whispers | |
| 1972 | Best Director | Ingmar Bergman | Cries and Whispers |
| 1972 | Best Screenplay | Ingmar Bergman | |
| 1972 | Best Actress | Liv Ullman | Cries and Whispers; The Emigrants |
| 1972 | Best Actor | Laurence Olivier | Sleuth |
| 1972 | Best Supporting Actress | Jeanny Berlin | The Heartbreak Kid |
| 1972 | Best Supporting Actor | Robert Duvall | The Godfather |
| 1972 | Special Award | The Sorrow and the Pity | |
| 1971 | Best Picture | A Clockwork Orange | |
| 1971 | Best Director | Stanley Kubrick | A Clockwork Orange |
| 1971 | Best Screenplay | Penelope Gilliatt | Sunday Bloody Sunday |
| 1971 | Best Screenplay | Peter Bogdanovitch | The Last Picture Show |
| 1971 | Best Screenplay | Larry McMurtry | The Last Picture Show |
| 1971 | Best Actress | Jane Fonda | Klute |
| 1971 | Best Actor | Gene Hackman | The French Connection |
| 1971 | Best Supporting Actress | Ellen Burstyn | The Last Picture Show |
| 1971 | Best Supporting Actor | Ben Johnson | The Last Picture Show |
| 1970 | Best Picture | Five Easy Pieces | |
| 1970 | Best Director | Bob Rafelson | Five Easy Pieces |
| 1970 | Best Screenplay | Eric Rohmer | My Night at Maud's |
| 1970 | Best Actress | Glenda Jackson | Women in Love |
| 1970 | Best Actor | George C. Scott | Patton |
| 1970 | Best Supporting Actress | Karen Black | Five Easy Pieces |
| 1970 | Best Supporting Actor | Chief Dan George | Little Big Man |
| 1969 | Best Picture | Z | |
| 1969 | Best Actress | Jane Fonda | They Shoot Horses, Don't They? |
| 1969 | Best Actor | John Voigt | Midnight Cowboy |
| 1969 | Best Supporting Actress | Dyan Cannon | Bob & Carol & Ted & Alice |
| 1969 | Best Supporting Actor | Jack Nicholson | Easy Rider |
| 1968 | Best Picture | The Lion in Winter | |
| 1968 | Best Director | Paul Newman | Rachel, Rachel |
| 1968 | Best Screenplay | Lorenzo Semple, Jr. | Pretty Poison |
| 1968 | Best Actress | Joanne Woodward | Rachel, Rachel |
| 1968 | Best Actor | Alan Arkin | The Heart Is a Lonely Hunter |
| 1968 | Best International Film | War and Peace | |
| 1967 | Best Picture | In the Heat of the Night | |
| 1967 | Best Director | Mike Nichols | The Graduate |
| 1967 | Best Screenplay | David Newman | Bonnie and Clyde |
| 1967 | Best Screenplay | Robert Benton | Bonnie and Clyde |
| 1967 | Best Actress | Edith Evans | The Whisperers |
| 1967 | Best Actor | Rod Steiger | In the Heat of the Night |
| 1967 | Best International Film | The War is Over | |
| 1967 | Special Award | Bosley Crowther | |
| 1966 | Best Picture | A Man for All Seasons | |
| 1966 | Best Director | Fred Zinnemann | A Man for All Seasons |
| 1966 | Best Screenplay | Robert Bolt | A Man for All Seasons |
| 1966 | Best Actress | Lynn Redgrave | Georgy Girl |
| 1966 | Best Actress | Elizabeth Taylor | Who's Afraid of Virginia Woolf? |
| 1966 | Best Actor | Paul Scofield | A Man for All Seasons |
| 1966 | Best International Film | The Shop on Main Street | |
| 1965 | Best Picture | Darling | |
| 1965 | Best Director | John Schlesinger | Darling |
| 1965 | Best Actress | Julie Christie | Darling |
| 1965 | Best Actor | Oskar Werner | Ship of Fools |
| 1965 | Best International Film | Juliet of the Spirits | |
| 1964 | Best Picture | My Fair Lady | |
| 1964 | Best Director | Stanley Kubrick | Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb |
| 1964 | Best Screenplay | Harold Pinter | The Servant |
| 1964 | Best Actress | Kim Stanley | Seance on a Wet Afternoon |
| 1964 | Best Actor | Rex Harrison | My Fair Lady |
| 1964 | Best International Film | That Man from Rio | |
| 1964 | Special Award | To Be Alive! | |
| 1963 | Best Picture | Tom Jones | |
| 1963 | Best Director | Tony Richardson | Tom Jones |
| 1963 | Best Actress | Patricia Neal | Hud |
| 1963 | Best Actor | Albert Finney | Tom Jones |
| 1963 | Best International Film | 8 1/2 | |
| 1961 | Best Picture | West Side Story | |
| 1961 | Best Director | Robert Rossen | The Hustler |
| 1961 | Best Actress | Sophia Loren | Two Women |
| 1961 | Best Actor | Maximilian Schell | Judgement at Nuremberg |
| 1960 | Best Picture | ||
| 1960 | Best Picture | The Apartment | |
| 1960 | Best Director | Billy Wilder | The Apartment |
| 1960 | Best Director | Jack Cardiff | Sons and Lovers |
| 1960 | Best Screenplay | I.A.L. Diamond | The Apartment |
| 1960 | Best Screenplay | Billy Wilder | |
| 1960 | Best Actress | Deborah Kerr | The Sundowners |
| 1960 | Best Actor | Burt Lancaster | Elmer Gantry |
| 1960 | Best International Film | Hiroshima, My Love | |
| 1959 | Best Picture | Ben-Hur | |
| 1959 | Best Director | Fred Zinnemann | The Nun's Story |
| 1959 | Best Screenplay | Wendell Mayes | Anatomy of a Murder |
| 1959 | Best Actress | Audrey Hepburn | The Nun's Story |
| 1959 | Best Actor | James Stewart | Anatomy of a Murder |
| 1959 | Best International Film | The 400 Blows | |
| 1958 | Best Picture | The Defiant Ones | |
| 1958 | Best Director | Stanley Kramer | The Defiant Ones |
| 1958 | Best Screenplay | Nedrick Young | The Defiant Ones |
| 1958 | Best Actress | Susan Hayward | I Want to Live! |
| 1958 | Best Actor | David Niven | Separate Tables |
| 1958 | Best International Film | My Uncle | |
| 1957 | Best Picture | The Bridge on the River Kwai | |
| 1957 | Best Director | David Lean | The Bridge on the River Kwai |
| 1957 | Best Actress | Deborah Kerr | Heaven Knows, Mr. Allison |
| 1957 | Best Actor | Alec Guiness | The Bridge on the River Kwai |
| 1957 | Best International Film | Gervaise | |
| 1956 | Best Picture | Around the World in Eighty Days | |
| 1956 | Best Director | John Huston | Moby Dick |
| 1956 | Best Actress | Ingrid Bergman | Anastasia |
| 1956 | Best Actor | Kirk Douglas | Lust for Life |
| 1956 | Best International Film | La Strada | |
| 1955 | Best Picture | Marty | |
| 1955 | Best Director | David Lean | Summertime |
| 1955 | Best Actress | Anna Magnani | The Rose Tattoo |
| 1955 | Best Actor | Ernest Borgnine | Marty |
| 1955 | Best International Film | ||
| 1955 | Best International Film | Diabolique | |
| 1954 | Best Picture | On the Waterfront | |
| 1954 | Best Director | Elia Kazan | On the Waterfront |
| 1954 | Best Actress | Grace Kelly | The Country Girl; Rear Window; Dial M for Murder |
| 1954 | Best Actor | Marlon Brando | On the Waterfront |
| 1954 | Best International Film | Gate of Hell | |
| 1953 | Best Picture | From Here to Eternity | |
| 1953 | Best Director | Fred Zinnemann | From Here to Eternity |
| 1953 | Best Actress | Audrey Hepburn | Roman Holiday |
| 1953 | Best Actor | Burt Lancaster | From Here to Eternity |
| 1953 | Best International Film | Justice Is Done | |
| 1952 | Best Picture | High Noon | |
| 1952 | Best Director | Fred Zinnemann | High Noon |
| 1952 | Best Actress | Shirley Booth | Come Back, Little Sheba |
| 1952 | Best Actor | Ralph Richardson | The Sound Barrier |
| 1952 | Best International Film | Forbidden Games | |
| 1951 | Best Picture | A Streetcar Named Desire | |
| 1951 | Best Director | Elia Kazan | A Streetcar Named Desire |
| 1951 | Best Actress | Vivien Leigh | A Streetcar Named Desire |
| 1951 | Best Actor | Arthur Kennedy | Bright Victory |
| 1951 | Best International Film | Miracle in Milan | |
| 1950 | Best Picture | All About Eve | |
| 1950 | Best Director | Joseph L. Mankiewicz | All About Eve |
| 1950 | Best Actress | Bette Davis | All About Eve |
| 1950 | Best Actor | Gregory Peck | Twelve O'Clock High |
| 1950 | Best International Film | Amore | |
| 1949 | Best Picture | All the King's Men | |
| 1949 | Best Director | Carol Reed | The Fallen Idol |
| 1949 | Best Actress | Olivia de Havilland | The Heiress |
| 1949 | Best Actor | Broderick Crawford | All the King's Men |
| 1949 | Best International Film | Bicycle Thieves | |
| 1948 | Best Picture | The Treasure of the Sierra Madre | |
| 1948 | Best Director | John Huston | The Treasure of the Sierra Madre |
| 1948 | Best Actress | Olivia de Havilland | The Snake Pit |
| 1948 | Best Actor | Laurence Olivier | Hamlet |
| 1948 | Best International Film | Paisan | |
| 1947 | Best Picture | Gentleman's Agreement | |
| 1947 | Best Director | Elia Kazan | Gentleman's Agreement |
| 1947 | Best Actress | Deborah Kerr | Black Narcissus; I See a Dark Stranger |
| 1947 | Best Actor | William Powell | Life with Father; The Senator was Indiscreet |
| 1947 | Best International Film | To Live in Peace | |
| 1946 | Best Picture | The Best Years of Our Lives | |
| 1946 | Best Director | Wililam Wyler | The Best Years of Our Lives |
| 1946 | Best Actress | Celia Johnson | Brief Encounter |
| 1946 | Best Actor | Laurence Olivier | Henry V |
| 1946 | Best International Film | Open City | |
| 1945 | Best Picture | The Lost Weekend | |
| 1945 | Best Director | Billy Wilder | The Lost Weekend |
| 1945 | Best Actress | Ingrid Bergman | |
| 1945 | Best Actor | Ray Milland | The Lost Weekend |
| 1945 | Special Award | Ingrid Bergman | Spellbound |
| 1944 | Best Picture | Going My Way | |
| 1944 | Best Director | Leo McCarey | Going My Way |
| 1944 | Best Actress | Tallulah Bankhead | Lifeboat |
| 1944 | Best Actor | Barry Fitzgerald | Going My Way |
| 1943 | Best Picture | Watch on the Rhine | |
| 1943 | Best Director | George Stevens | The More the Merrier |
| 1943 | Best Actress | Ida Lupino | The Hard Way |
| 1943 | Best Actor | Paul Lukas | Watch on the Rhine |
| 1942 | Best Picture | In Which We Serve | |
| 1942 | Best Director | John Farrow | Wake Island |
| 1942 | Best Actress | Agnes Moorehead | The Magnificent Ambersons |
| 1942 | Best Actor | James Cagney | Yankee Doodle Dandy |
| 1941 | Best Picture | Citizen Kane | |
| 1941 | Best Director | John Ford | How Green Was My Valley |
| 1941 | Best Actress | Joan Fontaine | Suspicion |
| 1941 | Best Actor | Gary Cooper | Sergeant York |
| 1940 | Best Picture | The Grapes of Wrath | |
| 1940 | Best Director | John Ford | The Grapes of Wrath, The Long Voyage Home |
| 1940 | Best Actress | Katharine Hepburn | The Philadelphia Story |
| 1940 | Best Actor | Charles Chaplin | The Great Dictator |
| 1940 | Best International Film | The Baker's Wife | |
| 1940 | Special Award | Walt Disney | Fantasia |
| 1939 | Best Picture | Wuthering Heights | |
| 1939 | Best Director | John Ford | Stagecoach |
| 1939 | Best Actress | Vivien Leigh | Gone with the Wind |
| 1939 | Best Actor | James Stewart | Mr. Smith Goes to Washington |
| 1939 | Best International Film | Harvest | |
| 1938 | Best Picture | The Citadel | |
| 1938 | Best Director | Alfred Hitchcock | The Lady Vanishes |
| 1938 | Best Actress | Margaret Sullavan | Three Comrades |
| 1938 | Best Actor | James Cagney | Angels with Dirty Faces |
| 1938 | Best International Film | The Grand Illusion | |
| 1937 | Best Picture | The Life of Emile Zola | |
| 1937 | Best Actress | Greta Garbo | Camille |
| 1937 | Best Actor | Paul Muni | The Life of Emile Zola |
| 1937 | Best International Film | Mayerling | |
| 1936 | Best Picture | Mr. Deeds Goes to Town | |
| 1936 | Best Director | Rouben Mamoulian | The Gay Desperado |
| 1936 | Best Actress | Luise Rainer | The Great Ziegfeld |
| 1936 | Best Actor | Walter Huston | Dodsworth |
| 1935 | Best Picture | The Informer | |
| 1935 | Best Director | John Ford | The Informer |
| 1935 | Best Actress | Greta Garbo | Anna Karenina |
| 1935 | Best Actor | Charles Laughton | Mutiny on the Bounty; Ruggles of Red Gap |
| Year | Category | Name | Film Title |
NYFCC Student Prizes
As a way of supporting and encouraging the next generation of writers, the New York Film Critics Circle gives prizes to two student critics every year. Winners receive a cash prize, an award certificate, and two tickets to the Circle’s annual gala, which is typically held in the first week of January.
Currently, there are two prizes of $2,500 each: One will go to an undergraduate student, the other to a graduate student. Applicants should be attending college in New York State and be studying or have an interest in film criticism/journalism.
Applicants should submit two reviews/essays of 500-800 words each. One piece should be on a recent film from the current calendar year. The other should be on an older film from before 1980.
The contest officially opens after Labor Day of the current year. Deadline for all submissions is November 17. Winners will be announced after the NYFCC voting meeting in early December.
All questions and submissions about the student awards should be directed to NYFCC member Keith Uhlich at keithuhlich@gmail.com. (For all other questions pertaining to the group, please email nyfcc1935@gmail.com.)
Past Winners
2024: Alexander Swift (Undergraduate) and Drew A. Smith (Graduate)
2023: Mick Gaw (Undergraduate) and Katherine Prior (Graduate)
2022: Nico Pedrero-Setzer (Undergraduate) and Greg Nussen (Graduate)
2019: Cole Kronman
2018: Samantha Bergeson
2017: Marisa Winckowski