Manuel Neri (original) (raw)
Augusta Stylianou Gallery
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Manuel Neri (born April 12, 1930) is an American sculptor, painter, and printmaker and a notable member of the "second generation" of the Bay Area Figurative Movement.
Biography
Neri was born in Sanger, California, to immigrant parents who had fled Mexico during political unrest following the Mexican Revolution. He began attending college at San Francisco City College in 1950, initially studying to be an electrical engineer. After taking a class in ceramics there, he was inspired to become an artist. He continued his education at California College of Arts and Crafts and at California School of Fine Arts (now the San Francisco Art Institute). Neri studied under Richard Diebenkorn and Elmer Bischoff, taking up abstract expressionism under their influence, but later turning toward figurative art along with them.[1]
In the late 1950s, he was a member of the artist-run cooperative gallery, the Six Gallery, along with Joan Brown, Bruce Conner, and Jay DeFeo. In 1959, Neri became an original member of Bruce Conner's Rat Bastard Protective Association.[2]
Neri taught sculpture and ceramics at California School of Fine Arts from 1959–1965 and was on the faculty of the University of California, Davis from 1965-1999.[1]
In 2006, Neri was a recipient of the International Sculpture Center's Lifetime Achievement in Contemporary Sculpture Award.[3]
[edit] Works
Although Neri's work includes many paintings, drawings, and prints, his primary medium is sculpture, typically using plaster, but sometimes marble or bronze. He is noted for his life-size sculptures, which though clearly figurative in nature, are abstracted figures rather than realist representations. His sculptures often emphasize surface texture, and the surfaces of his sculptures are often, sanded, chipped, or painted to emphasize textures. [1] His approach to sculpture is often described as "painterly", and his approach to drawing and painting is correspondingly described as "sculptural".[4]
Work in collections
The following are among the public art collections holding works by Manuel Neri: Corcoran Gallery of Art (Washington, D. C.), the Denver Art Museum, the El Paso Museum of Art (El Paso, Texas), Grounds for Sculpture (Hamilton, New Jersey), the Honolulu Academy of Arts, Laumier Sculpture Park and Museum (St. Louis, Missouri), the Neuberger Museum of Art (State University of New York, Purchase, New York), the Nora Eccles Harrison Museum of Art (Utah State University, Logan, Utah), the Oakland Museum of California (Oakland, California), the Palm Springs Desert Museum (Palm Springs, California), the San Diego Museum of Art (San Diego, California), the San Francisco Museum of Modern Art and the Whitney Museum of American Art (New York City).[1]
Personal life
Neri was married to Bay Area Figurative painter Joan Brown from 1962–1966. (Their relationship and artistic collaboration date back several years prior to this, however.) Three of his children, Noel Neri, Ruby Neri, and Julia Leonard are also artists. Ruby Neri is noted for her graffiti work (under the name "Reminisce") and as part of the first generation of Mission School artists.[2] [3] Neri currently resides in an old church converted to residential living in Benicia, California.
Footnotes
1. ^ a b c Artist Forum. 'Manuel Neri'. Retrieved 24 January 2010.
2. ^ Its members included Jay de Feo, Michael McClure, Manuel Neri and Joan Brown. See Rebecca Solnit, ‘Heretical Constellations: Notes on California, 1946–61’, in Sussman, ed., Beat Culture and the New America, 69–122, especially 71.
3. ^ International Sculpture Center website. 'Lifetime Achievement in Contemporary Sculpture Award page'. Retrieved 24 January 2010.
4. ^ Kramer, H. (27 February 1981). 'Art: First solo show for Manuel Neri', New York Times. Retrieved 24 January 2010.
Books
* Cowart, Jack (editor). 1996. Manuel Neri: Early Works, 1953–1978. Washington, DC: The Corcoran Gallery of Art. ISBN 0886750466 (hardcover), ISBN 0886750474 (paperback)
* Cowart, Jack, and Amerson, Price. 1994. Manuel Neri: A Sculptor’s Drawings. Washington, DC: The Corcoran Gallery of Art. ISBN 0886750415
* Nixon, Bruce. 2005. Manuel Neri: The Collaborative Process. Manchester, VT: Hudson Hills Press. ISBN 1555952593
* Marika Herskovic, Abstract and Figurative Expressionism: Style is Timely Art is Timeless (New York School Press, 2009.) ISBN 9780967799421. p. 180-183
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