The Top Films of 1965-1969. (original) (raw)

Fifty years ago, Bonnie and Clyde, released in the summer of 1967, exploded on the screen, exhilarating many viewers, alienating others, and deeply dividing critics. Brilliantly scripted by Texan Robert Benton and his writing partner, David Newman, and adeptly directed by Arthur Penn, the film starred Faye Dunaway and Warren Beatty in the title roles. This groundbreaking motion picture was an unusual, and compelling, blend of violence, humor, social commentary, and banjo music. Penn shot his masterpiece in the Lone Star State, home of the notorious desperado couple, in such towns as Ponder, Pilot Point, Midlothian, Waxahachie, and Red Oak.

This landmark picture, which received ten Academy Award nominations, is just one of more than 100 movies Barry Monush discusses in his engaging survey of Sixties cinema. What a period to be a film lover! "Seldom had so many followers of so many kinds of movies had such a great choice of what to see," Monush contends. "There were," he asserts, "wonderfully probing dramas exploring important themes; westerns-traditional, epic, and radical; gloriously entertaining musicals; comedies of both a sophisticated and a bawdy nature; daring explorations of formerly taboo subjects; influential horror films that still retained some degree of restraint before this genre got so out of hand; ambitious science-fiction films�and war movies, both flag waving and critical."

Among the pictures he examines are 1965's Cat Ballou, The Sound of Music, The Sandpiper, Doctor Zhivago, and Shenandoah; 1966's Born Free, Alfie, A Man for All Seasons, Who's Afraid of Virginia Woolf?, and Fantastic Voyage; 1967's The Dirty Dozen, You Only Live Twice, Camelot, Wait Until Dark, and Cool Hand Luke; 1968's Planet of the Apes, Rosemary's Baby, Funny Girl, Bullitt, and The Odd Couple; and 1969's Easy Rider, The Wild Bunch, Midnight Cowboy, Goodbye, Mr. Chips, and Butch Cassidy and the Sundance Kid. In short, Monush observes, this is "an incredibly diverse range of films in which a terrific selection of actors and filmmakers gave us some of their finest work."

To accompany his text, the author provides numerous illustrations, including souvenir booklets, record albums, movie posters, sheet music, and tie-in paperbacks. Monush also provides famous quotes from the movies he explores. From True Grit (1969), for example:

Rooster Cogburn: "I mean to kill you in one minute, Ned. Or see you hanged in Fort Smith at Judge Parker's convenience. Which'll it be?"

Ned Pepper: "I call that bold talk for a one-eyed fat man."

Or consider this iconic line from The Graduate (1967):

Benjamin Braddock: "Oh, no, Mrs. Robinson. I think�I think you're the most attractive of all my parents' friends. I mean that. I find you desirable."

In short, Monush, Screen World editor and a researcher at the Paley Center for Media in New York, has published an admirable overview of classic Sixties movies. My rating? Two thumbs up!