Theme and Subject in “Great Expectations" (original) (raw)

• Autobiographical Elements in Dickens's Great Expectations
• “Well, Oliver, how do you like it?”: Dickens, Funerals, and Undertakers
• The Importance of Magwitch's Gaze in Great Expectations
• Abel Magwitch: A Chronology of the Step-father Figure in Dickens's Great Expectations
• The Taint of the Past
• Marsh Gazing: Pip's Unhappy Reflections as an Apprentice
• "Reading" in the Novel: Misinterpretation of Plot and Crisis of Authorship in Great Expectations
• The Evils of Materialism in Idylls and Great Expectations
• A New Kind of Hero: Dickens's Great Expectations
• Victorian Endings: New Life, Old Love in Charles Dickens Great Expectations
• Moving Up the Social Ladder: The Bottom Rung vs. The Top Rung
• Biddy Voices Pip's Repressed Conscience
• Pip's Undoing
• Loyalty in Great Expectations and “The Coming of Arthur"
• Angels in the House?: Victorian Women in Great Expectations
• Hard Knocks in Great Expectations
• Subversion of Gender Identity in Great Expectations
• Renaming and Re-Creating Identity
• Criminally Self-Conscious: Pip's “Great Expectations"
• City and Country in In Memoriam and Great Expectations
• "Intimidation and Embarrassment in Conversations of Dickens' novel"
• Dickens, The Westminster Review, and the Convict Question
• Courtroom Experience in Victorian England at the time of Great Expectations
• Guilt and Complicity in Great Expectations
• Setting and Social Entrapmant in Great Expectations
• Death in Phantastes and Great Expectations
• Pip Learns to Reject the Goddess of Getting On
• Death as rebirth in Phantastes and Great Expectations

Other Works

• Theme and Subject in Little Dorrit
• Theme and Subject in Pickwick Papers
• Meltem Kiran Raw, "The French Revolution in the Popular Imagination: A Tale of Two Cities"
• Anthony Lake, "Ghosts, Bodies, Selves and others in David Copperfield"
• Philip V. Allingham, Crime-and Detection in Martin Chuzzlewit

Last modified 19 February 2015