Gerard Manley Hopkins: Religion (original) (raw)

Hopkins's religious beliefs and their contexts

• A Brief Biography
• Hopkins's Religious Theory of Inscape
• Hopkins and the Spiritual
• Reviving God: a study of Matthew Arnold and Gerard Manley Hopkins’ religious belief
• Tractarianism and the Oxford Movement.
• Roman Catholicism in Nineteenth-Century Great Britain
• New Converts to Roman Catholicism

Religious image, symbol, and motif

• Religious Belief and Religious Imagery
• "Yet hear my paradox": Hopkins's typological allusions, the Crucifixion, and the Aesthetics of Pressure and Pain
• The Christian Self: Spiritual Ideals, Religious Symbolism, and Poetic Devices in Hopkins' "As kingfishers catch fire, dragonflies draw flame"
• Moses's Rock and the Nile
• Stranger Among Strangers: Hopkins' Isolation from Society and God (and Corinthians 1.13)
• Allusion to the Bible, Imagery, and Structure in Hopkins's Poetry
• Inscape/Landscape: Image as Type in the Poetry of G. M. Hopkins
• Jacob, The Angel, & Hopkins (Genesis 32:22-30)
• “Pied Beauty”: God the Creator (Luke 2:12-14)
• A Soliloquy of One of the Spies in Ireland (Exodus 5, 16:31, Num 13.33, 14.37, Matt 27.46, John 20.25)
• A loss of childhood, a looming discovery of death in Hopkins' poem "Spring and Fall" (Job 5: 1-27)
• Job's Lament and “Carrion Comfort” (Job 4:10, 13:24-25, 6:11-14)
• Faith and Dejection: Arnold’s “Stanzas from the Grande Chartreuse” and Hopkins’s Wreck of the Deutschland

Last modified 27 July 2016